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Essays 271 - 300

Director Kenneth Branagh's Hamlet (1996)

This paper pertains to Kenneth Branagh's adaptation of "Hamlet." The writer describes the overall film and the cinematic devices ...

Director Chris Marker

This paper discusses the work of French film director Chris Marker. The writer address his cinematic style, his topics and his psy...

M.L. King/Letter from a Birmingham Jail

Alabama because he was "invited here" and because of his "organizational ties" to the area (King). Statement of Understanding: H...

The Indulgence Controversy

realize they could expand their power through indulgences (Spaeth et al., 18). For instance, special indulgences were initially gi...

2 Books on the Spanish Armada

able to find data that yielded "new evidence," which weakened certain viewpoints while strengthening others.1 Mattingly, first o...

Martin & Gould/Gender Stereotype & Reproduction

brain scarcely heavier than that of white women" (Gould 154). As this illustrates, Gould uses science history to show how deeply...

Crash, A Cinematic Parable

his motivation for stealing Jean and Ricks car. However, in committing grand theft auto, Anthony objectifies Jean and Rick just as...

British Cinematic Development Until 1939

In ten pages this paper chronicles the history of British film from its 19th century origins until 1939. Six sources are listed i...

Popular Culture, Cinematic Violence, and Media Literacy

to the family, children, political leadership, and sexuality" (Wee, 2006, p. 50). Links have been discovered between these violen...

The Apostle, Wise Blood, and Cinematic Faith

In ten pages this paper examines the types of faith represented in these films along with a comparison with Flannery O'Connor's no...

Cinematic Screwball Comedies and Their Evolution

In eighteen pages the screwball comedy is examined in terms of its history and evolution with a discussion of their intentions alo...

Three Decades of Cinematic Representations of Their Respective Times

In six pages this report analyzes how Gold Diggers of 1933, Casablanca, and Invasion of the Body Snatchers each represent their re...

Cinematic Portrayals of Human Rights Offenses

In five pages this paper examines how public awareness of human rights' offenses was heightened by the shocking abuses featured in...

Cinematic Techniques and Narrative in The Graduate

by the same name and so was translated to the silver screen. When this is done it is always a touchy business. Much of the motivat...

Federico Fellini's Movies and Their Cinematic Influence

he would have lent his considerable talents and boundless energy to the circus arena "because the circus is just that same mixture...

Cinematic Analysis of Children of a Lesser God

to hear the sound of my own voice, he says at one point, and indeed he does such a smooth and natural job of translation that the ...

Cinematic Analysis of Pierrot le Fou

ethnology, he developed an affinity for film which he would then continue to spend his life committed to (Biography of Jean-Luc Go...

Cinematic and Literary Representations of Vanity

necromantic books are heavenly!" (Marlowe, Act 1, Li 40-50). Having made his decision to...

Cinematic Version of Anthony Burgess' A Clockwork Orange and the Problems Faced by Director Stanley Kubrick

In eight pages this paper discusses the problems filmmaker Stanley Kubrick struggled with while making his big screen adaptation o...

Comparing Rudyard Kipling's Prose with John Huston's Cinematic Narrative in The Man Who Would Be King

In five pages the voices used in these very different ways of telling the same story are compared and contrasted in terms of artis...

Strategic Cinematic Marketing

In eight pages this paper examines innovative marketing strategies for films with The Blair Witch Project as a recent example of a...

African American Stereotypes and Cinematic Semiotics

rather than blatant stereotypes and also new films which spoof the previous stereotypes depicted which in effect erases cinematic ...

Cinematic Portrayal of Greek Virtue and Philosophers

84). However, Socrates is willing to concede that an individual can desire an evil thing if he mistakenly first evaluates it as go...

Cinematic Influences of 1960s' Society

the story of twelve men (all stereotypical white and middle class) who by luck of the draw are brought together to deliberate the ...

Mike Nichols' The Birdcage Cinematic Content Analysis

a good impression on his prospective in-laws, Armand and Albert pretend to be straight (Bawer). Instead of going for the easy lau...

Cinematic Depiction of Deviance

In eleven pages this paper discusses how deviance is cinematically depicted in such films as Leaving Las Vegas and One Flew Over t...

U.S. Society and Cinematic Stereotypes of Hispanics

In five pages this paper considers how Hispanics have been stereotyped by American society and how cinema has perpetuated this dis...

The Seventh Seal and Cinematic Symbolism of Director Ingmar Bergman

In five pages this paper analyzes the symbolism Ingmar Bergman employed for existentialist effect in his 1957 film The Seventh Sea...

The Wizard of Oz, Citizen Kane, and Cinematic Reflections of America

In five pages this paper discusses how these films reflect expansionism, individualism, success, economic wealth, the 'American Dr...

Cinematic Depiction of Unions in Hoffa, Wall Street, and The Grapes of Wrath

In five pages this paper examines how these films depict U.S. labor unions in an evaluation of whether or not management and labor...