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Essays 541 - 570

Romeo's Character Development in William Shakespeare's Scene Changes in Romeo and Juliet

He and his cousin, are talking. Benvolio tried to stop the fight between the warring factions. He believed that to fight was ign...

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

William Shakespeare's Macbeth and the Use of Blood Imagery

soldier, but hes also immediately associated in our minds with the spilling of blood. But blood also means the blood connection b...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

Closely Reading Ophelia's 'Mad' Songs in William Shakespeare's Hamlet Act IV, Scene V

where hours were spent singing songs and learning nursery rhymes. When Gertrude inquires as to how she is doing, Ophelia sings, "...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

Injustice and Vengeance in William Shakespeare's The Tempest and Euripides' Electra

story of Agamemnon we are presented with a man who sacrifices his daughter, at the request or command, of the gods, in order that ...

Justice, Murderers, Susan Glaspell's Trifles and William Shakespeare's Hamlet

When Hamlet returns home, he is greeted with what he is convinced is his fathers ghost. After identifying himself, the ghost prom...

Greensboro Sit-Ins

turned into many as the protest continued for almost 6 months.5 In addition, it sparked many other protests throughout the South a...

Analysis of William Shakespeare’s Sonnets 18, 73, and 130

While he adhered to Petrarchs use of fourteen lines, Shakespeare constructed sonnets containing three quatrains and a couplet. Hi...

Villains in William Shakespeare’s Macbeth and Richard III

sensibilities: "The Prince of Cumberland! That is a step / On which I must fall down, or else oerleap, / For in my way it lies. S...

Metamorphosis of Change in William Shakespeare’s Macbeth

me in the day of success, and I have learned by the perfectest report they have more in them than mortal knowledge. When I burned ...

Homosexuality and Friendships in William Shakespeare’s Twelfth Night

homoerotic desire" (114). Olivia and Maria embody this type of alliance. Maria is serving Olivia, literally and figuratively spe...

Homeland Security, INS and Epidemiology

problems, but refugees are perhaps most at risk, since many of them "come from areas where disease control, diagnosis and treatmen...

Queen Gertrude in William Shakespeare's Hamlet

wicked wit, and gifts that have the power, So to seduce!--won to his shameful lust, The will of my most seeming-virtuous queen" (A...

Four ‘Ghostly’ Commands in William Shakespeare’s Hamlet

not he possesses the courage to commit murder. His fear and susceptibility to depression often paralyze his movements to a point ...

Comparing Film Versions of Twelfth Night

which is at the "heart of this piece, cannot stand such a strong dose of reality" (Brode 98). There is artificiality in abundanc...

An Article on the Influences of Shakespeare Summarized

Rather Dionysus, Falstaff is his "Silenus, the fat, old drunken companion...(who) lends humor to Dionysian celebration" (367). Acc...

Mel Gibson's Cinematic Interpretation of William Shakespeare's Hamlet

(like Mel Gibson in the 1991 film) has no interest in playing him as an apologetic mope" (Ebert). In the written play there is a...

William Shakespeare's Hamlet and the Characters of Ophelia and Queen Gertrude

have a woman who does not necessarily understand what is going on with Hamlet. Both of them are deeply concerned with Hamlets ment...

William Shakespeare's Hamlet and Revenge

involve whether or not his new step father was responsible for killing his father, but doubts about how vengeance was best played ...

Fourth Act of William Shakespeare's Macbeth

with Macbeth as Malcolm states, "Come, go we to the king; our power is ready;/ Our lack is nothing but our leave; Macbeth/ Is ripe...

Role of Bianca in William Shakespeare's Taming of the Shrew

good enough for her. Another issue that Bianicas situation brings up is the sign of the times. These days, wed scratch our...

William Shakespeare's Hamlet and the 'Poisoned Ear' Motif

sent from God, and in return, the monarch was expected to keep their best interests at heart and to protect them. Not only h...

Suffering in William Shakespeare's King Lear and the Book of Job

finally restored by God to his previous state of good fortune when he realizes that, as a human being, he is insignificant next to...

William Shakespeare's King Lear and the Representation of Edmund as a Power Opportunist

maximum benefit, and his practical reaction is immediate action (Cahn 146). As Victor L. Cahn noted in his consideration of Edmun...

Climaxes in William Shakespeare's King Lear

there, she might have added a dose of common sense to the proceedings, and pointed out to her husband that dividing the kingdom am...

What a Director Should Know about a Production of William Shakespeare's Romeo and Juliet

the best Shakespeare company in the world so perhaps the director might want to consider a minimalist production. The focus of th...

Changes Undergone by Macbeth in William Shakespeare's Tragic Play

is perhaps the worst mistake he could have made. He was not a man of murder, or a man who lusted after power. But, his wife was bo...