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Essays 631 - 660

William Shakespeare's Hamlet and Film Adaptations by Directors Laurence Olivier and Kenneth Branagh

should take place in the nineteenth century, a time characterized by scandalous behavior, which he believed would make 400-year-ol...

Oliver Parker's Film Interpretation of William Shakespeare's Othello

In six pages this paper examines the alterations Oliver Parker made to Shakespeare's play in his 1990s' interpretation in terms of...

Comparative Analysis of the Film Versions of William Shakespeare's Hamlet

In eight pages this paper contrasts and compares Laurence Olivier's 1948 Hamlet adaptation with Franco Zeffirelli's 1990 interpret...

Kenneth Branagh's Production of William Shakespeare's Twelfth Night

In five pages this paper discusses how love, characters, and Feste's role are presented in this Kenneth Branagh production of Twel...

William Shakespeare's Hamlet Performing Arts Review

In four pages this review includes discussion of character and plot development, staging, and considers how they support the actio...

College Stage Performance of William Shakespeare's Twelfth Night

sent to the town of Illyria in which she becomes a servant of Count Orsino which is played by Horace Jackson. Viola causes many p...

Identity in William Shakespeare's Measure for Measure and Hamlet

In five pages this paper examines the power of identity in the similarities and differences that exist among characters Mariana in...

Analysis of William Shakespeare's Romeo and Juliet, Hamlet, and Sophocles' Oedipus

In six pages this research paper contrasts and compares these works by Shakespeare and Sophocles in terms of tragic themes and iro...

Analysis of William Shakespeare's Henry IV Speeches I.ii.185-192-I.ii.1-9

In five pages this paper presents an analysis of King Henry and Prince Hal's speeches in terms of tone and metaphor in a contrast ...

Character Relationships, William Shakespeare's A Midsummer Night's Dream and 'the Play Within the Play'

In six pages this paper examines the 'play within the play' involving the character relationships of famous Shakespearean couples ...

Choosing a Mate in William Shakespeare's Romeo and Juliet and Taming of the Shrew

In eight pages this paper examines the process of marital selection that is featured in these 2 plays by William Shakespeare. Fiv...

Love and William Shakespeare's Taming of the Shrew

In five pages this essay contrasts 2 of the speeches made by Katherina in the play in an analysis that argues Petruchio's abuse is...

Characterization and Effect in William Shakespeare's Twelfth Night

everybody. Laughter in this play has a healing effect. Revenge is achieved not by fighting (not by serious fighting, anyw...

Conflicts Rooted in Anger in William Shakespeare's Tragedies King Lear, Hamlet, and Othello

In three pages the emotional conflicts that are based in anger are examined in terms of the protagonists behavior' and the importa...

William Shakespeare's Use of Sexuality in the Plays Antony and Cleopatra, Hamlet, and Othello

In twelve pages this paper examines how sexuality is thematically portrayed in these plays in terms of obsession, interracial love...

Dramatic Irony in William Shakespeare's Much Ado About Nothing and The Taming of the Shrew

In three pages this paper analyzes how Shakespeare employed dramatic irony in these 2 plays. There are no other sources listed....

Coercion and Liberation in William Shakespeare's All's Well That Ends Well and The Tempest

In six pages this paper discusses character pairs and how they work within the structure of these two plays by William Shakespeare...

Lower Social Classes in William Shakespeare's Julius Caesar and A Midsummer Night's Dream

In eight pages this paper analyzes the plebeians featured in Julius Caesar and the rude mechanicals in A Midsummer Night's Dream i...

William Shakespeare's Use of Evil in Richard III and Macbeth

In six pages this paper examines how Shakespeare timelessly depicts evil in each play. Six sources are cited in the bibliography....

William Shakespeare's Measure for Measure and Minor Characters

publish every wrongdoer to the full extent of the law, justice is not being served. Here, however, we know a secret about Angelo ...

William Shakespeare's Much Ado About Nothing, The Tempest, and Love

In 5 pages this paper examines the love relationships of the three couples in these works and examines how they are portrayed in K...

Psychological Victimization of William Shakespeare's Protagonist in Macbeth

In five pages this paper examines how the witches and Lady Macbeth psychologically victimize Macbeth in this analysis of Shakespea...

Witches and Their Control in William Shakespeare's Macbeth

This paper consists of five pages and presents the thesis that the witches control Macbeth and that they are responsible for the b...

Comparison of Medieval and Modern Views with William Shakespeare's Hamlet and Ben Jonson's Every Man

and turned" (Every Man - III, 2, pp. 48) and Hamlets "imagination" as he dwells on the experience of seeing his fathers ghost: "Th...

William Shakespeare's 'Romeo and Juliet' and Homosexuality

In ten pages this ppaer examines the homosexual thematic overtones that are evident both in Shakespeare's play as well as Franco Z...

Orchestral, Opera, and Dance Versions of William Shakespeare's Romeo and Juliet

tragedy and more of an exploration of childhood, innocence and youthful passion. In the course of pursuing their relationship, and...

William Shakespeare's Macbeth and the Human Capacity for Evil

surely not do anything to hurry it along, stating, "If chance will have me king, why, chance may crown me, Without my stir" (Shaks...

William Shakespeare's The Tempest and Its Subplot

a sort of revenge, is quite humorous as the two individuals are seemingly confused and wary. There is humor in the fact that Calib...

William Shakespeare's Macbeth and Images of Night and Day

the characters and how they all go about trying to define the night and day while engaged in various activities. In the...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...