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The Birds by Director Alfred Hitchcock

In a report consisting of six pages the notion of seemingly harmless creatures turning on innocent residents of a northern Califor...

Spectator in Alfred Hitchcock's Film Rear Window

action shot at a car race. To rely on an old clich?, he is "bored to tears." He spends most of his convalescent time sitting at th...

Character of Melanie in Alfred Hitchcock's Film The Birds

Mitch, a man completely under the control of his mother. But, we really do not necessarily believe that Melanie wants this man. Sh...

Alfred Hitchcock's Film The Birds

In five pages this paper examines how man's abuse of nature has dire consequences in Alfred Hitchcock's 1963 film The Birds. Four...

Filmmaker Alfred Hitchcock

In this paper consisting of six pages the impacts of a changing movie industry in the early 1970s and the way in affected Hitchcoc...

Alfred Hitchcock and His Auteur Style

theorists and directors," note that "Hitchcocks films are deeply infused with anxiety, guilt, and existential angst, which they tr...

Comparative Analysis of Film Directors Alfred Hitchcock and Steven Spielberg

In six pages this paper examines the approaches to the horror genre by directors Alfred Hitchcock and Steven Spielberg in this con...

Rear Window by Director Alfred Hitchcock

intended victim to deal with a situation, the strength or the determination of the one perpetrating the horror, or even the succes...

The Film Notorious by Director Alfred Hitchcock

and then depends on how the audience is prepared (along with the primary character) throughout the movie to deal with a particular...

Hitchcock's The Birds, Use of Sound

This essay pertains to Hitchcock's "The Birds" and the strategies that Hitchcock used in the film that relate to the use of sound....

Evil in Alfred Hitchcock's Films Rope and North by Northwest

the most louche, laidback villains in screen history" (Brooke, 2005, PG) emphasises Thornhills naivety as far as espionage and mur...

Comparative Analysis of Alfred Hitchcock's Film Vertigo and Billy Wilder's Film Some Like It Hot

Jerry and chase them through the hotel. The two hide under a table in a banquet room, only to discover that its the very room in ...

Alfred Hitchcock's Genius

his cinematic apprenticeship working for British studios - working first as an artist, set designer and directors assistant before...

Rear Window Film and Feminist Theories of Cinema

the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...

Alfred Hitchcock's Psycho, Neil Jordan's The Crying Game, and Male Identity

out Dil, Jodys girlfriend. Ironically, painfully, and even humorously, Dil is actually a man (Hooper 43). It is worth noting t...

Essays on Alfred Hitchcock's Rear Window, Video, and TV

at a blackboard writing words. As soon as he completes the "d" in the last word the tape is over. The running time for the tape is...

The Secret History by Donna Tartt, Alfred Hitchcock's Rope and Education

who do not know how to live life and are brainwashed by books and academia" (Chan). In essence, the professor understands the more...

Psychoanalytic View of Alfred Hitchcock's 1960 Film Psycho

film manipulates the audience at every turn, so that the audience is compelled to examine their own sympathies and perspective. ...

Mise en Scene in Alfred Hitchcock's Film Vertigo

know the woman, named Madeline, he falls in love with her. However, Madeline succeeds in committing suicide and Scotty is helpless...

An Analysis of Alfred Hitchcock's Film Rear Window

In five pages this research paper considers how voyeurism is depicted in this 1954 suspense thriller particularly as it relates to...

Voyeurism and Castration in the Alfred Hitchcock Film Rear Window

This paper consists of ten pages and discusses how the themes of castration and voyeurism are featured in the conflict between ant...

Psycho Film Critically Analyzed

In thirteen pages Alfred Hitchcock's 1960 suspense masterpiece is analyzed in terms of effect, form, and function with a cinematic...

Cinematography in the Opening Scene of Alfred Hitchcock's Rear Window

In five pages this paper discusses Rear Window by director Alfred Hitchcock in an analysis of its opening scene cinematography. F...

The Disturbing Worldview of Alfred Hitchcock

the side of the road in the midst of miles of cornfields. It is a bright, sunny afternoon and the prairie seems benign after the c...

Techniques of Filmmaker Alfred Hitchcock

The cuts are approximately equal in length. Finally Thornhill asks if hes supposed to meet someone and the stranger replies...

Hitchcock’s Auteur Vision: “Rear Window”

they were in the wrong place at the wrong time. In The Birds, for instance, Melanie (Tippi Hedren) pursues Mitch (Rod Taylor), a m...

Hitchcock's Rebecca

Danvers seems almost supernatural in her ability to simply appear, starling the current Mrs. De Winter, who is played by Joan Font...

Hitchcock/Psycho & Shadow of a Doubt

the nature of good and evil. In "Shadow," there are the two "Charlies," Uncle Charlie and his niece, Charlotte, who is known as "C...

Corpse's Role in the Movies of Alfred Hitchcock

"should be allowed to people who are considered superior human beings" (Alfred Hitchcocks "Rope"). Their definition of a "superio...

Alfred Hitchcock, the Cinematic Suspense Master

In six pages this paper examines the cinematic mastery of film director Alfred Hitchcock and some of the techniques he employed th...