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Essays 421 - 450

Women in the French Cinema of Jean Luc Godard and Louis Malle

In ten sources this paper examines women's roles in the films by these French auteurs with mise en scene among the topics of discu...

Cinema of the 3rd World

are a daily event, often being disregarded by many of the citizens as well as the general public, especially the wealthy public. O...

Comedy in Cinema, From Charlie Chaplin To Woody Allen

This paper addresses the growth of cinematic comedy. The author covers major works by Charlie Chaplin, The Three Stooges, Buster ...

Inner City Life in Cinema

The ways in which life in the inner cities are portrayed are contrasted and compared in an examination of the films La Haine by Ka...

Cinema and Aristotelian Considerations

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Cinema and the Depiction of Drug Use

This essay consists of nine pages and discusses how the U.S. romance with the use of drugs has been transferred onto celluloid thr...

Poetry, Recreation, Cinema, and Ethnicity

In five pages social and cultural ethnic representations in a Johnson short story, Divakaruni and Clifton poetic themes are discus...

Twentieth Century Art of Cinema

In eight pages this report presents examines of twentieth century cinematic artistry. Four sources are cited in the bibliography....

African Americans As Depicted in Cinema II

In six pages this essay examines Hollywood Shuffle, Glory, and Gone with the Wind in order to analyze how African Americans have b...

Cinema and the Depiction of African Americans III

In eight pages this paper discusses the cinematic portrayal of African Americans with stereotype reliance a primary emphasis. Ele...

Cinema and Sexuality

crisis of Lester Burnham, a subplot provides a telling commentary on way that homosexuality has been perceived in this culture. Th...

European Cinema and the Impact of Ingmar Bergman

the experience had a profound effect on him. At the theater, Bergman could immerse himself in the characters and the action and f...

Cinema Motif in The Kiss of the Spider Woman by Manuel Puig

In 5 pages this paper examines how Molina and Valentin's relationship is enhanced by the author's use of motif in Manuel Puig's Th...

Art of Cinema from 1948 to 1965

In nine pages the ways in which cinematic art changed surprisingly little during this time period despite some avant garde detours...

Cinema and Military Technology

In five pages this paper discusses the portrayal of nuclear warfare as it has evolved in films including Braveheart, Godzilla, Dr...

American Cinema, Historical and Education Ideology

In seven pages historical comparisons are made between the ways in which education is depicted in such films as Stand and Deliver,...

Modern Indian Cinema

Weisman, in an article featured in The New York Times, described Indian cinema as "an all purpose dream engine delivering gaudy th...

Cinema and Truth

sister, Cynthia. As if to complicate matters further, Johns old college friend, Graham, shows up in town for a visit and something...

Cinema in Iran

the Chinese film makers. In order to survive as film makers, it seems as if some of the directors and producers may have resorted ...

Artist Myth and Cinema

1956 account of Vincent Van Gogh leaves that question open in his sympathetic portrayal of the artist" (TCM, 2003). When watchi...

Rear Window Film and Feminist Theories of Cinema

the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...

Cinema and 'Race Films'

back to the film "The Birth of the Nation" which lead later to a movement of "race films" in the 1920s in the cinema. Mainstream U...

Women's Roles in Western and Hindi Cinema

The movie industry in India is the largest in the world and produces over 800 films a year, twice that of Hollywood and is referre...

Cinema and Romantic Love

is very orderly and rigid and Harry is quite the opposite. In fact, many other films demonstrate that even people who do not get a...

Mainstream Cinema and the Portrayal of Women

that there is an interpretation of the films in a subconscious manner. Therefore, the reinforcing is appalling to the baser self, ...

Cinema and Tao te Ching Edited by Michael LaFargue

This is mysterious Femininity (Tao Te Ching, p. 70). Lefargue (1992) describes this saying as indicating that femininity is the...

Cognitive Cinema Theory and Narration

night light. It sits in bedrooms and living rooms but has become something one does in place of nothing. Rather than sitting and r...

Cinema and Realism

In five pages this paper discusses how realism is cinematically created in Steven Spielberg's Saving Private Ryan, Lars von Trier'...

How Cinema is Dominated by America

both elements are evident to greater and lesser degrees in each and every film that is produced in America and Europe film (Kerri...

Black Cinema in the 1940s

For example, one review, that is typical of those produced by white critics, described the typical Hollywood musical of the 1930s ...