SEARCH RESULTS

YOU WERE LOOKING FOR :Symbolism Symbols and Themes in Jean Anouilhs Antigone and Henrik Ibsens A Dolls House

Essays 31 - 60

Nora Helmer's Innocence in Henrik Ibsen's A Doll's House

husband Torvald, belittle their women and define their mates based on their potential as a companion, housekeeper, and the ability...

Sacrifice According to Herman Melville, Henrik Ibsen, and Shirley Jackson

one of the most essential elements of sacrifice, especially in a religious context, is that the action is performed willingly, and...

Society and Women's Place According to Charlotte Perkins Gilman and Henrik Ibsen

part of his micro-manipulation of Noras behavior. For example, he jokingly calls her his "Miss Sweet Tooth" as he grills her about...

Past Plays and Their Present Relevance

and the people they know are not perfect. This offers us realism in a very powerful manner. At the same time, however, it is also ...

Malevolent Characters and the Catalysts Represented by Their Actions

her own backbone and eventually would have left Torvald. Krogstad does not purposely cause the marital strife, some would argue, b...

A Doll's House Examined Critically

an absent father. Although it is not obvious, her fathers absence lies at the bottom of her plight. To support her sick mother and...

The Idea of Marriage Expressed in Three Plays.

This 5 page paper discusses the portrayal of marriage in three plays: A Doll's House by Henrik Ibsen; The Marriage of Olype by Aug...

Masculinity in Works by T.S. Eliot and Henrik Ibsen

This paper compares how masculinity is portrayed in 'The Love Song of J. Alfred Prufrock' by T.S. Eliot and in A Doll's House by H...

Identity Need of Women in the Plays of Henrik Ibsen and Anton Chekhov

This paper discusses women's need for their own identity as considered by Anton Chekhov in Three Sisters and Henrik Ibsen in A Dol...

Zora Neale Hurston and Henrik Ibsen on the Individual and Society

In five pages this paper examines the relationship between society and the individual as represented by the female protagonists of...

A Doll's House by Henrik Ibsen and Realism

In 5 pages this paper assesses the realism of the premise of A Doll's House by Henrik Ibsen and its conclusion. There are 4 sourc...

Child Fantasy and A Doll's House by Henrik Ibsen

In six pages this paper examines how the play of children is metaphorically depicted in A Doll's House by Henrik Ibsen. Three sou...

Literature and Free Will v. Fate

In 5 pages this paper examines this thematic conflict as it is represented in A Doll's House by Henrik Ibsen, Macbeth by William S...

Contextual, Cultural, and Historical Influences on Henrik Ibsen’s 1879 Social Drama, A Doll’s House

of Norway. Interestingly, Ibsen observed a year before the completion of A Dolls House in his text Notes for a Modern Tragedy, "T...

Women’s Refusal in Euripides’ Medea and Henrik Ibsen’s A Doll’s House

to her on the basis of her sex. To further complicate her situation, she was an exile from her primitive Colchis homeland, forced...

Feminist Ideology in Henrik Ibsen's, A Doll's House

This paper addresses the ways in which Ibsen's social, literary work, A Doll's House provides a retrospective of feminist ideology...

Women's Roles in Henrik Ibsen's A Doll's House and George Bernard Shaw's Pygmalion

In seven pages this paper compares protagonists in each play in a consideration of what they reveal about women's roles. Two sour...

Nora Helmer in Henrik Ibsen's A Doll's House and Edna Pontellier in Kate Chopin's 'The Awakening'

In six pages these two female protagonists are contrasted and compared with their respective self images also considered. There a...

Men in Henrik Ibsen's Social Dramas Hedda Gabler and A Doll's House

partner. He makes frequent animal comparisons to his wife, referring to her as "my little lark" (43) or "my squirrel" (44). Thes...

Comparative Analysis of Female Heroines in Henrik Ibsen's Hedda Gabler and A Doll's House

Nora Helmer and Hedda Gabler are contrasted and compared in 5 pages in terms of life perceptions, relationships, intellect, and pe...

Making a Movie Out of Henrik Ibsen's Play A Doll's House

should convey a sense of the strength that is reflected in Nora. The adornments and the furnishings are only accessories to the s...

Setting of Henrik Ibsen's A Doll's House

himself as child was to give puppet performances, for his siblings as well as for other children in the town. Think of how a pupp...

Strong Women in the Works of Henrik Ibsen and Sophocles

for bearing her brother in accordance with the dictates of tradition and Greek religious practice. Citing feminist histori...

Analysis of Plot in Susan Glaspell's Trifles and Henrik Ibsen's A Doll's House

In 5 pages this paper examines the feminist aspects of these plays in an analysis of the plot structures of each. There are no ot...

Henrik Ibsen's A Doll's House as a Reflection of 19th Century Social Issues

In four pages this paper examines how the playwright represents social issues in this 19th century dramatic play....

George Bernard Shaw's Arms and the Man and Henrik Ibsen's A Doll's House

many women who watched this play and related well to Nora, though they were perhaps in a position where they would never speak out...

Henrik Ibsen's A Doll's House and Marriage

When he comes back out he says "Has my little spendthrift been wasting money again?" (Ibsen). From this simple beginning we alre...

Henrik Ibsen's A Doll's House, King Lear by William Shakespeare, and Sacrifice

do him wrong. She is all but banished and ends up marrying into wealth and power in another region of the continent. Still she sid...

Family Conflicts in Henrik Ibsen's A Doll's House, Sophocles' Oedipus the King, and William Shakespeare's Othello

position in the court was not higher than it was. He is the source of all conflict in the story for he presents Othello with subtl...

Comparative Analysis of Krogstad in Henrik Ibsen's A Doll's House and Iago in William Shakespeare's Othello

shall my purpose work on him" (Shakespeare I iii). From there on out we begin to realize that we, as the audience, are the only on...