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YOU WERE LOOKING FOR :Literary Portrayals of Blacks in Works by Eldridge Cleaver Amiri Baraka and Zora Neale Hurston

Essays 61 - 90

A Comparative View of Female Protagonists

changes in her life have both positive and negative implications. At the onset of the story, Janie is a character who is unable t...

Literature and Dual African American Worlds

Me" Hurston writes, "I remember the very day I became colored...But I am not tragically colored. Someone is always at my elbow rem...

Defiance in 'Sweat' by Zora Neale Hurston

and the house that she purchased with sweat and labor. However, Delia makes it clear that she will not be driven out. She tells hi...

Snake Symbolism in 'Sweat' by Zora Neale Hurston

her we see this as representative of the Devil, but the Devil will, as Delia suggested, is going to make sure Sykes got what was c...

Three African American Novels, Recurrent Themes

This essay pertains to common themes found within "Their Eyes Were Watching God" by Zora Neale Hurston and "The Color Purple" and ...

William Faulkner, Zora Neale Hurston, and Modernism

her best friend, about Joe Starks, who is an ambitious man that soon becomes the mayor of a small town called Eatonville. But Jani...

Harlem Renaissance and Zora Neale Hurston

her age and a man that treats her badly. In many ways he enslaves her and she feels helpless to leave him. Finally, Janie shares t...

Independence in 3 Works of Literature

his wife as one looks at a valuable piece of property which has suffered some damage" (Chopin 2). Women - wives, rather -...

Quest for the Purpose of Life in 'Absalom, Absalom!' and 'Their Eyes Were Watching God'

overrule her inherent independence as a strong, black woman by telling Phoeby she can "tell em what Ah say if you wants to. Dats ...

Anything We Love Can Be Saved A Writer's Activism by Alice Walker

In six pages Walker takes inspiration from Winnie Mandela and Zora Neale Hurston in presenting her own personal interpretation of ...

Self Definition Quest of Janie Crawford in Their Eyes Were Watching God by Zora Neale Hurston

In a paper consisting of two pages this paper discusses how the action of this novel by Zora Neale Hurston is propelled by the pro...

Janet St. Clair's Essay on Whiteness and Jim in Seraph on the Suwanee by Zora Neale Hurston

Ini nine pages this paper applies Janet St. Clair's essay to the 'whiteness' of the character Jim in this analysis of Seraph on th...

Mules and Men by Zora Neale Hurston and Folklore

In seven pages this consideration of Mules and Men by Zora Neale Hurston analyzes how folklore functions. Three sources are cited...

'African Time' in Their Eyes Were Watching God by Zora Neale Hurston

Clack or 'African time' is conceptually defined within the context of Their Eyes Were Watching God by Zora Neale Hurston in a pape...

Dust Tracks on a Road Autobiography by Zora Neale Hurston

home at an early age. Hurston described this period of her life as "a series of wanderings." She did occasional work as a wardrobe...

Sexuality in Seraph on the Suwanee by Zora Neale Hurston

This paper examines the sexuality featured in this 1948 final novel by Zora Neale Hurston in five pages. Five sources are cited i...

Zora Neale Hurston and Henrik Ibsen on the Individual and Society

In five pages this paper examines the relationship between society and the individual as represented by the female protagonists of...

Cultures That Are Invisible

In five pages the notion of 'invisible cultures' as portrayed in Blues People by Amiri Baraka, Ceremony by Leslie Marmon Silko, Sp...

Dave in "The Man Who was almost a Man" and "The Dutchman"

is 17 year old Dave, a young black man living in the south in the 1930s. He wants to feel powerful and grown-up, and thinks that i...

Hurston/Their Eyes Were Watching God

Killicks, an much older, but a very successful man. For Janies grandmother, freedom equates with having the financial security to ...

Marriages: Their Eyes Were Watching God

want him to do all de wantin" (Hurston 192). Her grandmother tells her something that seems specific to all arranged marriages whe...

Two Literary Views on the Rural South

full of material and that I could get it without hurt, harm or danger" (Mules 2). However folks "dont cotton to" Hurston as easil...

A Comparison of Two Southern Literary Works by Agee and Hurston

This paper compares and contrasts the views of the rural south as seen in James Agee's Let Us Now Praise Famous Men, and Zora Neal...

American Social Evolution in the Writings of Zora Neale Hurston and William Faulkner

In eight pages this paper discusses how social evolution is represented in the characters of Janie Woods in Hurston's Their Eyes W...

Their Eyes Were Watching God by Zora Neale Hurston and Symbolism

In six pages this paper examines the importance of imagery and symbolism in Hurston's 1937 classic novel. Six sources are cited i...

Dialect Significance in Their Eyes Were Watching God by Zora Neale Hurston

In twelve pages this research paper presents the argument that a greater appreciation of Hurston's classic novel can be acquired t...

Feminist Reading of Their Eyes Were Watching God by Zora Neale Hurston

that never completely heals. She was humiliated by her slave master, who raped her, impregnated her, and beaten by his wife who t...

Their Eyes Were Watching God by Zora Neale Hurston and the Character of Janie Crawford

I believe that Hurston was attempting to expose the scope of the racism problem through the character of Janie, as well as the str...

Archetypes in Their Eyes Were Watching God by Zora Neale Hurston

Hurstons perspective of womanhood as a journey toward self discovery and ultimate independence. The student researching this top...

Comparison of Essays Written By Langston Hughes and Zora Neale Hurston

extenuating circumstances except the fact that I am the only Negro in the United States whose grandfather on the mothers side was ...