YOU WERE LOOKING FOR :The History of Cinematic Comedy
Essays 181 - 210
In six pages this research paper discusses 2 cinematic interpretations of The Canterbury Tales and argues that how filmmakers fail...
An observational essay dealing with the protagonist of Chaucer's House of Fame, Geffrey. The author asserts that the work is a pa...
In seven pages this comedy from the 17th century is examined with the argument presented that darker libertine ideals belie the se...
In four pages the novel and its film adaptation are thematically compared in terms of cinematic changes that were made. Six sourc...
In twelve pages this paper discusses how Shaw challenged prevailing social values in his comedies Man and Superman, Pygmalion, The...
In eight pages the changes that occurred in the horror cinematic genre between 1960 and 1996 are examined in a contrast and compar...
In five pages this paper discusses the cinematic style of nonnarrative abstract developed by Kenneth Anger, underground filmmaker....
In six pages this paper examines politics in the United States and how it is portrayed in the novel and cinematic versions of Prim...
In four pages comparisons between the two heroines are made with emphasis upon plot, theme, and characterization in a consideratio...
In ten pages this paper examines Hawks' big screen contributions with an emphasis upon his screwball comedy classics Ball of Fire,...
Experimental films are discussed in this research paper consisting of six pages with Lynch's feature debut the focus of considerat...
In eight pages the roots of avant garde regarding film are argued to be in the visual arts as opposed to the narrative cinematic t...
In three pages this paper examines the filmmaker's various cinematic techniques and include elements such as utilizing teenage act...
In five pages this paper considers the film's parallels with Heart of Darkness by Joseph Conrad and also discusses influences of T...
no matter how precious we may believe ours to actually be. Some of Allens films are more consistently filled with the idea of l...
Such cinematic techniques as mise-en-scene are discussed in a paper consisting of 6 pages as thematic and narrative expression are...
In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...
Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...
In five pages a cinematic analysis of Vittorio de Sica's 1948 film includes camera uses, production techniques and evaluates the e...
In six pages Dante's 'Divine Comedy,' 'Beowulf,' 'Song of Roland,' and Augustine's 'Confessions' are examined in terms of gaining ...
This paper examines the Fellini film, La Dolce Vita. The author discusses camera shots and angels, as well as design, decor, comp...
In five pages this paper discusses how love, characters, and Feste's role are presented in this Kenneth Branagh production of Twel...
In five pages this paper examines how privacy is intruded upon by the media in the name of news with cinematic examples provided t...
of capitalism, he looked for a medium which would best provide a creative outlet, as well as indulge in his interest in philosophy...
In nine pages two stylistic modes Hollywood's classical narrative realism and modernist or avant garde are examined in terms of ho...
In nine pages the ways in which cinematic art changed surprisingly little during this time period despite some avant garde detours...
In six pages the horror film industry contributions of the cinematic 'Master of Suspense' and their impact are examined. Seven so...
"screwball" romantic comedies, a man and woman of differing social standing and temperaments. In Frank Capras classic 1934 film, ...
The significance of this German play as representative of the black comedy genre is examined in five pages. Three sources are cit...
In ten pages these cinematic melodramas of the Forties are examined in a discussion of meaning construction through class and gend...