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Essays 1681 - 1710

Shakespeare's Use of Satire in Portraying the Frivolous Courtier

This paper addresses the ways in which Shakespeare satirized the frivolous courtier, or frivolous lover, in the plays, Taming of t...

Figurative Language in Two of Shakespeare's Plays

a wound. / But, soft! what light through yonder window breaks? / It is the east, and Juliet is the sun. Arise, fair sun, and kill...

Bassiano in Shakespeare's 'The Merchant of Venice' from a Freudian Perspective

Id is associated with the immediate gratification of the unconscious. In other words this level is the most primal and does not co...

Revelation and Mystery in William Shakespeare's Othello and Jane Austen's Pride & Prejudice

"extracts" on scholarly subjects, is encouraged to be outgoing; the fretful Kitty is encouraged to stop coughing, because people f...

Shakespeare's Othello and Machiavelli's The Prince

This paper compares and contrasts these two works by Shakespeare and Machiavelli. This seven page paper has three sources listed ...

William Shakespeare's King Lear and Conflicts of Divine vs. Earthly Justice

In six pages the types of justice as defined in this Shakespearean tragedy are considered with the human 'earthly justice' compare...

Literature v. Film in William Shakespeare's As You Like It and While You Were Sleeping

In four pages comparisons between the two heroines are made with emphasis upon plot, theme, and characterization in a consideratio...

Cleopatra's Soliloquy in the Fifth Act, Second Scene of William Shakespeare's The Tragedy of Antony and Cleopatra

This paper analyzes the soliloquy Cleopatra delivers to Dolabella in this scene in three pages in terms of how it relates to the p...

Queen Gertrude and Ophelia in Shakespeare's Hamlet

thrown into chaos. The roles of Gertrude and Ophelia within the plays construct were painstakingly designed by the Bard to reflec...

The Bumpy Course of True Love in Shakespeare's A Midsummer Night's Dream

In this paper consisting of five pages the star crossed lovers of Hermia and Lysander, Demetrius and Helena, and Hippolyta and The...

A.C. Bradley vs. S.T. Coleridge and Differences of Opinions Concerning the Character of Iago in William Shakespeare's Othello

In six pages this paper contrasts and compares the criticisms of Samuel Taylor Coleridge and Andrew Cecil Bradley regarding the ch...

Act II, Scene II of Shakespeare's A Midsummer Night's Dream

and Oberon are the sovereign spirits of the woods and in their own right are exotic royalty. Yet again, the issue of appearances ...

Shakespeare's Hamlet Act II, Scene II

The scene in which Hamlet meets with the Players and the reaction to these Players are the focus of this paper consisting of five ...

Shakespeare's Theme of Homoeroticism in a Trio of Plays

In twelve pages this paper examines how the theme of homoeroticism manifests itself in the Shakespearean plays Twelfth Night, As Y...

Much Ado About Nothing, Twelfth Night/On Film

a take on the play that is patterned after the screwball comedies of the 1930s, as "Beatrice and Benedick are surely the prototype...

Elements of Tragedy in The Glass Menagerie by Tennessee Williams, Hamlet by William Shakespeare, and Oedipus the King by Sophocles

This paper examines 3 tragic elements in an analysis of Amanda Wingfield, Prince Hamlet of Denmark, and King Oedipus of Thebes fea...

Social Failure in Tennessee Williams’ “Glass Menagerie”

In many ways the social failure of America as a whole at this time in history is symbolized by the personal failure experienced...

Laura, In Williams’ Glass Menagerie

to by Jim in very earthy, concrete terms that nonetheless indicate that she is pretty. When she says that blue "is wrong for-roses...

Glass Fragility in Tennessee Williams' Play The Glass Menagerie

"real" (insofar as theater can ever be said to be real) happenings, but a carefully selected group of scenes that illustrate the i...

Amanda in Tennessee Williams' The Glass Menagerie and Linda in Arthur Miller's Death of a Salesman

for she "She breathes with motherly tenderness and love for all, for life itself. And Linda has a heart full and hands outstretche...

Williams' Glass Menagerie/Role of Illusion

wall, "deserted his wife and children sixteen years earlier" (Koprince and Bloom). Tom describes him as a "a telephone man who fel...

Tennessee Williams' Style of Writing

Within these tragedies, the unfortunate fate of the hero or heroine is usually determined by some type of sexual desire. The them...

Tennessee Williams' The Glass Menagerie and Symbols

around the characters. Through the decaying setting, and also a setting that is quite dreamlike, the story begins on a very allusi...

Tennessee Williams' The Glass Menagerie

the one who is primarily the main focus of the play and it is her collection that bears the title of the story, as she collects gl...

Film Adaptation of Tennessee Williams' The Glass Menagerie and the Mood Function of Music

scene begins Laura Wingfield (Karen Allen) and her gentleman caller Jim OConnor (James Naughton) are looking at Lauras "glass mena...

Tennessee Williams' The Glass Menagerie and Amanda Wingfield's Role

shift constantly, and she appears sometimes pitiable, sometimes conniving, sometimes difficult to escape. Descriptions of Tom and...

Tennessee Williams' The Glass Menagerie and Symbolism

In 5 pages this paper examines the masterful use of symbolism by Tennessee Williams in The Glass Menagerie. There are 6 sources c...

William Wordsworth's 'Composed Upon Westminster Bridge' and William Blake's 'London'

and a London that is perhaps anything but majestic and beautiful. Blake states that "I wander thro each charterd street,/ Near whe...

Feminist Perspective of Tennessee Williams' A Streetcar Named Desire

her sister to save her marriage. Yet throughout the brutal violence and stereotypes, "Streetcar" is also a long story of s...

Tennessee Williams' The Glass Menagerie and Escape

at home. He has to find some way to escape without destroying his family the way his father had sixteen years ago. It is for this ...