YOU WERE LOOKING FOR :Martin Scorsese Cinematic Comparison
Essays 181 - 210
use the camera in the same way as an author uses words for both aesthetic and textural purposes. There are two particularly effec...
Passage to India. However, his creative pinnacle is largely acknowledged to be the wildly successful (both critically as well as ...
the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...
Coppola also uses the aspect of theater, which acknowledges that each member of the audience will bring with them, to the theater,...
In 5 pages this paper discusses the Nouvelle Vague or New Wave French cinematic movement of the Fifties and Sixties in a considera...
In five pages this paper examines psychoanalysis' relevance to feminist cinematic theory in a consideration of the article 'Masoch...
This paper examines the heavily male-influenced film industry as it related to the roles played by female characters. The author ...
In six pages this paper examines how filmmakers such as Hou and Orson Welles have employed the long take cinematic technique in su...
In seven pages this eccentric and innovative film director is examined in terms of craft, cinematic output, and human insights. Si...
This is a 5 page paper that considers two different cinematic filmmaking approaches to specific battles, one from a Third World pe...
In five pages this research paper examines the cinematic career of filmmaker John Schlesinger in an artistic consideration of such...
expectations of the movies plot. The believability of characters is directly proportionate to the credibility of the plot. If a ...
is particularly evident in the spread of American culture seemingly to the far corners of the globe (Eslake 61). On practically e...
In thirty pages this paper discusses the controversial actor and director's life, cinematic contributions, politics, and the legac...
In eight pages this paper discusses the cinematic portrayal of African Americans with stereotype reliance a primary emphasis. Ele...
In eight pages this report presents examines of twentieth century cinematic artistry. Four sources are cited in the bibliography....
In ten pages these cinematic melodramas of the Forties are examined in a discussion of meaning construction through class and gend...
stunning performance as Ophelia and at the time she was not as well known as she is today. However, when Charlton Heston appears o...
In five pages a cinematic analysis of The Piano is presented from the psychological perspectives of Lawrence Kohlberg, Abraham Mas...
In five pages William Shakespeare's original play is contrasted and compared with Oliver Parker's 1995 cinematic interpretation. ...
wind up running for their lives from the dinosaurs that escape due to the computer programmer Dennis Nedrys treachery. Grant ensur...
In five pages this paper discusses the cinematic style of nonnarrative abstract developed by Kenneth Anger, underground filmmaker....
In six pages this paper examines politics in the United States and how it is portrayed in the novel and cinematic versions of Prim...
In eight pages the roots of avant garde regarding film are argued to be in the visual arts as opposed to the narrative cinematic t...
Experimental films are discussed in this research paper consisting of six pages with Lynch's feature debut the focus of considerat...
In three pages this paper examines the filmmaker's various cinematic techniques and include elements such as utilizing teenage act...
In five pages this paper considers the film's parallels with Heart of Darkness by Joseph Conrad and also discusses influences of T...
Such cinematic techniques as mise-en-scene are discussed in a paper consisting of 6 pages as thematic and narrative expression are...
In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...
Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...