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William Shakespeare's Coriolanus

men pitted against one another. As a reader, and as an audience member, one does not have any sort of emotional attachment to any ...

Annotated Bibliography on William Shakespeare's Tweflth Night

Lamb, Mary Ellen. "Tracing a Heterosexual Erotics of Service in Twelfth Night and the Autobiographical Writings of Thomas Whythor...

Witches' Role in William Shakespeare's Macbeth

term in their prophetic greeting of Macbeth. The first witch hails Macbeth as "Thane of Glamis," the second as "Thane of Cawdor an...

William Shakespeare's Comic Take on Marriage

of the couple. As Shakespeare juxtaposes their feelings of love, we find that they have not even met. Ferdinand is awakened by the...

Romantic Comedy Conventions and William Shakespeare's A Midsummer Night's Dream

eye"(Shakespeare Act 1, sc. 1, line 140). Thus, this first criteria and/or convention has been met. Hermia wants Lysander, bu...

Strong Character Deterioration in William Shakespeare's Hamlet

of him, his semblable is his mirror; and who else would trace him, his umbrage, nothing more" (Shakespeare 202). Hamlet is resigne...

William Shakespeare's Hamlet and the Pawn Ophelia

thinks she is ignorant because she is unsure and innocent. He feels that she is an idiot to even begin to believe the words or aff...

'Mad' Protagonist of William Shakespeare's Hamlet

to do so throughout the play as he plots his revenge. "The spirit that I have seen May be the devil; and the devil hath power To...

Revenge Theme in William Shakespeare's Hamlet

violence unless he is propelled by the heat of passion. From the beginning of the play, Hamlet has doubts concerning the morali...

Contemporary Culture and William Shakespeare's Hamlet

have been a devil, cleverly taking the shape of his father in order to lure him into committing a sinful act. Basically, Hamlet ...

William Shakespeare's Richard the Third and the Use of Pronouns

regarded as the "polite" or "formal" form of the second person (Garvey 12). The familiar use of "thou" is best illustrated throu...

William Shakespeare's Hamlet, and Queen Gertrude Following Act III, Scene ii

in bed" (III.ii.206-209), then following-up with the equally matter of fact declaration, "If, once a widow, ever I be wife!" (III....

Beatrice and Hero in William Shakespeare's Much Ado About Nothing

love for her. It 8s also worth noting, that despite the clear and eloquent words, t no point in the pay do we see Hero and Claudio...

William Shakespeare's First Folio

Tale, and The Tempest, Julius Caesar, Macbeth, Antony and Cleopatra, Coriolanus, As You Like It and Twelfth Night(West 180, see al...

Homosexuality and Friendships in William Shakespeare’s Twelfth Night

homoerotic desire" (114). Olivia and Maria embody this type of alliance. Maria is serving Olivia, literally and figuratively spe...

Villains in William Shakespeare’s Macbeth and Richard III

sensibilities: "The Prince of Cumberland! That is a step / On which I must fall down, or else oerleap, / For in my way it lies. S...

Metamorphosis of Change in William Shakespeare’s Macbeth

me in the day of success, and I have learned by the perfectest report they have more in them than mortal knowledge. When I burned ...

William Shakespeare's Macbeth and the Use of Blood Imagery

soldier, but hes also immediately associated in our minds with the spilling of blood. But blood also means the blood connection b...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...

William Shakespeare's A Midsummer Night's Dream and the Character of Puck as Protagonist

Oberon and make him smile/ When I a fat and bean-fed horse beguile,/ Neighing in likeness of a filly foal:/ And sometime lurk I in...

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...

Delayed Revenge in William Shakespeare's Hamlet

be condemned if he were killed at prayer. This speaks not only to the strength of religious belief at the time, but to the depth o...

William Shakespeare's Macbeth and Images of Night and Day

the characters and how they all go about trying to define the night and day while engaged in various activities. In the...

Depiction of Women in William Shakespeare's A Midsummer Night's Dream

This paper examines how women were depicted by William Shakespeare in his comedy A Midsummer Night's Dream in eleven pages with th...

Issue Appeasement in William Shakespeare's Macbeth, The Merchant of Venice, and Romeo and Juliet

In ten pages this paper discusses Shakespeare's efforts at religious, political, and social appeasement in this trio of plays. El...

William Shakespeare's Part I, Henry IV, Fathers and Sons

In five pages father and sons are examined in terms of emotions, expectations, and relationship between them within the context of...

Ophelia in William Shakespeare's Hamlet

In five pages this paper offers a character analysis of Ophelia in terms of the identity crisis she suffered due to the various me...

Rembrandt's Self Portrait, William Shakespeare's King Lear and Their Portrayals of Old Age

In five pages this paper discusses how two different art forms depict the same topic - old age....

'Untrue' Polonius in William Shakespeare's Hamlet

In five pages this paper assesses Polonius's advice to his son Laertes 'This above all: to thine own self be true' with in the con...