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Essays 271 - 300

Imperialism in the Movies

the River (1935), The Lives of a Bengal Lancer (1935), King Solomons Mines (1937), Gunga Din (1939), Beau Geste (1939), and The Fo...

Hannibal Lecter as Hero

a woman-suit out of women (using their skin)-the ultimate in objectification" (Vorndam). Lecter is initially contemptuous of Starl...

Models, Miniatures, and the Battle for Hoth in The Empire Strikes Back

Many of his early Star Wars films feature several shots of models and miniatures that convey realism as impressively and in less t...

Classic Animation/Disney's Little Mermaid

mans face. The fish slips from his fingers and manages to make it over the side. The perspective follows the fish. The fish turn...

Analyses of 2 German Movies

decent amount of food and health. A Nazi band plays a bright military march that contrasts with the general shabbiness of the men ...

Math in Cinema

to computers to cell phones is digital in nature, that is, totally a product of math; yet, few of us understand how math makes the...

Three Film Versions of Richard III

foul he is that we suffer a twinge of guilt for siding with him so readily. But we tend to do it anyway. The "New York Times" rev...

Comparative Analysis of the Book and Film Versions of The Ugly American

as arrogant as they play up the fact they are noble and helping. In "The Ugly American" the authors note, "Hordes of United States...

Comparing the Cinematic Versions of Hamlet by Franco Zeffirelli and Kenneth Branagh

has come forth with a version that wholly eclipses the standard. What can easily be argued is the fact that Branaghs film version...

Anthropological Assessment of the Film North Country

children. Josie gets the job, but from the first day, she is subjected to snide sexual references. The women working at the mine ...

Cinematic Explanation of Sciences' Gender Gap

crashes several hours flying time from a scientific research station in the Arctic. An Air Force crew is ordered to go and pick up...

A Trio of Cinematic Rebels

indication that the audience has that Travis is not quite normal, that is, that his combat experience has left him with mental sca...

Martin Scorsese's Justification of Violence in Films Mean Streets, Taxi Driver, GoodFellas and Casino

and accumulating gambling debts he cannot possibly pay, the stage is set for a bloody confrontation when loan sharks come calling....

Russian Culture in the Film Window to Paris

to the history of this powerfully great city, "Like the magic of a Russian fairy tale, St. Petersburg grew up with such fantastic ...

Cinematic Analysis of The Killing Fields

of hope and a future for the people, not a controlled government that decimates the people. Without really having been in ...

French Cinema's 'New Wave'

In 5 pages this paper discusses the Nouvelle Vague or New Wave French cinematic movement of the Fifties and Sixties in a considera...

Apocolypse Now

Coppola also uses the aspect of theater, which acknowledges that each member of the audience will bring with them, to the theater,...

Feminist Cinematic Theory and Psychoanalysis

In five pages this paper examines psychoanalysis' relevance to feminist cinematic theory in a consideration of the article 'Masoch...

Female Characters as Spectators in Early Cinema

This paper examines the heavily male-influenced film industry as it related to the roles played by female characters. The author ...

Filmmaker Tim Burton

In seven pages this eccentric and innovative film director is examined in terms of craft, cinematic output, and human insights. Si...

Philosophical and Aethetic Comparison of 'Schindler's List' and 'The Battle Of Algiers'

This is a 5 page paper that considers two different cinematic filmmaking approaches to specific battles, one from a Third World pe...

Film Director John Schlesinger

In five pages this research paper examines the cinematic career of filmmaker John Schlesinger in an artistic consideration of such...

Cinematic Technique Known as 'the Long Take'

In six pages this paper examines how filmmakers such as Hou and Orson Welles have employed the long take cinematic technique in su...

Reviewing A Long Kiss Goodnight Film

In six pages the 1996 film directed by Renny Harlin, written by Shane Black and costarring Geena Davis and Samuel L. Jackson is di...

Narrative Style and Theme of Citizen Kane

In six pages a cinematic analysis of director Orson Welles' masterpiece Citizen Kane focuses upon the auteur's themes of capitalis...

Film Analysis of Orson Welles' The Magnificent Ambersons

In five pages this paper presents an analysis of the 1942 motion picture The Magnificent Ambersons in an examination of director O...

Coen Brothers' O Brother, Where Art Thou Sirens and KKK Scenes Analyzed

of a directors wish to go into a more exciting creative direction by deviating from his formulaic musical comedies and instead mak...

Comparing Novel and Film Versions of Like Water for Chocolate

ever since Garcia Marquez won the Nobel Prize" (Simon 64). The novel was an attention grabber and did have it elements of superna...

William Shakespeare's Hamlet in Film

stunning performance as Ophelia and at the time she was not as well known as she is today. However, when Charlton Heston appears o...

Jane Campion's Film The Piano from a Psychological Perspective

In five pages a cinematic analysis of The Piano is presented from the psychological perspectives of Lawrence Kohlberg, Abraham Mas...