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verbal appearance and actual reality that Othello addresses throughout the play, wavering back and forth as a means by which to es...

we see Roderigo and Iago discussing the fact that this Moor, Othello, exists and is now in a position of power within the masters ...

directors. Because of the intimacy between stage performers and the audience, Shakespeares prose is able to serve as a feature pe...

does, then asks Lodovico why he wants her to return; then he has a speech in which he addresses his lines first to Lodovico then t...

connection between Iagos perception of race and the cultural perception that "black" equates with "evil." This perception of race ...

to share Iagos disgust and refers to Desdemonas acceptance of Othello as her "gross revolt" (I.i.134) and Roderigo shows his dista...

forthright and courageous. Coupled with these admirable characteristics, Desdemona also harbors a significant moral sensitivity a...

also clear that Shakespeare is not writing the play from the perspective that it is about the problems of interracial marriage. I...

(Shakespeare I i). In this we see a subtle indication that he has ended his anger and is now humble, doing what he must in followi...

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

a black man was not suitable to be a ruler. In clever fashion, he sets about to accomplish his goal. In fact, when Iago and Roder...

actions, in terms of black and white, good and bad. It is axiomatic that people wish to see those they regard as "good" as incapab...

shall my purpose work on him" (Shakespeare I iii). From there on out we begin to realize that we, as the audience, are the only on...

flies. Though that his joy be joy, / Yet throw such changes of vexation ont / As it may lose some color" (I.i.69-75). When Senato...

In six pages this essay considers how heroines love in each of these works which also discusses the social reflections of their ap...

In five pages the blackness of Othello the Moor is considered on various levels. Five sources are listed in the bibliography....

In five pages this paper discusses the racism themes in this play and also considers the role racism plays in contemporary America...

We know that Iago is considered one of Shakespeares worst villains and, John is a pale version by comparison; but perhaps we are s...

II, scene 1, lines 83-181, Shakespeare pictures an interlude in which Desdemona "beguile(s)" the time before Othellos arrival at C...

the consuls, raised and met, / Are at the Dukes already. You have been hotly calld for, / When, being not at your lodging to be fo...

This paper consists of five pages and provides an analysis of the manipulative Iago's character and examination of his behavior an...

This paper consists of five pages in which Russ McDonald's 'presentational theater' theory is used to analyze illustrations from S...

In each, their gestures of submission paradoxically enable the expression of desire. This shows female characters that inhabit th...

In five pages the dramatic structures and themes are compared in this examination of a trio of William Shakespeare's plays. Two s...

In six pages this paper examines the alterations Oliver Parker made to Shakespeare's play in his 1990s' interpretation in terms of...

This paper discusses why Shakespeare's protagonist sufficiently qualifies as being a tragic hero in a consideration of the charact...

In three pages this essay compares these two Shakespearean villains in terms of their similarities and the lack of sympathy each e...

In six pages this pivotal scene and its impact on the characters as well as its tragic implications are analyzed. There are no ot...

In five pages this paper presents the argument that Desdemona's love for the Moorish Othello expands romantic love to include fide...

In three pages the emotional conflicts that are based in anger are examined in terms of the protagonists behavior' and the importa...