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Essays 1411 - 1440

Concept of 'Natural Slave' in Politics by Aristotle and The Tempest by William Shakespeare

This paper contrasts and compares how the 'natural slave' concept is portrayed in these literary classics in five pages. There ar...

Othello by William Shakespeare and Characterization

well lead him into trouble. He is not a particularly observant man, nor an introspective one. He can be very imaginative and highl...

Scenes of Richard III by William Shakespeare Analyzed

In 10 pages pivotal scenes including the second scene of the first act, the first scene of the second act, the first scene of the ...

Eavesdropping in Much Ado About Nothing by William Shakespeare and An Ideal Husband by Oscar Wilde

In twelve pages the importance of eavesdropping and written communications to these two plays are examined. Three sources are cit...

3 Perspectives on Julius Caesar by Plutarch, William Shakespeare, and Joseph L. Mankiewicz

In six pages this paper discusses how Plutarch and Shakespeare presented Julius Caesar in comparison to Joseph L. Mankiewicz's 195...

Macbeth by William Shakespeare and the Motifs of Blindness, Sight, Darkness, and Light

In ten pages this paper examines Shakespeare's characterizations of Lord and Lady Macbeth regarding how they enable him to masterf...

Women in Much Ado About Nothing and Taming of the Shrew by William Shakespeare

In ten pages this paper discusses how the traditional and nontraditional roles of women are represented in Hero and Bianca, and Be...

Portrayal of Women in Merchant of Venice and As You Like It by William Shakespeare

of Orlando sets in motion the complex maneuverings that form the core of the plot (Kinney 299). The poems of Orlando are a mirror...

Self Serving Fathers in the Plays of William Shakespeare

to ask whether Miranda is listening to him when it seems obvious that she is. This seems like a control mechanism rather than a ge...

Religious Redemption in King Lear by William Shakespeare

In five pages this paper analyzes evil forces in this tragedy and how redemption is portrayed within the context of the Elizabetha...

Prince Hal's Maturation in Henry IV, Part I by William Shakespeare

In six pages this paper examines Prince Hal's maturity in this Shakespeare historical play in an analysis of the roles played by F...

Twelfth Night by William Shakespeare, Lord of Misrule and Malvolio

In five pages this paper discusses the enigma that is Malvolio and his Lord of Misrule representation. There are 2 sources cited ...

The Tempest by William Shakespeare and the Utopian Kingdom as Conceptualized by Gonzalo

In five pages Act II's short passage in which Gonzalo details his ideal kingdom characteristics are examined in terms of Utopianis...

Romeo and Juliet by William Shakespeare, Children's Lies, and Feuding Families

In four pages deception in Shakespeare's plays and its repercussions relevant to the lies of children and family feuding are discu...

'Queen Mab' Speech of Mercutio in Romeo and Juliet by William Shakespeare

In five pages this paper analyzes this speech and how it becomes as much uncontrollable violence as sparked by the play's lovers. ...

Comparative Analysis of Titus Andronicus and Romeo and Juliet by William Shakespeare

works had been turned into movies. Of course, film makers take license to distort the plot, characterization and verbiage. Despite...

C.S. Lewis, Emily Dickinson, and William Shakespeare on Friendship

In five pages this paper examines the nobility of friendship from the perspectives of these literary giants. Four sources are cit...

Love According to E. Annie Proulx, Sigmund Freud, and William Shakespeare

marriage. So Freud had roughly 1,460 sexually-oppressed days to contemplate the meaning of life and why we humans operate the way...

Relationship Between Benedick and Beatrice in Much Ado About Nothing by William Shakespeare

love, as were Benedick and Beatrice, but Benedick and Beatrice did not admit their love at first. They grew to love each other ou...

Twelve Lines from Othello by William Shakespeare

line indicates how Iago begins to chip away Othellos confidence in his lieutenant and his wife, as Iago insinuates there is someth...

Comparative Analysis of Sonnet 23 and Sonnet 147 by William Shakespeare

tongue slow to respond is more than fear, it is also rage (line 3). This rage is so intense that it weakens his heart, that is, hi...

Prospero's Coldness in The Tempest by William Shakespeare

he received from those closest to him, emphasizing his own over-inflated sense of importance and intellect. His overbearing natur...

The Merchant of Venice by William Shakespeare and Elizabethan Usury

In five pages this paper examines the customs of moneylending that existed during Elizabethan times in this consideration of a let...

Romeo and Juliet by William Shakespeare and Fencing

In seven pages Elizabethan style fencing as it is featured in Shakespeare's romantic tragedy is considered. Six sources are cited...

Emilia's Statement in Act V, Scene ii of Othello by William Shakespeare

skitters to the old event with a new trigger. It does not matter that it is a new person, a new time, or a new love. The memory...

Story of The Tempest by William Shakespeare

In four pages the plot of the story The Tempest and perceptions of it are analyzed. There are no other sources listed....

A Midsummer Night's Dream by William Shakespeare and Customs of Elizabethan Love and Marriage

In five pages this paper examines how Shakespeare portrays the love and marriage customs of his Elizabethan era within the context...

Disorder and Moral Darkness in Macbeth by William Shakespeare

In five pages this paper analyzes the tragedy of disorder and moral darkness that characterizes the play and considers the roles L...

Romeo and Juliet by William Shakespeare and the Themes of Choice and Fate

In ten and a half pages the themes of fate and choice as they impacted upon the deaths of the young lovers are analyzed. Three so...

Justice and Revenge in The Tempest by William Shakespeare and Electra by Euripides

"Id plan and work revenge with her" (line 102). With the gods approval, Electra and Orestes set out to avenge their fathers murde...