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Essays 421 - 450

Identity in William Shakespeare's Measure for Measure and Hamlet

In five pages this paper examines the power of identity in the similarities and differences that exist among characters Mariana in...

Analysis of William Shakespeare's Romeo and Juliet, Hamlet, and Sophocles' Oedipus

In six pages this research paper contrasts and compares these works by Shakespeare and Sophocles in terms of tragic themes and iro...

Coercion and Liberation in William Shakespeare's All's Well That Ends Well and The Tempest

In six pages this paper discusses character pairs and how they work within the structure of these two plays by William Shakespeare...

Conflicts Rooted in Anger in William Shakespeare's Tragedies King Lear, Hamlet, and Othello

In three pages the emotional conflicts that are based in anger are examined in terms of the protagonists behavior' and the importa...

William Shakespeare's Use of Sexuality in the Plays Antony and Cleopatra, Hamlet, and Othello

In twelve pages this paper examines how sexuality is thematically portrayed in these plays in terms of obsession, interracial love...

Lower Social Classes in William Shakespeare's Julius Caesar and A Midsummer Night's Dream

In eight pages this paper analyzes the plebeians featured in Julius Caesar and the rude mechanicals in A Midsummer Night's Dream i...

Fourth Act of William Shakespeare's Macbeth

with Macbeth as Malcolm states, "Come, go we to the king; our power is ready;/ Our lack is nothing but our leave; Macbeth/ Is ripe...

Russ McDonald's 'Presentational Theater' and William Shakespeare's Coriolanus, Hamlet, and Othello

This paper consists of five pages in which Russ McDonald's 'presentational theater' theory is used to analyze illustrations from S...

Four ‘Ghostly’ Commands in William Shakespeare’s Hamlet

not he possesses the courage to commit murder. His fear and susceptibility to depression often paralyze his movements to a point ...

Desdemona’s Innocence of Any Wrongdoing in William Shakespeare’s Othello

flies. Though that his joy be joy, / Yet throw such changes of vexation ont / As it may lose some color" (I.i.69-75). When Senato...

Homosexuality and Friendships in William Shakespeare’s Twelfth Night

homoerotic desire" (114). Olivia and Maria embody this type of alliance. Maria is serving Olivia, literally and figuratively spe...

Metamorphosis of Change in William Shakespeare’s Macbeth

me in the day of success, and I have learned by the perfectest report they have more in them than mortal knowledge. When I burned ...

Titus’ Aaron and Othello’s Iago

thunders crack or lightning flash; Advanced above pale envys threatening reach...Then, Aaron, arm thy heart, and fit thy thoughts....

Villains in William Shakespeare’s Macbeth and Richard III

sensibilities: "The Prince of Cumberland! That is a step / On which I must fall down, or else oerleap, / For in my way it lies. S...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...

William Shakespeare's A Midsummer Night's Dream and the Character of Puck as Protagonist

Oberon and make him smile/ When I a fat and bean-fed horse beguile,/ Neighing in likeness of a filly foal:/ And sometime lurk I in...

William Shakespeare's Macbeth and the Human Capacity for Evil

surely not do anything to hurry it along, stating, "If chance will have me king, why, chance may crown me, Without my stir" (Shaks...

William Shakespeare's Macbeth and the Use of Blood Imagery

soldier, but hes also immediately associated in our minds with the spilling of blood. But blood also means the blood connection b...

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

Closely Reading Ophelia's 'Mad' Songs in William Shakespeare's Hamlet Act IV, Scene V

where hours were spent singing songs and learning nursery rhymes. When Gertrude inquires as to how she is doing, Ophelia sings, "...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

Injustice and Vengeance in William Shakespeare's The Tempest and Euripides' Electra

story of Agamemnon we are presented with a man who sacrifices his daughter, at the request or command, of the gods, in order that ...

Handkerchief Significance in William Shakespeare's Othello

good man, whom he has treated unjustly. Desdemona has, of course, been persuaded by Iago to defend Cassio, as he knows that this w...

Delayed Revenge in William Shakespeare's Hamlet

be condemned if he were killed at prayer. This speaks not only to the strength of religious belief at the time, but to the depth o...

Analysis of William Shakespeare’s Sonnets 18, 73, and 130

While he adhered to Petrarchs use of fourteen lines, Shakespeare constructed sonnets containing three quatrains and a couplet. Hi...

William Shakespeare's The Tempest and Its Subplot

a sort of revenge, is quite humorous as the two individuals are seemingly confused and wary. There is humor in the fact that Calib...

William Shakespeare's Macbeth and Images of Night and Day

the characters and how they all go about trying to define the night and day while engaged in various activities. In the...