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Rear Window by Director Alfred Hitchcock

intended victim to deal with a situation, the strength or the determination of the one perpetrating the horror, or even the succes...

Spectator in Alfred Hitchcock's Film Rear Window

action shot at a car race. To rely on an old clich?, he is "bored to tears." He spends most of his convalescent time sitting at th...

An Analysis of Alfred Hitchcock's Film Rear Window

In five pages this research paper considers how voyeurism is depicted in this 1954 suspense thriller particularly as it relates to...

Cinematography in the Opening Scene of Alfred Hitchcock's Rear Window

In five pages this paper discusses Rear Window by director Alfred Hitchcock in an analysis of its opening scene cinematography. F...

Essays on Alfred Hitchcock's Rear Window, Video, and TV

at a blackboard writing words. As soon as he completes the "d" in the last word the tape is over. The running time for the tape is...

Voyeurism and Castration in the Alfred Hitchcock Film Rear Window

This paper consists of ten pages and discusses how the themes of castration and voyeurism are featured in the conflict between ant...

Rear Window Film and Feminist Theories of Cinema

the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...

Rear Window, Vertigo, and Psycho Films by Alfred Hitchcock

of eyes, camera angles (such as the shower scene), and a real solid play on the psychological. Norman Bates is, perhaps first a...

Hitchcock's Use of Mise en Scene in Rear Window and Vertigo

lends great insight into the cinematic development of any film, especially the films of Hitchcock. In his movies, every shot has ...

Hitchcock’s Auteur Vision: “Rear Window”

they were in the wrong place at the wrong time. In The Birds, for instance, Melanie (Tippi Hedren) pursues Mitch (Rod Taylor), a m...

Hitchcock/Rear Window & North by Northwest

film. More credits fall and slide into place, which foreshadows how Thornhill will later slide, nearly falling off the face of Lin...

Alfred Hitchcock and His Auteur Style

theorists and directors," note that "Hitchcocks films are deeply infused with anxiety, guilt, and existential angst, which they tr...

Filmmaker Alfred Hitchcock

In this paper consisting of six pages the impacts of a changing movie industry in the early 1970s and the way in affected Hitchcoc...

Comparative Analysis of Film Directors Alfred Hitchcock and Steven Spielberg

In six pages this paper examines the approaches to the horror genre by directors Alfred Hitchcock and Steven Spielberg in this con...

The Birds by Director Alfred Hitchcock

In a report consisting of six pages the notion of seemingly harmless creatures turning on innocent residents of a northern Califor...

The Film Notorious by Director Alfred Hitchcock

and then depends on how the audience is prepared (along with the primary character) throughout the movie to deal with a particular...

Narrative Construction in “Rear Window”

ultimately meaningless and pointless. An audience member, however, wants to understand whats happening, and uses a film narrative ...

“Rear Window” and “Blow-Up”

same lust. At times, his meddling seems to be a good thing, as when he and his nurse/masseuse Stella (Thelma Ritter) see a neighbo...

“Modern Times” and “Rear Window”

(Dirks, 2008). There is almost nothing positive about the surveillance that Chaplin describes here; it consists solely of a powerf...

Relationships Among Media

presence of Big Brother, the Thoughtpolice, Newspeak and other concepts work together to create an atmosphere of oppression and dr...

Hitchcock's Rebecca

Danvers seems almost supernatural in her ability to simply appear, starling the current Mrs. De Winter, who is played by Joan Font...

Hitchcock/Psycho & Shadow of a Doubt

the nature of good and evil. In "Shadow," there are the two "Charlies," Uncle Charlie and his niece, Charlotte, who is known as "C...

Eyes in Film

Schwartz towards the woman he is longing for; the disappointed gaze of his wife Lotte (Cameron Diaz). When a person is presumably ...

Corpse's Role in the Movies of Alfred Hitchcock

"should be allowed to people who are considered superior human beings" (Alfred Hitchcocks "Rope"). Their definition of a "superio...

Alfred Hitchcock, the Cinematic Suspense Master

In six pages this paper examines the cinematic mastery of film director Alfred Hitchcock and some of the techniques he employed th...

Character of Melanie in Alfred Hitchcock's Film The Birds

Mitch, a man completely under the control of his mother. But, we really do not necessarily believe that Melanie wants this man. Sh...

A Review and Analysis of the Film, North By Northwest

This paper analyzes and reviews Alfred Hitchcock's 1959 classic film, North by Northwest. This two page paper has one source list...

1930 to 1949 British Film and the Connection Between Realism and Melodrama

In eight pages this paper examines the connection between realism and melodrama that existed in British cinema during this time pe...

1930s and 1940s' British Cinema and its Heterogeneous Mix

In seven pages the heterogeneity of such British films of the period as Alfred Hitchcock's 1938 The Lady Vanishes and Zoltan Korda...

Alfred Hitchcock's Film The Birds

In five pages this paper examines how man's abuse of nature has dire consequences in Alfred Hitchcock's 1963 film The Birds. Four...