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Essays 691 - 720

Cinematic and Literary Representations of Vanity

necromantic books are heavenly!" (Marlowe, Act 1, Li 40-50). Having made his decision to...

Mike Nichols' The Birdcage Cinematic Content Analysis

a good impression on his prospective in-laws, Armand and Albert pretend to be straight (Bawer). Instead of going for the easy lau...

Cinematic Influences of 1960s' Society

the story of twelve men (all stereotypical white and middle class) who by luck of the draw are brought together to deliberate the ...

Once Were Warriors Cinematic Marxist Analysis

yield a very different analysis. In the film, Jake is unemployed. The family lives off the dole but it seems that whatever money...

Frame Concept and Cinematic Representation

surprise twist at the end - the camera, representing the subjective perspective of the audience, is "run over" by a car rather tha...

Ron Howard's A Beautiful Mind Cinematic Analysis

harrowing to watch, with Nash suffering several climactic breakdowns and brief moments of lucidity and temporary remission. The u...

Object v. Spectator Types of Cinematic Gaze

is completely unique and no two are alike. Therefore, what takes place is a kind of power struggle between the subject and the ob...

Cinematic Analysis of Singin' in the Rain

the long view where we can see the entire dance. This is often seen in present day films about dance where it seems the performers...

Cinematic Comedies and Sound's Role

theater, they rolled a cannon ball down a wooden trough that then fell onto a large drumhead (Brunelle, 1999). In films, sound eff...

Cinematic Depiction of Aliens

depicts the aliens as beings who represent communism and the fear of being consumed by such "thought." The aliens in this film ...

Mel Gibson's Cinematic Interpretation of William Shakespeare's Hamlet

(like Mel Gibson in the 1991 film) has no interest in playing him as an apologetic mope" (Ebert). In the written play there is a...

Cinematic Analysis of Singin' in the Rain

part of the scene while also seeing the entire dance routine. In many films of dancing the direction may not be on the long sho...

Hotel Rwanda, Cinematic Analysis

This research paper/essay analyzes and critiques the portrayal of genocide presented in the 2004 film Hotel Rwanda. Five pages in ...

Cinematic Depiction of Microbiology, Contagion

This research paper cites reviews in order to report on the scientific accuracy of the film and the manner in which it depicts mic...

Moulin Rouge (2001) and Setting a Cinematic Mood

Berkeleys choreography book, he creates mood through unusual camera angles, and heightens the films pace through "speeded-up, step...

Horror Cinematic Genre

horror film, according to director Elias Merhige, "The horror film transforms itself, adapting to our fears, to the things that we...

Cinematic Narrative in Pulp Fiction and Citizen Kane

We note he grows to be a gregarious individual who seems driven to succeed in unusual ways, always seeking some adventure and some...

Cinematic Analysis of Oliver Parker's Othello

"right hand" man despite Iagos longer term of service (Null, 2002). Iago manages to incite a jealousy rage in Othello that results...

Social Order Visions in Police Cinematic Dramas

the beginning perhaps, a cop who felt that policeman could truly offer some form of social control that would eventually benefit a...

Silence of the Lambs Novel and Cinematic Versions

remained amazingly faithful to the book, in his commitment to retaining its essence, there were some changes that needed to be mad...

Cinematic Interpretation of History

In terms of the way in which...

Cinematic Comparison of 2001 A Space Odyssey and The Matrix

definitely postmodern? In some ways, that appears to be true, but in other ways that may not be the case at all. 2001 began with...

Franco Zeffirelli's Cinematic Interpretation of Romeo and Juliet by William Shakespeare

the still city, which is bathed in ethereal morning light, the city is shrouded in fog. This is also symbolic, in that its white s...

Shakespeare's Richard the Third and Hamlet in Cinematic Cross References Deconstruction

In five pages this report considers how famous literary works such as Shakepeare's plays must be deconstructed in order to be cine...

Three Decades of Cinematic Representations of Their Respective Times

In six pages this report analyzes how Gold Diggers of 1933, Casablanca, and Invasion of the Body Snatchers each represent their re...

Crash, A Cinematic Parable

his motivation for stealing Jean and Ricks car. However, in committing grand theft auto, Anthony objectifies Jean and Rick just as...

British Cinematic Development Until 1939

In ten pages this paper chronicles the history of British film from its 19th century origins until 1939. Six sources are listed i...

Cinematic Analysis of Dead Man Walking and Schindler's List

This paper examines how character action is used by the director of Dead Man Walking, and commercially motivated criticisms of Sch...

Cinematic History of Filmmaker Francis Ford Coppola's The Godfather

In six pages this paper examines The Godfather in terms of how it represented gender, race, and class. Three sources are cited in...

Cinematic Analysis of What Dreams May Come Come

In five pages this paper examines the innovative camera techniques featured in the Robin Williams' film What Dreams May Come. Fou...