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Essays 1171 - 1200

Twelfth Night by William Shakespeare, Lord of Misrule and Malvolio

In five pages this paper discusses the enigma that is Malvolio and his Lord of Misrule representation. There are 2 sources cited ...

Twelfth Night by William Shakespeare and the Fool Feste

but around him revolve some of the most significant issues of this extremely complex play. Feste, whom George Steiner calls "Shak...

Tragic Elements of Hamlet by William Shakespeare

In five pages this paper analyzes the play's tragic elements and then applies them to the experience of the contemporary world....

Supernatural in Macbeth and Hamlet by William Shakespeare

theme that Shakespeare used appeared in many different forms. Perhaps the most distinguished of the supernatural forms is the gho...

Religious Redemption in King Lear by William Shakespeare

In five pages this paper analyzes evil forces in this tragedy and how redemption is portrayed within the context of the Elizabetha...

Character Analysis of Laertes in Hamlet by William Shakespeare

leaves to France. He gives her advice, as a brother would, and recommends that she be careful with Hamlet and that she must prote...

The Tempest by William Shakespeare and the Utopian Kingdom as Conceptualized by Gonzalo

In five pages Act II's short passage in which Gonzalo details his ideal kingdom characteristics are examined in terms of Utopianis...

'Queen Mab' Speech of Mercutio in Romeo and Juliet by William Shakespeare

In five pages this paper analyzes this speech and how it becomes as much uncontrollable violence as sparked by the play's lovers. ...

Romeo and Juliet by William Shakespeare, Children's Lies, and Feuding Families

In four pages deception in Shakespeare's plays and its repercussions relevant to the lies of children and family feuding are discu...

Feminine Frailty in Hamlet by William Shakespeare

the wishes of his mother and the king to remain at court rather than return to his school, they are grateful and satisfied and lea...

Macbeth by William Shakespeare and the Motifs of Blindness, Sight, Darkness, and Light

In ten pages this paper examines Shakespeare's characterizations of Lord and Lady Macbeth regarding how they enable him to masterf...

Hamlet by William Shakespeare and the Character of Ophelia

defines her character. She is, in essence, a human mirror, used to reflect the desires of others (Dane gdane.html). Her inabilit...

3 Perspectives on Julius Caesar by Plutarch, William Shakespeare, and Joseph L. Mankiewicz

In six pages this paper discusses how Plutarch and Shakespeare presented Julius Caesar in comparison to Joseph L. Mankiewicz's 195...

Macbeth by William Shakespeare: Masking Characters Intentions in Act III

from them - / As upon thee, Macbeth, their speeches shine -- / Why, by the verities on thee made good, / May they not be my oracle...

The Tempest Play by William Shakespeare and the Film Version by Julie Taymor

focused on Shakespeares perspectives on innocence and its consequences. As envisioned by Shakespeare according to his stage direc...

Comedy and Tragedy Distinctions in Measure for Measure and Hamlet by William Shakespeare

three months after the murder of her husband. In Measure for Measure, its protagonist is not a man of illustrious social status. ...

Comparative Analysis of Doctor Faustus by Christopher Marlowe and Hamlet by William Shakespeare

even if there were a few sinful missteps along the way. However, if they put themselves and their own needs ahead of what God exp...

Comparative Analysis of Sonnet 23 and Sonnet 147 by William Shakespeare

tongue slow to respond is more than fear, it is also rage (line 3). This rage is so intense that it weakens his heart, that is, hi...

Protagonist Comparison in A Raisin in the Sun by Lorraine Hansberry and Hamlet by William Shakespeare

fortune / Or to take arms against a sea of troubles, / And by opposing end them. To die- to sleep- / No more; and by a sleep to...

Justice and Revenge in The Tempest by William Shakespeare and Electra by Euripides

"Id plan and work revenge with her" (line 102). With the gods approval, Electra and Orestes set out to avenge their fathers murde...

Prospero's Coldness in The Tempest by William Shakespeare

he received from those closest to him, emphasizing his own over-inflated sense of importance and intellect. His overbearing natur...

Richard III by William Shakespeare and Morality Play Period Staging

between Richard and the audience so as to establish an immediate intimacy. He "remains in direct contact with the spectators thro...

Female Characters in Coriolanus and Macbeth by William Shakespeare

They have made themselves, and that their fitness now / Does unmake you. I have given suck and know / How tender tis to love the ...

Hamlet by William Shakespeare and the Influence of Seneca

to follow it, which he does. The ghost says that he is Hamlets father, and that he was murdered; further, he says that the crime ...

The Concept of Ambition in Hamlet by William Shakespeare and Essays by Michel de Montaigne

he was aware of; they are both of them things pre-eminently vain glory also, like a shadow, goes sometimes before the body, and so...

Macbeth by William Shakespeare and the Role Played by the Supernatural and the Witches

that sounds like ritualistic chanting: FIRST WITCH. When shall we three meet again? / In thunder, lightning, or in rain? SECOND ...

Henrik Ibsen's A Doll's House, King Lear by William Shakespeare, and Sacrifice

do him wrong. She is all but banished and ends up marrying into wealth and power in another region of the continent. Still she sid...

Critically Assessing Presentation of Christians and Jews in 'The Merchant of Venice' by William Shakespeare

a time and oft / In the Rialto you have rated me / About my moneys and my usances; / Still have I borne it with a patient shrug, /...

Power, Ranks, and Henry V by William Shakespeare

he would have to address. This information provides him with a foundational understanding of the various kingdoms and allows him t...

Character Greatness in the Tragedies of William Shakespeare

that I have longed long to re-deliver. I pray you, now receive them" (Shakespeare 145). He replies: "No, no; I never gave you augh...