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'Soldier of Love' Richard III in Act I, Scene ii of William Shakespeare's Play

for the deaths of her husband, Edward V, and her father, Henry VI. Nevertheless, he demonstrates himself as quite capable in prov...

'The Play's the Thing': Analyzing Six Passages from William Shakespeare's Plays

Analysis of William Shakespeare's Hamlet (Act V, Scene ii), As You Like It (Act II, Scene vii), Richard III (Act I, Scene ii), The...

Relationships in Richard II and Richard III by William Shakespeare

he appears sincere and supportive, such as when Richard asks what one has said of him, and Buckingham replies "Nothing that I resp...

Ophelia in Hamlet by William Shakespeare

sign of madness was, in reality, a genuine declaration of affection. Ophelia is the only character with whom Hamlet can, at least...

Hamlet by William Shakespeare and the Function of Ophelia's Character

In five pages this paper discusses the play's second scene in Act II and the first scene in Act III in a consideration of the func...

Significance of the ‘Play Within a Play’ (Act III, Scene II) of William Shakespeare’s Hamlet

Prince. Despite his antic disposition or pretending to be mad as another ploy to ensnare Claudius in his revenge trap, maybe Haml...

Act I and Act II Analysis of A Midsummer Night's Dream by William Shakespeare

inasmuch as social interaction implies interacting with other persons; thus, the meaning of that interaction is always to be a joi...

Kingship and Leadership in Shakespeare’s Richard II

years because he seems to care a bit for the father of Henry, John of Gaunt. In these respects one can see that Richard II may wel...

Macbeth by William Shakespeare and the Staging of the Witches' Scenes

the scenes involving the witches are accompanied by loud claps of thunder. Staging Macbeth outdoors gave Shakespeare natural soun...

Murder Aftermath Scene Act II, Scenes ii and iii Analysis in Macbeth

In a paper consisting of five pages the revelations contained in the scenes after King Duncan's death regarding character relation...

Portia's Presentation in the Third and Fourth Acts of The Merchant of Venice by William Shakespeare

/ Is an unlessond girl, unschoold, unpractisd; / Happy in this, she is not yet so old / But she may learn; happier than this, / Sh...

Relationship Between Henry IV and Prince Hal

that he has mercy as well as wisdom. None of this his father sees. King Henry IV tells his son in scene ii, Act III, that familia...

Act II Scene ii of Hamlet Within the Play's Overall Context

In six pages the response of Rosencrantz and Guilderstern to Claudius and Gertrude, the response of Claudius to 'The Murder of Gon...

Richard III and Love

In five pages this paper discusses how love is presented through the perceptions of Richard III in William Shakespeare's historica...

The Tragedy of King Richard III by William Shakespeare and the Evil Protagonist

In five pages this paper presents a psychological analysis of Shakespeare's evil protagonist Richard III....

The Directors' Vision of Three Plays

This 9 page paper examines the way in which three different directors approach Shakespeare. It looks at Kenneth Branagh's producti...

William Shakespeare's Hamlet, and Queen Gertrude Following Act III, Scene ii

in bed" (III.ii.206-209), then following-up with the equally matter of fact declaration, "If, once a widow, ever I be wife!" (III....

Scenes of Richard III by William Shakespeare Analyzed

In 10 pages pivotal scenes including the second scene of the first act, the first scene of the second act, the first scene of the ...

First Act, Third Scene of Gotterdammerung by Richard Wagner

In seven pages this paper discusses the placement of Gotterdammerung's Act I, Scene III as it fits into the epic scheme of 'Ring o...

William Shakespeare's Richard the Third and the Use of Pronouns

regarded as the "polite" or "formal" form of the second person (Garvey 12). The familiar use of "thou" is best illustrated throu...

Richard II and Richard III by William Shakespeare

the latest fashions, spending money on his friends, and also pursuing wars against Ireland and elsewhere that his realm cannot af...

Bard's Personality as Reflected in His Plays

were specifically constructed to entertain royalty, it was the impassioned actions of his characters that leave little doubt that ...

As You Like It by William Shakespeare and the Forest of Arden

observer, the forest is depicted as a pastoral or golden world not unlike the biblical garden of Eden in two particular scenes, in...

Act III, Scene 4 of King Lear by William Shakespeare

psychologist points out that Edgar discusses his own case lucidly, while indulging in unlimited incoherence in regards to everythi...

How Othello is Admired by Others in the First Act, Third Scene of Othello by William Shakespeare

an outsider, a theme which is emphasized in most critical analyses of the play, Othellos identity as the Moor in Venice was "not a...

Banquet Scene in Macbeth by William Shakespeare

In six pages this essay analyzes the infamous 'banquet scene' in Act III, Scene iv of Hamlet in terms of what it reveals about Mac...

Blanche Du Bois in A Streetcar Named Desire by Tennessee Williams

In two pages this paper examines the play's first scene in terms of how it presents Blanche Du Bois's possible demise....

Richard and Richmond's Speeches in Richard the Third by William Shakespeare

and one in blood establishd; One that made means to come by what he hath, And slaughterd those that were the means to help him; Ab...

Shakespeare's Tempest/Act III Scene 1

Milan (Sutton 224). To further exemplify these features, consider a close examination of one scene. As Act III, scene 2, opens, ...

Act I, Scene iii Analysis The Taming of the Shrew by William Shakespeare Lines 183-228

In five pages these lines are analyzed in terms of assessing Shakespeare's choices, his use of such literary techniques such as rh...