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Comic or Tragic The Merchant of Venice by William Shakespeare

me to run from this Jew my master. The fiend is at mine elbow and tempts me saying to me Gobbo, Launcelot Gobbo, good Launcelot, o...

The Tempest by William Shakespeare and Different Perspectives on Prospero

rich gift. O Ferdinand, Do not smile at me that I boast her off, For thou shalt find she will outstrip all praise And make it halt...

The Tempest by William Shakespeare and Different Perspectives on Stephano

She loved not the savour of tar nor of pitch, Yet a tailor might scratch her whereer she did itch: Then to sea, boys, and let her ...

Comparing John Dryden's 'All for Love with 'Antony and Cleopatra' by William Shakespeare

if there is no hope at the end. Several other similarities exist between Antony and Cleopatra and other Shakespeare plays. Bits ...

How Identity is Mistaken in A Midsummer Night's Dream by William Shakespeare

Ill follow thee and make a heaven of hell,/ to die upon the hand I love so well" (Shakespeare, Act 2, Scene 1, lines 241-244). W...

Feminist Reading of King Lear by William Shakespeare

a man who is looking to the future. He looks to the future through his three daughters, imagining that his favorite, the youngest,...

Othello by William Shakespeare and Enduring Love

the only thing they share: "Othello reveals a more detailed acknowledgment of Desdemonas sexual appeal. As he discusses her death ...

Analysis of Antony and Cleopatra by William Shakespeare

variety of perspectives on Cleopatra, which serve to inform the audiences comprehension of her as a decadent foreign woman. When ...

Importance of Setting in A Midsummer Night's Dream by William Shakespeare

consents not to give sovereignty (Shakespeare, Act 1, Sc. 1). However,...

King Lear Acting a Fool in the Tragedy by William Shakespeare

appropriate, her husband will have "half" her "care and duty" (I.i.104). Her response enrages Lear and he sees her reasoned respon...

The Character of Angelo in Measure for Measure by William Shakespeare

the sinners. We must not make a scar-crow of the Law, Setting it vp to feare the Birds of prey,...

Religious and Individual Tensions in Othello by William Shakespeare and Antigone by Sophocles

classic confrontation between the forces of good and evil in the Christian biblical tradition. The society of ancient Greece was ...

Juliet's Images in Film Versions of Romeo and Juliet by William Shakespeare

the second quatrain and then the third, on her own (Downing 126). In so doing, she overturns the Petrarchan convention wherein th...

Caliban, Political Powers, and The Tempest by William Shakespeare

political systems: Antonio represents what we might call the "real" government in Milan and Prospero represents a "state of nature...

Richard III by William Shakespeare and Morality Play Period Staging

between Richard and the audience so as to establish an immediate intimacy. He "remains in direct contact with the spectators thro...

Justice and Revenge in The Tempest by William Shakespeare and Electra by Euripides

"Id plan and work revenge with her" (line 102). With the gods approval, Electra and Orestes set out to avenge their fathers murde...

Twelve Lines from Othello by William Shakespeare

line indicates how Iago begins to chip away Othellos confidence in his lieutenant and his wife, as Iago insinuates there is someth...

Comparative Analysis of Sonnet 23 and Sonnet 147 by William Shakespeare

tongue slow to respond is more than fear, it is also rage (line 3). This rage is so intense that it weakens his heart, that is, hi...

Prospero's Coldness in The Tempest by William Shakespeare

he received from those closest to him, emphasizing his own over-inflated sense of importance and intellect. His overbearing natur...

Female Characters in Coriolanus and Macbeth by William Shakespeare

They have made themselves, and that their fitness now / Does unmake you. I have given suck and know / How tender tis to love the ...

Desdemona's Murder in Othello by William Shakespeare

really be proven wrong, and the only thing that Othello has to go on is really the word of his wife who he ultimately disbelieves....

Macbeth by William Shakespeare and Growth

say which grain will grow and which will not, Speak then to me, who neither beg nor fear Your favours nor your hate" (Shakespeare ...

Hamlet by William Shakespeare and the Theme of Appearance vs. Reality

give the appearance of being the blushing bride and groom, but their newlywed bliss is tempered by respectful grief for the belove...

Killing of Polonius and the Staging of the Third Act, Fourth Scene of Hamlet by William Shakespeare

In four pages this paper discusses how entrances, exist, groupings, movements, costumes, tone, and gestures would be staged in thi...

Hamlet by William Shakespeare and Interpreting Ophelia's Madness in the Fourth Act, Fifth Scene 3 Different Ways

In nine pages this paper examines how Victorian theater actress Helena Faucit, science fiction writer Isaac Asimov, and Shakespear...

Comparative Analysis of the Romantics and Sigmund Freud

In seven pages this paper compares the Romantic perspectives articulated in the poetry of William Blake, Walt Whitman, and William...

Tragedy in The Glass Menagerie by Tennessee Williams

have so much to offer is a sad state of affairs. Laura is Amandas daughter. Laura also is forced to...

Analyzing Dream Worlds Mass Consumption in Late Nineteenth-Century France by Rosalind H. Williams

In thirteen pages this paper features a chapter by chapter book analysis on William's examination of how the evolution of consumer...

Freudian Analysis of Cat on a Hot Tin Roof by Tennessee Williams

associated with the complexity of the sexual relationship, and its importance as a factor in the lives of human beings, just as Fr...

Romantic Era Poetry and the Child

This paper considers the child as conceptually represented in the Romantic Era poetry of Charlotte Smith, William Blake, and Willi...