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YOU WERE LOOKING FOR :Novel and Film Versions of Jane Austens Pride and Prejudice

Essays 421 - 450

Racism in Pudd'nhead Wilson by Mark Twain and Classism in Little Dorrit by Charles Dickens

away. He stands as a man of a higher social class who has integrity. His mother, however, represents all that is bad in the upper ...

2 films: America and The Patriot

as other authors, date this film as 1924, not 1929, which is why this date is used. Griffith envisioned his film as an epic, but t...

The Little Horse That Could

entirely different media. It is unfair of movie audiences to expect a director to put their favorite book on screen, scene-for-sce...

Written on the Body, The Color Purple

being suppressed both physically and emotionally for years by brutal treatment, Celie blossoms under the sunshine of Shugs love. A...

The Tempest Play by William Shakespeare and the Film Version by Julie Taymor

focused on Shakespeares perspectives on innocence and its consequences. As envisioned by Shakespeare according to his stage direc...

Juliet's Images in Film Versions of Romeo and Juliet by William Shakespeare

the second quatrain and then the third, on her own (Downing 126). In so doing, she overturns the Petrarchan convention wherein th...

The Text and Film Versions of 'A Rose for Emily'

the characters talk and interact creates a very different setting for the story. It also limits how we envision the story that unf...

Comparing Stage and Film Versions of Othello

the audience a close up of Othellos face and the audience is able to watch the doubt creep over Othellos face. Without saying anyt...

Analyzing Oliver Parker's Film Version of Othello

military prestige and marriage to a well-to-do Caucasian, was little more than a savage who was ultimately enslaved by primal pass...

Comparative Analysis of the Book and Film Versions of The Ugly American

as arrogant as they play up the fact they are noble and helping. In "The Ugly American" the authors note, "Hordes of United States...

Three Film Versions of Richard III

foul he is that we suffer a twinge of guilt for siding with him so readily. But we tend to do it anyway. The "New York Times" rev...

Comparative Analysis of the Film Versions of William Shakespeare's Hamlet

In eight pages this paper contrasts and compares Laurence Olivier's 1948 Hamlet adaptation with Franco Zeffirelli's 1990 interpret...

David Lean's Film Version of Great Expectations and Confusing Appearances for Reality

In five pages this paper considers the 1946 film adaptation of Charles Dickens' novel by director David Lean in a discussion of ho...

Film Versions of Anne of Avonlea and Anne of Green Gables

In ten pages the transition from the printed page unto the visual silver screen is examined in a consideration of these novels tur...

Play and Film Versions of A Doll's House by Henrik Ibsen

This paper consists of six pages in which comparisons are made between Oedipus and Ibsen's heroine Nora Helmer along with a compar...

1980 Film Version of Paul Brodeur's The Stunt Man

In five pages this paper analyzes the camera uses to describe the insights of the protagonist and to keep the action moving in Ric...

A Comparison of the Print and Film Versions of, A Raisin In The Sun

This essay compares and contrasts various elements of Lorraine Hansberry's, A Raisin In The Sun, and how the original play compare...

Film and Book Version Analysis of 'The Godfather'

outsiders who entered their orbit (such as Michaels WASP wife, Kay) represented the audience and their fascination and revulsion o...

Raymond Chandler's The Big Sleep and Howard Hawks' Film Version

In five pages the many differences between Chandler's detective novel and Howard Hawks' 1946 big screen interpretation are examine...

1952 Film Version of Othello

In five pages this paper considers the unique opening scene of Orson Welles' 1952 adaptation of William Shakespeare's famous trage...

Film Version of the Musical Hair

In five pages this paper examines the social conflict represented by hair within the context of the film and how it may be perceiv...

Play and Film Versions of Glengarry Glen Ross Compared

The play is divided into two acts, containing three scenes in the first and two scenes in the second. It centers...

Analysis of Literary and Film Versions of The Color Purple

a young girl who has only her inherent strength and her faith in God to help her survive. She is not especially intelligent, nor i...

1974 Film Version of The Great Gatsby

shirts and strolls her through his kitchen. There, we see Daisys hand trailing along a large work table...the elegant chandeliers ...

Tennessee Williams' Cat On a Hot Tin Roof Play and Film Versions

severity of the Bricks grief at Skippers death causes his relatives to speculate, but this is dispelled in the crucial scene that...

Book and Film Versions of John Steinbeck's The Grapes of Wrath

In six pages this paper emphasizes class consciousness in a discussion of how class is portrayed during the Great Depression in St...

The 1993 Film Version of Randy Shilts's And The Band Played On

In five pages the ways in which the film depicts the AIDS epidemic, the frustrations, social attitudes, and lack of funding associ...

Book and Film Versions of Empire of the Sun

and he never becomes completely embittered. In this book (made later into a film by Steven Spielberg), Ballard relates the life o...

Angela's Ashes Film Version Creation

In five pages transforming Frank McCourt's autobiographical text into a screenplay is examined in terms of necessary elements and ...

Film Versions of William Shakespeare's Othello by Directors Orson Welles and Oliver Parker

In five pages this paper critiques 2 film interpretations of William Shakespeare's tragedy Othello. One source is cited in the bi...