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Essays 571 - 600

Film Dramatizations of Geoffrey Chaucer's The Canterbury Tales

In six pages this research paper discusses 2 cinematic interpretations of The Canterbury Tales and argues that how filmmakers fail...

Novel and Cinematic Versions of A Passage to India by E.M. Forster

In four pages the novel and its film adaptation are thematically compared in terms of cinematic changes that were made. Six sourc...

Stylistic and Formal Characteristics of Gus Van Sant's 'My Own Private Idaho'

Such cinematic techniques as mise-en-scene are discussed in a paper consisting of 6 pages as thematic and narrative expression are...

Cinema and Aristotelian Considerations

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Movies and How the Dracula Character Has Evolved

Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...

Analysis of the Italian Realist Film The Bicycle Thief

In five pages a cinematic analysis of Vittorio de Sica's 1948 film includes camera uses, production techniques and evaluates the e...

Citizen Kane from a Critical Perspective

One of the most innovative movies in cinematic history is Orson Welles' Citizen Kane. This paper examines Welles' techniques and w...

Analyzing 'Technology and Politics in the Blade Runner Dystopia' by Judith Kerman

In five pages this paper considers Kerman's thoughtful commentary and assessment of the 'Blade Runner' film and its contribution t...

Early 1930s' Payne Fund Studies

In seven pages this paper examines cinematic impacts upon children as revealed in the landmark Payne Fund Studies of the 1930s. F...

Review of the Post World War II Film The Bicycle Thief

In six pages this paper discusses the portrayal of the realities confronting Italy after the Second World War as featured in Vitto...

Trio of Historic Films Examined

In ten pages a trio of historic films answer questions pertaining to cinematic theories, techniques, styles, emotions, and editing...

Horror Films and How They Have Evolved

Project" serves as an excellent example of a film-maker taking full advantage of the inherent fear of all modern humans regarding ...

Animation and the History of Motion Picture Cinematography

In five pages this paper discusses cinematic history in a consideration of animation and the evolution of cinematography. Four so...

Irish Filmmaker Neil Jordan

puzzle understand that they are nearly always involved in the penetration of a seemingly depthless surface of one person. However...

Se7en and The Maltese Falcon Film Comparison

it. He disposes of his deceased colleagues desk, nameplate and widow in quick measure. Naturally, since the police are aware of ...

Film Prequel Star Wars Episode I The Phantom Menace

In five pages this film prequel is analyzed in terms of what it represents and its influence upon the two cinematic prequels to co...

Realism in Martin Scorsese's Film Raging Bull

In five pages cinematic realism is compared and contrasted with film noir and surrealism with the focus being how in the film Ragi...

Film Analysis of Orson Welles' The Magnificent Ambersons

In five pages this paper presents an analysis of the 1942 motion picture The Magnificent Ambersons in an examination of director O...

Film Genres Thriller and Comedy

An analysis of these cinematic genres and how they are used are considered in an examination of Andrew Davies' A Perfect Murder an...

Mary Shelley's Frankenstein and Director James Whale's 1931 Film Interpretation

In five pages the original nineteenth century novel by Mary Shelley is compared with the 1931 cinematic production by director Jam...

1999 Film Sleepy Hollow by Director Tim Burton

In seven pages this report analyzes Tim Burton's film Sleepy Hollow in terms of Johnny Depp's performance and cinematic influences...

Silent to Talkies Cinematic Transition from Metropolis to The Gold Diggers of 1933

simply being "filmed" theater. Metropolis offered a chilling glimpse of the future, as the film is set in the year 2000 in the cit...

Tennessee Williams' Cat On a Hot Tin Roof Play and Film Versions

severity of the Bricks grief at Skippers death causes his relatives to speculate, but this is dispelled in the crucial scene that...

Fritz Lang's Films

the audience. In many modern examples, the most creative thing that can be said about a particular movie maker is his or her abili...

Steven Spielberg and David Lean Cinematic Comparison

easy to see how Leans grasp of cinematography and his ability to create and drive plots throughout the directing and filming proce...

1936 Olympic Games in Berlin

statement that Social Fascism and Nazism actually worked. At the time, the Games did the job: Shirer noted that "the athletes from...

A Citizen Kane Cinematic Analysis

lost prior to being sent from his home (1995). The camera is suddenly outside focusing on smoke rising form the chimney and then ...

M. Night Shyamalan's Unbreakable Cinematic Analysis

use the camera in the same way as an author uses words for both aesthetic and textural purposes. There are two particularly effec...

Rear Window Film and Feminist Theories of Cinema

the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...

Lawrence of Arabia by Filmmaker David Lean

Passage to India. However, his creative pinnacle is largely acknowledged to be the wildly successful (both critically as well as ...