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Essays 61 - 90

Film Noir's Spatial Strategies

In six pages this paper discusses spatial imagery and the visual contrasts offered by film noir. Eight sources are cited in the b...

Sociological Aspects of the 1999 Film The Matrix

he must conform to the boundaries within that world (i.e. showing up for work on time, wearing a tie, respectfully agreeing with h...

The Matrix Film and Philosophies

In five pages this paper discusses the philosophies of Locke and Berkeley featured in The Matrix film as they pertain to the mater...

Visual Themes in Cameron Crowe's 2001 Film Vanilla Sky

is until he has suffered pain and unhappiness, concepts that are foreign to David, who was born with a silver spoon in his mouth....

Visual Design Within Theatre Arts

takes. It would seem that to incorporate so much history into so little time that these works would be awash with busyness, myria...

A Review of the Sense of Filmatic Space Interlacing Citizen Kane and Vertigo

sympathy" (Strauss 06F). Hitchcock was famous for employing the aspect of location as a means by which to portray his desired sen...

Reading and Visual Perception

it when it appears on the next page or even in the next paragraph, sometimes reading the same line twice, skipping over punctuatio...

Film The Matrix and the Philosophies of Rene Descartes and Jean Paul Sartre

the world, but only derive essence later. In other words, a human is nothing to start with, and the essence of the person comes fr...

Hollywood's 'Dream Factories' Powered by Special Effects

In five pages this paper examines special effects in films from a feminist point of view in a consideration of such movies as The ...

The Matrix Film and Philosophical Concepts

In five pages this paper examines The Matrix and Blade Runner films in a discussion of how the philosophical concepts of Berkeley ...

The Matrix Film, Epistemology and Metaphysics

In three pages this paper examines how epistemology and metaphysics are both featured in the film The Matrix. There are no other ...

Knowledge and Personal Awareness in the 1999 Film The Matrix

Reality, knowledge, and personal awareness are considered in this analysis of The Matrix film in a report consisting of five pages...

The Matrix Character of Neo

Reeves plays Neo, a hacker who learns from rebel-rousers Morpheus (Laurence Fishburne) and Trinity (Carrie-Anne Moss) that the wor...

Flexibility and Efficiency of 3G Software

In five pages this paper discusses how efficiency and flexibility can be achieved by developers through DELPHI, Visual C++, and Vi...

'Platoon' vs. 'Apocalypse Now'

In 5 pages this comparative analysis considers the power of visual images in these films and how war is told through manipulative ...

Roots of Avant Garde's Visual Arts

In eight pages the roots of avant garde regarding film are argued to be in the visual arts as opposed to the narrative cinematic t...

Film Versions of Anne of Avonlea and Anne of Green Gables

In ten pages the transition from the printed page unto the visual silver screen is examined in a consideration of these novels tur...

Scholastic Achievement and Visual Arts

In fifteen pages this research proposal considers whether or not there is a connection between visual arts and achievement academi...

Organizational Culture, Structure, and Groups

of the primary focal point, which as been responsible for different values, assumptions and expectations. Many industry analysts...

The Film Chinatown by Director Roman Polanski

Six pages and 5 sources used. This paper provides an overview of Roman Polanski's 1974 film Chinatown. This paper considers the ...

US Culture and Violence

In five pages this paper discusses US culture's representation of violence in an overview of the actual events involving serial ki...

Analyzing Oliver Parker's Film Version of Othello

military prestige and marriage to a well-to-do Caucasian, was little more than a savage who was ultimately enslaved by primal pass...

Dystopia and the Film The Matrix

an ideal, nonexistent political state and way of life" (Abrams, 1999). Science fiction became a popular genre which was best demon...

Robert Rodriguez's Films and Cultural Identities

direction and production of a larger film. "The plan, Rodriguez said, was to make a series of three action films for this market a...

Visual Effects Showcased in Lars Von Trier's 1991 Film Zentropa

angles that one would not normally expect, such as shooting through water. There is an underwater shot of blood slowly spreading a...

Brian DePalma's 'Carrie' A Cinematic Analysis

would become his own trademark. This film, along with Obsession (1976), further developed De Palmas expressive use of cinematogra...

Scorsese/Gangs of New York

the foreign hordes defiling it" (Mattie 215). Cutting slays Vallon, consigns his son to an orphanage, and proclaims his rule ove...

Spike Lee's Do The Right Thing

solely for blasting rap music on his boom box. A local DJ, Mister Senor Love Daddy, who operates a radio station also acts as a co...

The Purpose of Film Montage

This 5 page paper discusses the viewpoints of French film critic and auteur Andre Bazin, and Russian director Sergei Eisenstein, o...

Mississippi Burning/A Reaction to the Film

group of KKK members (DuPont, et al). The film ends with snapshots of the men indicted for the murders of the three Civil Rights w...