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Essays 301 - 330

Cinematic Comparative Analysis of L'Avventura and Sleepless in Seattle

narrative style. With Sleepless there is a sense of desperation as lives are changing. In LAvventura there is a real desperate sit...

The Bourne Identity Cinematic Analysis

to tell what might appear on first glance to be a tired old story. First, there is the scintillating color that enables the film ...

Birth of a Nation/Cinematic History

history of the Civil War and the Reconstruction. In essence, Griffith is recounting the tales told to him by his father, who was a...

Cinematic Portrayal of Greek Virtue and Philosophers

84). However, Socrates is willing to concede that an individual can desire an evil thing if he mistakenly first evaluates it as go...

African American Stereotypes and Cinematic Semiotics

rather than blatant stereotypes and also new films which spoof the previous stereotypes depicted which in effect erases cinematic ...

Overview of the Western Cinematic Genre

Battle of Summit Springs, a reenactment that showcased Cody rescuing poor white damsel Indian captives in distress (Buscombe 286)....

Empire Records Cinematic Analysis

Music Town. With $9,000 of store receipts in his pocket, Lucas goes to Atlantic City in hopes of parlaying that into enough money...

Orson Welles' Citizen Kane and Frank Capra's Meet John Doe Cinematic and Comparative Analysis

tight close-up (Dirks, 1996). There is a menacing "No Trespassing" sign outside an old gate, and after panning up over a chain-li...

Citizen Kane, Cinematic Art

reporter investigating this issue and interviewing the various people who new Kane. From the newsreel, the audience learns that ...

Cinematic Interpretations of Hamlet

decision for Olivier to choose to embark on this project. At the age of forty, Olivier thought he was too old to play the Danish p...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

Feminine Cinematic Construction in Christopher Strong and La Maternelle

film La Maternelle (The Nursery School) begins with the story of Rose, who has been forced by the men in her life - her fathers ba...

Cinematic Director Fatih Akin

as reflecting reality depicting unusual events or situations, but presenting real conflicts and issues that reflect this history o...

1920 and 1992 Cinematic Adaptations of James Fenimore Cooper's Last of the Mohicans

was shot on location at Big Bear Lake and Yosemite Valley in California (Magills-1920). In an interview with film historian Kevin ...

Jean Pierre and Luc Dardenne and Their Cinematic Style

Palme dOr and "best actress" for its star in 1999 (Dargis). The brothers generally share the tasks of both writing and directing...

Chinese Cinematic Art

Even today, if we look at the extent to which Chinese cultural ideology has made its way to the West via art and...

Brian DePalma's 'Carrie' A Cinematic Analysis

would become his own trademark. This film, along with Obsession (1976), further developed De Palmas expressive use of cinematogra...

All About Eve Cinematic Analysis

provides evidence of repressed female sexuality, and reveals how the traditional patriarchy was threatened as a result of these ch...

Cinematic Perspectives of Society and Race

culture. "Out of Africa", for example, is a love story. It is also a story of contrasts. A Danish woman lands in the middle of K...

Cinematic Depiction of Hong Kong

that it has always been a colony of sorts. Its independence is illusive and while things have changed since 1997, it seems as if H...

The Apostle, Wise Blood, and Cinematic Faith

In ten pages this paper examines the types of faith represented in these films along with a comparison with Flannery O'Connor's no...

Cinematic Screwball Comedies and Their Evolution

In eighteen pages the screwball comedy is examined in terms of its history and evolution with a discussion of their intentions alo...

Three Decades of Cinematic Representations of Their Respective Times

In six pages this report analyzes how Gold Diggers of 1933, Casablanca, and Invasion of the Body Snatchers each represent their re...

Cinematic Portrayals of Human Rights Offenses

In five pages this paper examines how public awareness of human rights' offenses was heightened by the shocking abuses featured in...

Cinematic Analysis of Dead Man Walking and Schindler's List

This paper examines how character action is used by the director of Dead Man Walking, and commercially motivated criticisms of Sch...

Cinematic History of Filmmaker Francis Ford Coppola's The Godfather

In six pages this paper examines The Godfather in terms of how it represented gender, race, and class. Three sources are cited in...

Los Angeles and Its Cinematic Images

to do is wait and persist and she will eventually love him. While Tod is also not successful in his goal, he realizes that the cul...

Literary and Cinematic Portrayal of Slavery

In seven pages this paper considers how slavery has been portrayed in cinema, stories, and books. Eleven sources are cited in the...

Shaping History Through Cinematic Narratives

rather how it appears to the person that is hearing or viewing the story. Does the narrative appear to distort or change what ha...

It's a Mad, Mad, Mad, Mad World, The Great Race, and Cinematic Slapstick

" or literally "slapping the stick"(Von Busack ppg). It is a physical humor, reminding us that we are physical beings in a real w...