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Essays 541 - 570

The Passion of the Christ and the Shared Suffering Between Jesus and the Film Audience

are the various traumatic events Christ endures from the Garden of Gethsemane until the Crucifixion. They are broken down into fo...

Cinema, Ideology and the Viewer

public, which is basically whats going on here; that is widely accepted and understood. If it were not a cultural norm for people ...

Film Analysis: On the Beach (1959)

Soviet Union were busy building up their nuclear arms arsenals, the specter of the nuclear holocaust hung over society and haunted...

A Discussion of Babette's Feast

This 5 page essay illuminates the message and presentation in Babette's Feast. Based on the book by Isaak Dineson this film prese...

Formalism and Realism in the Film, Citizen Kane

This paper addresses Orson Welles' film, Citizen Kane. The author focuses on formalism and realism in the film. This five page p...

The Film Finding Forrester, Thomas Hobbes, and Aristotle

In five pages this paper consides how films reflect some type of philosophy and the example of the 2000 film staring Sean Connery ...

Perspectives on the Movie American Beauty

In five pages this essay contrasts and compares the perspectives of critics and the film's writers with regard to 1999's American ...

Establishing a Genre Movie in 'Singin' In The Rain'

This 9 page essay considers how the theatrical presence in the film is developed stylistically through textural characteristics of...

An Analysis of Patriarchy in Casablanca

A 5 page discussion of the ever present force of patriarchy in this classic film. This author observes that the dramatic ending i...

Dorothy Shaw and Lorelei Lee in the Film Gentlemen Prefer Blondes

In seven pages the relationship between the film's two featured female characters are explored in terms of choices and situational...

Pleasantville's Creative Use of Color

In five pages the powerful use of color in the film's storytelling is examined. Two sources are cited in the bibliography....

The 1980 Film Moskva Slezam ne Verit or 'Moscow Does Not Believe in Tears'

the daily lives of the general population. The Soviet View of Security Throughout the thirties Soviet leaders viewed their countr...

Character Ethics and the Film 'L.A. Confidential'

cost, even when it calls for doing things against his or the departments ethical code. His golden boy status within the police fo...

Film Director Gordon Parks

background is disadvantaged. Marcus is the son of a bitter, abusive man who hates whites with every fiber of his being. Marcus is,...

Characterization in Crash

Rican descent. Graham would undoubtedly not identity himself as racist, yet he fails to remember that Ria is Puerto Rican, not Mex...

“The Castle”

They have decided to acquire it so that the airport can be expanded. Thus, the working class Kerrigan family is pitted against th...

Two Versions of Frankenstein

and had been released some months earlier (Biodrowski). The novel, which has the subtitle of "The Modern Prometheus," is "a sort o...

Historical Context of 'The Caine Mutiny'

In 6 pages this paper considers the Communist paranoia of the 1950s as depicted in this film's desire to prosecute Queeg during a ...

“The Castle” : A Messenger

their idea of the Australian dream. The Kerrigans home, in their minds at least, is indeed their "castle". They willingly disreg...

Blood In, Blood Out

applied to the characters at different times, but the two that seem most effective are Merton, and Shaw and MacKay. The term "Amer...

Narrative Construction in “Rear Window”

ultimately meaningless and pointless. An audience member, however, wants to understand whats happening, and uses a film narrative ...

Annie Hall

the film is Allens character Alvy who seems to have so many problems it becomes hilarious and insane, often presenting psychologic...

Cuckoo's Nest and Nursing Ethics

frees him from this indignity and travesty of life by smothering him with a pillow and then escapes from the asylum (One Flew, 199...

Comparative Analysis of the Films The American Revolution (Part I: ‘The Conflict Ignites’), Williamsburg: The Story of a Patriot, and John Adams (Part I: ‘Join or Die’)

Each Film The American Revolution (also referred to as The Revolution) was a 1994 six-hour documentary produced by A&E and shown...

Palestinians as Victims of War in Paradise Now, Making Of, and Palestine

acknowledging responsibility for their own deaths if Israeli forces fired upon them (Twair 56). Abu-Assad later revealed that his...

The ‘Bright’ Promise of Communism Contrasted with the ‘Darkness’ of the Great Depression in the Films The Grapes of Wrath and Bound for Glory

supported, they were confronted with harsh realities that caused them to seriously question their sociopolitical ideology. Two fi...

Mental Illness and Government in the Film Dead Man Out

This paper examines this film's complexities in terms of the intertwining government and societal factors throughout in five pages...

Carl Franklin's Filmmaking and Screenwriting Works

names this "one of the great recent crime movies" (Ebert, 2002). Devil in a Blue Dress references a theme, subject and time perio...

Feminist Versus Material View Points in Film and Television

her husband, and knew herself to be near death. Her digestive system had been destroyed by the disease, and, in intense pain and u...

Cinematic Neorealism

neorealistic filmmakers, such as Rossellini, Vittorio DeSica and Cesare Zavattini, was to make a "moral statement," which forces ...