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Essays 691 - 720

Jealousy in William Shakespeare's Othello

In three pages this essay analyzes Othello in a consideration of jealousy's featured role in the characterizations of the protagon...

William Shakespeare's Coriolanus

men pitted against one another. As a reader, and as an audience member, one does not have any sort of emotional attachment to any ...

Romantic Comedy Conventions and William Shakespeare's A Midsummer Night's Dream

eye"(Shakespeare Act 1, sc. 1, line 140). Thus, this first criteria and/or convention has been met. Hermia wants Lysander, bu...

William Shakespeare's Othello Cinematic Adaptations

box office. Welles was a product of his time and though he had tremendous creativity when it came to camera angles and budgets,...

William Shakespeare's First Folio

Tale, and The Tempest, Julius Caesar, Macbeth, Antony and Cleopatra, Coriolanus, As You Like It and Twelfth Night(West 180, see al...

William Shakespeare's Richard the Third and the Use of Pronouns

regarded as the "polite" or "formal" form of the second person (Garvey 12). The familiar use of "thou" is best illustrated throu...

Analysis of William Shakespeare’s Sonnets 18, 73, and 130

While he adhered to Petrarchs use of fourteen lines, Shakespeare constructed sonnets containing three quatrains and a couplet. Hi...

Villains in William Shakespeare’s Macbeth and Richard III

sensibilities: "The Prince of Cumberland! That is a step / On which I must fall down, or else oerleap, / For in my way it lies. S...

Homosexuality and Friendships in William Shakespeare’s Twelfth Night

homoerotic desire" (114). Olivia and Maria embody this type of alliance. Maria is serving Olivia, literally and figuratively spe...

Metamorphosis of Change in William Shakespeare’s Macbeth

me in the day of success, and I have learned by the perfectest report they have more in them than mortal knowledge. When I burned ...

William Shakespeare's As You Like It and Aphra Behn's Rover

but she keeps her emotions in check so that she can carry off her masquerade as a man. When Rosalind confronts the Dukes accusat...

Drama of William Shakespeare's Othello

verbal appearance and actual reality that Othello addresses throughout the play, wavering back and forth as a means by which to es...

Love in William Shakespeare's Romeo and Juliet A Campbell Analysis

Romeo simply stopped at this infatuation then the tale would not have been so tragic. Romeo gets to know Juliet, and the friar aid...

William Shakespeare's Othello and Its Pleasurable Aspects

actions, in terms of black and white, good and bad. It is axiomatic that people wish to see those they regard as "good" as incapab...

Comparative Analysis of Krogstad in Henrik Ibsen's A Doll's House and Iago in William Shakespeare's Othello

shall my purpose work on him" (Shakespeare I iii). From there on out we begin to realize that we, as the audience, are the only on...

Rewriting History with William Shakespeare's 'Richard the Third'

who stood in his path to the English throne, was so memorable that his work of fiction has become accepted as historical fact. Ho...

Critically Exploring William Shakespeare's 'Othello' from a Marxist Perspective

a black man was not suitable to be a ruler. In clever fashion, he sets about to accomplish his goal. In fact, when Iago and Roder...

Katherine and Henry in William Shakespeare's Henry V

power was not necessarily through the might of his military, but from the popularity of a kings subjects. In Henry V, ther...

Comparing William Shakespeare's The Tempest and Richard III and Themes of Justice and Destiny

especially apparent when critically examining Shakespeares historical play, Richard III and his final work, the dark comedy, The T...

William Shakespeare's A Midsummer Night's Dream, The Taming of the Shrew, and Fathers

appears to be Lucentio, but should he be unable to produce his father (which would verify his lineage and financial status), then ...

Choice or Fate in William Shakespeare's Macbeth

say, shows that how each man reacted to this situation was a matter of choice -- not fate. Traditionally, much of the blame for ...

Character Noting in William Shakespeare's Much Ado About Nothing

Likewise, Beatrice vows that she will never marry. However, the audience can see from the beginning that there is an attraction be...

Climaxes in William Shakespeare's King Lear

there, she might have added a dose of common sense to the proceedings, and pointed out to her husband that dividing the kingdom am...

William Shakespeare's King Lear and the Representation of Edmund as a Power Opportunist

maximum benefit, and his practical reaction is immediate action (Cahn 146). As Victor L. Cahn noted in his consideration of Edmun...

Fourth Act of William Shakespeare's Macbeth

with Macbeth as Malcolm states, "Come, go we to the king; our power is ready;/ Our lack is nothing but our leave; Macbeth/ Is ripe...

What a Director Should Know about a Production of William Shakespeare's Romeo and Juliet

the best Shakespeare company in the world so perhaps the director might want to consider a minimalist production. The focus of th...

Suffering in William Shakespeare's King Lear and the Book of Job

finally restored by God to his previous state of good fortune when he realizes that, as a human being, he is insignificant next to...

Othello and Desdemona in William Shakespeare's Othello

fall upon my life" (Shakespeare I iii). In this he is leaving it all up to his wife and her father, nobly demonstrating that he do...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...