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Essays 151 - 180

Play and 1995 Film Version of William Shakespeare's Othello

an extremely abbreviated version of the play. Well over half the dialogue of the original play has been condensed or eliminated i...

Revenge and Doubt in William Shakespeare's Othello and Hamlet

and situations in black and white terms. Therefore, he is less tolerant of sin and more judgmental then his Danish counterpart. Wh...

William Shakespeare's King Lear, Othello, and Hamlet in Terms of Themes and Dramatic Structures

In five pages the dramatic structures and themes are compared in this examination of a trio of William Shakespeare's plays. Two s...

Tragic Hero Exemplified by William Shakespeare's Othello

This paper discusses why Shakespeare's protagonist sufficiently qualifies as being a tragic hero in a consideration of the charact...

William Shakespeare's Characters Edmund in King Lear and Iago in Othello

In three pages this essay compares these two Shakespearean villains in terms of their similarities and the lack of sympathy each e...

Oliver Parker's Film Interpretation of William Shakespeare's Othello

In six pages this paper examines the alterations Oliver Parker made to Shakespeare's play in his 1990s' interpretation in terms of...

Racism in William Shakespeare's Othello

connection between Iagos perception of race and the cultural perception that "black" equates with "evil." This perception of race ...

Iago's Shame in Act 3, Scene 3 of William Shakespeare's Othello

for the Moor, and he does so with artful and apparent reluctance. He plants the seed of doubt for Othello without ever maki...

Past and Present Racism and William Shakespeare's Othello

to share Iagos disgust and refers to Desdemonas acceptance of Othello as her "gross revolt" (I.i.134) and Roderigo shows his dista...

Emilia and Desdemona in William Shakespeare's Othello

In five pages these two wives victimized by their spouses are examined in a similarities and differences comparison and contrast. ...

Racism in William Shakespeare's Othello

that is perverted by the subterfuge and overt evil of Iago. Examining the character of Iago is enlightening to anyone who has ever...

Desdemona and the 'Jewel' Motif Recurrence in William Shakespeare's Othello

forthright and courageous. Coupled with these admirable characteristics, Desdemona also harbors a significant moral sensitivity a...

Critically Exploring William Shakespeare's 'Othello' from a Marxist Perspective

a black man was not suitable to be a ruler. In clever fashion, he sets about to accomplish his goal. In fact, when Iago and Roder...

William Shakespeare's Othello and Its Pleasurable Aspects

actions, in terms of black and white, good and bad. It is axiomatic that people wish to see those they regard as "good" as incapab...

Comparative Analysis of Krogstad in Henrik Ibsen's A Doll's House and Iago in William Shakespeare's Othello

shall my purpose work on him" (Shakespeare I iii). From there on out we begin to realize that we, as the audience, are the only on...

Deceit and Iago in William Shakespeare's Othello

In short, then, Othello has it all, and in Iagos eyes, he has nothing. It is apparent that Iago has worked for many years in the s...

Family Conflicts in Henrik Ibsen's A Doll's House, Sophocles' Oedipus the King, and William Shakespeare's Othello

position in the court was not higher than it was. He is the source of all conflict in the story for he presents Othello with subtl...

Motivation of Iago in William Shakespeare's Othello

onto that of an innocent man. This cleverly conceived plot is Iagos manner of psychologically fooling the one he is also deceivin...

Jealousy in William Shakespeare's Othello

In three pages this essay analyzes Othello in a consideration of jealousy's featured role in the characterizations of the protagon...

William Shakespeare's Othello Cinematic Adaptations

box office. Welles was a product of his time and though he had tremendous creativity when it came to camera angles and budgets,...

Othello’s Behavior in Act IV, Scene I

does, then asks Lodovico why he wants her to return; then he has a speech in which he addresses his lines first to Lodovico then t...

Othello by William Shakespeare and 3 Different Perspectives

directors. Because of the intimacy between stage performers and the audience, Shakespeares prose is able to serve as a feature pe...

Shakespeare's Tempest/Act III Scene 1

Milan (Sutton 224). To further exemplify these features, consider a close examination of one scene. As Act III, scene 2, opens, ...

The Tempest by William Shakespeare and the Natural World's Superiority

In five pages this paper examines how the characterizations of Antonio and Gonzalo represent the superiority of the natural world ...

Characterizations in Hamlet and As You Like It by William Shakespeare

In five pages the ways in which the modern world is reflected within the tragic and comic characterizations William Shakespeare cr...

Females in William Shakespeare Plays Queen Margaret and Lady Percy

In eleven pages Queen Margaret in William Shakespeare's Richard the Third and Lady Percy in Shakespeare's historical play Henry IV...

William Shakespeare's Twelfth Night and 5 Questions

Sir Toby Belch is Olivias kinsman and the primary comic conspirator in the play. Sir Toby treats Malvolio and Sir Andrew as fools ...

Justifying Authority

The ways in which authority has been justified in literature is examined in Geoffrey Chaucer's 'The Wife of Bath's Tale,' William ...

Women in Othello and Fences

he doubts her, believing the words of others, one can see that he is a very insecure man where his love is concerned. In the cas...

Keeping Secrets: Othello and The Importance of Being Earnest

of love" (Shakespeare I i). He sets the premise for keeping secrets when he informs the audience or reader that he hates Othello b...