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Essays 391 - 420

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

William Shakespeare's Hamlet and the Characters of Ophelia and Queen Gertrude

have a woman who does not necessarily understand what is going on with Hamlet. Both of them are deeply concerned with Hamlets ment...

William Shakespeare's Hamlet and Revenge

involve whether or not his new step father was responsible for killing his father, but doubts about how vengeance was best played ...

Family Conflicts in Henrik Ibsen's A Doll's House, Sophocles' Oedipus the King, and William Shakespeare's Othello

position in the court was not higher than it was. He is the source of all conflict in the story for he presents Othello with subtl...

Mel Gibson's Cinematic Interpretation of William Shakespeare's Hamlet

(like Mel Gibson in the 1991 film) has no interest in playing him as an apologetic mope" (Ebert). In the written play there is a...

Role of Bianca in William Shakespeare's Taming of the Shrew

good enough for her. Another issue that Bianicas situation brings up is the sign of the times. These days, wed scratch our...

William Shakespeare's Hamlet and the 'Poisoned Ear' Motif

sent from God, and in return, the monarch was expected to keep their best interests at heart and to protect them. Not only h...

William Shakespeare's King Henry VIII, The Two Noble Kinsmen and Doubling

The overall story of "The Two Noble Kinsmen" follows fairly well its primary source that is Chaucers "The Knights Tale" from his c...

Reason and Passion in William Shakespeare's Romeo and Juliet and Hamlet

Had they employed reason by waiting for the light of day, perhaps they would not have rushed into love, marriage, and ultimately, ...

William Shakespeare's Merchant of Venice, Much Ado About Nothing and Issues of Gender and Loyalty

makes men the center of her life. In fact, Beatrice makes it clear that she has no wish to marry, and thinks very little of most ...

William Shakespeare's Twelfth Night and 5 Questions

Sir Toby Belch is Olivias kinsman and the primary comic conspirator in the play. Sir Toby treats Malvolio and Sir Andrew as fools ...

William Shakespeare's 'Absent' Mothers in Six Plays

"What, will you not suffer me? Nay, now I see / She is your treasure, she must have a husband; / I must dance bare-foot on her we...

Freudian Psychology in D.C. Thomas' The White Hotel and William Shakespeare's A Midsummer Night's Dream

interacting systems, the id, the ego, and the superego. The id is, according to Freud, the original system of the personality up...

Theme of Deception in William Shakespeare's Othello and Hamlet

also clear that Shakespeare is not writing the play from the perspective that it is about the problems of interracial marriage. I...

Comparative Analysis of Prospero and Vincentio in William Shakespeare's The Tempest and Measure for Measure

city, broadening his knowledge, which, in turn, improves his skill as a ruler. While there is a logical explanation for his knowle...

Past and Present Racism and William Shakespeare's Othello

to share Iagos disgust and refers to Desdemonas acceptance of Othello as her "gross revolt" (I.i.134) and Roderigo shows his dista...

Renaissance Racism and William Shakespeare's Othello

to Todorov, the Spaniards could not conceive of the Native Americans as "equally human but culturally different" (Berry 315). The...

Comparing William Shakespeare's Plays The Tempest and A Midsummer Night's Dream

and become crazy from the heat, so to speak. While preparations are commencing for the upcoming wedding between Theseus, the Duke...

Male and Female Relationships in William Shakespeare's Antony and Cleopatra and John Milton's 'Paradise Lost'

Cleopatra is a very sensual woman who is aware of her own passion. This, however, does not detract from her ability to rule...

Character Analysis of Touchstone in William Shakespeare's As You Like It

the mustard was naught: now Ill stand to it, the pancakes were naught and the mustard was good, and yet was not the knight forswor...

Sex and William Shakespeare's Much Ado About Nothing

is referring to the banter that Beatrice and Benedick engage in every time they meet. This type of banter is prevalent throughout ...

Analyzing William Shakespeare's Twelfth Night

and imprison-ment in the stocks. But there is something that excites in us a stronger feeling than all this-it is Violas confessio...

William Shakespeare's King Lear and Theology

with and through broad theological propositions that include the inherent conflict between medieval and Renaissance values (Sisson...

William Shakespeare's Histories and New Historicist Criticism

which make up the spectrum of everyday life of the period. Spiegel (1997), for instance, makes the point that one can see such tex...

William Shakespeare's Othello Act I and Iago's Persuasiveness

(Shakespeare I i). In this we see a subtle indication that he has ended his anger and is now humble, doing what he must in followi...

Critically Exploring William Shakespeare's 'Othello' from a Marxist Perspective

a black man was not suitable to be a ruler. In clever fashion, he sets about to accomplish his goal. In fact, when Iago and Roder...

William Shakespeare's A Midsummer Night's Dream, The Taming of the Shrew, and Fathers

appears to be Lucentio, but should he be unable to produce his father (which would verify his lineage and financial status), then ...

William Shakespeare's Othello and Its Pleasurable Aspects

actions, in terms of black and white, good and bad. It is axiomatic that people wish to see those they regard as "good" as incapab...

Comparative Analysis of Krogstad in Henrik Ibsen's A Doll's House and Iago in William Shakespeare's Othello

shall my purpose work on him" (Shakespeare I iii). From there on out we begin to realize that we, as the audience, are the only on...