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Essays 631 - 660

Choice or Fate in William Shakespeare's Macbeth

say, shows that how each man reacted to this situation was a matter of choice -- not fate. Traditionally, much of the blame for ...

William Shakespeare's King Henry V and Hamlet Directed by Sir Laurence Olivier

for the rest of the world, There will never, never be another Laurence Olivier" (69). The article goes on to report that at the "s...

William Shakespeare's A Midsummer Night's Dream, The Taming of the Shrew, and Fathers

appears to be Lucentio, but should he be unable to produce his father (which would verify his lineage and financial status), then ...

Comparing William Shakespeare's The Tempest and Richard III and Themes of Justice and Destiny

especially apparent when critically examining Shakespeares historical play, Richard III and his final work, the dark comedy, The T...

Accountability of Claudius in Causing Sorrow in William Shakespeare's Hamlet

life, consuming him. It is this rage that eventually drives him to madness and murder. It seems ironic that Claudius, Laertes, a...

William Shakespeare's Othello and Its Pleasurable Aspects

actions, in terms of black and white, good and bad. It is axiomatic that people wish to see those they regard as "good" as incapab...

Comparative Analysis of Krogstad in Henrik Ibsen's A Doll's House and Iago in William Shakespeare's Othello

shall my purpose work on him" (Shakespeare I iii). From there on out we begin to realize that we, as the audience, are the only on...

William Shakespeare's Richard the Third and the Use of Pronouns

regarded as the "polite" or "formal" form of the second person (Garvey 12). The familiar use of "thou" is best illustrated throu...

Uses of Symbolism in William Shakespeare's Hamlet and Sophocles' Oedipus Rex

largely concerns issues of perception. When Oedipus at last learns the truth of his origin and situation, he takes broaches from t...

William Shakespeare's Hamlet and the Pawn Ophelia

thinks she is ignorant because she is unsure and innocent. He feels that she is an idiot to even begin to believe the words or aff...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...

William Shakespeare's Macbeth and the Human Capacity for Evil

surely not do anything to hurry it along, stating, "If chance will have me king, why, chance may crown me, Without my stir" (Shaks...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...

William Shakespeare's A Midsummer Night's Dream and the Character of Puck as Protagonist

Oberon and make him smile/ When I a fat and bean-fed horse beguile,/ Neighing in likeness of a filly foal:/ And sometime lurk I in...

Closely Reading Ophelia's 'Mad' Songs in William Shakespeare's Hamlet Act IV, Scene V

where hours were spent singing songs and learning nursery rhymes. When Gertrude inquires as to how she is doing, Ophelia sings, "...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

'Mad' Protagonist of William Shakespeare's Hamlet

to do so throughout the play as he plots his revenge. "The spirit that I have seen May be the devil; and the devil hath power To...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

Revenge Theme in William Shakespeare's Hamlet

violence unless he is propelled by the heat of passion. From the beginning of the play, Hamlet has doubts concerning the morali...

Delayed Revenge in William Shakespeare's Hamlet

be condemned if he were killed at prayer. This speaks not only to the strength of religious belief at the time, but to the depth o...

William Shakespeare's The Tempest and Its Subplot

a sort of revenge, is quite humorous as the two individuals are seemingly confused and wary. There is humor in the fact that Calib...

William Shakespeare's Macbeth and Images of Night and Day

the characters and how they all go about trying to define the night and day while engaged in various activities. In the...

Analysis of William Shakespeare’s Sonnets 18, 73, and 130

While he adhered to Petrarchs use of fourteen lines, Shakespeare constructed sonnets containing three quatrains and a couplet. Hi...

Titus’ Aaron and Othello’s Iago

thunders crack or lightning flash; Advanced above pale envys threatening reach...Then, Aaron, arm thy heart, and fit thy thoughts....

Villains in William Shakespeare’s Macbeth and Richard III

sensibilities: "The Prince of Cumberland! That is a step / On which I must fall down, or else oerleap, / For in my way it lies. S...

Homosexuality and Friendships in William Shakespeare’s Twelfth Night

homoerotic desire" (114). Olivia and Maria embody this type of alliance. Maria is serving Olivia, literally and figuratively spe...

Women's Roles in Geoffrey Chaucer's The Canterbury Tales and William Shakespeare's Hamlet

In eight pages this paper contrasts and compares how women's roles are depicted in these two classic works of literature. Five so...

William Shakespeare's Much Ado About Nothing and Daniel Defoe's Moll Flanders

In eight pages these works are contrasted and compared in terms of the relationship between the marriage concept and the female ch...