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Essays 481 - 510

A Marxist Perspective on The Tempest

book itself is symbolic, it has to be thought, of Prosperos secret desire to remove himself from reality and the world all togethe...

Eurocentric Global Perspectives of The Tempest by William Shakespeare

coming to the island, as well as the history of the island prior to European intrusion. Before Prospero came, the island was ruled...

Director Michael Almereyda's Version of Hamlet

as being spoiled and self-centered. Furthermore, the directors decision to turn a number of Hamlets soliloquies into interior mono...

Comparing Stage and Film Versions of Othello

the audience a close up of Othellos face and the audience is able to watch the doubt creep over Othellos face. Without saying anyt...

The Taming of the Shrew PA Ballet Production

staged "fights" in movies and plays, these actions are real and therefore telegraph real emotion to the audience. When Katherina s...

Act One of William Shakespeare's Macbeth and the Development of the Protagonist's Character

(I.iii.118). Banquo replies with a warning. He tells Macbeth that "instruments of darkness" frequently tell the truth in order to ...

Tragic Hero Othello

confidant. Of course, the tragedy is, Iagos intent is to destroy Othello. Secondly, the tragic hero holds fast to his ideas and ...

William Shakespeare and Love's 3 Levels

of as gold, silver and slate. Gold is the level where there is a situation for a man where the girl loves him wholeheartedly. He...

1971 Film Production of Macbeth by Director Roman Polanski

air. Banquos reaction to Macbeth taking their pronouncements seriously is one of mocking disbelief, as if to say, "you believe tha...

Good and Evil in a Critique of Macbeth

Good and evil in William Shakespeare's Macbeth are a main source of three literary critiques. This paper offers a tutorial lesson ...

1952 Film Version of Othello

In five pages this paper considers the unique opening scene of Orson Welles' 1952 adaptation of William Shakespeare's famous trage...

Hamlet's 2 Sides The Two Sides of Hamlet, Before and After the Appearance of His Father's Ghost

In eight pages this paper analyzes William Shakespeare's most famous protagonist before his father's ghost's appearance and afterw...

Gloria Naylor's Mama Day

In five pages this paper assesses the literary greatness of Mama Day by Gloria Naylor in comparison with William Shakespeare's The...

Shakespeare, Love, and Loyalty

In five pages this report examines the plays Love's Labor's Lost and A Midsummer Night's Dream in terms of William Shakespeare's d...

Iago and Hannibal Lecter Evil Characters

In three pages these evil characters from William Shakespeare's Othello and Thomas Harris's Silence of the Lambs are compared. Th...

Comedy of Errors by William Shakespeare

In seven pages this paper discusses the emotional mix that is represented in William Shakespeare's Comedy of Errors. Four sources...

Disguise in Three Comedies by William Shakespeare

In ten pages this paper examines how disguise is used in a comparative analysis of William Shakespeare's The Merchant of Venice, M...

Queen Elizabeth and Richard the Third

"Come, Come, we know your meaning, brother Gloster; You envy my advancement, and my friends; God grant we never may have need of y...

Comedy, Appearances, and Reality in Othello by William Shakespeare

only as a representation of misconstrued appearance. As time progresses, Othello - quite arguably the only character with a stell...

Iago's Character in William Shakespeare's Othello

In five pages this paper examines how Iago is able to psychologically manipulate others in this character analysis of the antagoni...

Comparative Analysis of Othello Play and Film

In five pages William Shakespeare's original play is contrasted and compared with Oliver Parker's 1995 cinematic interpretation. ...

Othello and Emilia's Statement 'Thou hast not half the power to do me harm/As I have to be hurt'

skitters to the old event with a new trigger. It does not matter that it is a new person, a new time, or a new love. The memory...

Orlando Character in As You Like It by William Shakespeare

is off to university, but Oliver has deprived Orlando of schooling and keeps him living and working on the family, actually Oliver...

Henry the Fourth, Part I by William Shakespeare and Prince Hal

In ten pages this paper presents a character analysis of Prince Hal as featured in William Shakespeare's historical play within th...

The Element of Tragedy as Presented in Literature

in his society. Sometimes he is one who has been displaced from it, sometimes one who seeks to attain it for the first time, but ...

Historical English Plays and Marginalization

In five pages this paper considers marginalization as featured in English plays William Shakespeare's Othello and Aphra Behn's The...

Oedipus and Hamlet

In seven pages this paper contrasts and compares William Shakespeare's protagonist with the Oedipus myth as well as the interpreta...

3 Operas Inspired by The Merry Wives of Windsor by William Shakespeare

the open air seems odd. And yet, the opera version gave Falstaff a swagger and an attitude that one suspects was close to the t...

Hamlet by William Shakespare and Revenge as Tooo Much of 'a Good Thing'

In five pages the revenge theme in Shakespeare's tragedy is analyzed....

Women's Roles in 6 Great Works of Literature

In ten pages this paper examines how women's societal roles are represented in Plato's The Apology, Dante's 'The Inferno,' William...