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Essays 211 - 240

Feminine Nature and Mary Shelley's Frankenstein

and whose future lot it was in their hands to direct to happiness or misery, according as they fulfilled their duties towards me" ...

An Analysis of Mary Shelley's Frankenstein

This paper analyzes various elements of Shelly's classic novel. This seven page paper has no additional sources listed in the bib...

Mary Shelley's Frankenstein and Evelyn Fox Keller's Reflections on Gender and Science

In five pages this paper compares these two works in consideration of gender empiricism and how science directs its own study fiel...

Aldous Huxley's Brave New World, Mary Shelley's Frankenstein, and Genetic Engineering

In three pages genetic engineering as they are represented in these two literary works are contrasted and compared in terms of the...

Feminist View on Mary Shelley's Frankenstein and Science

In seven pages this paper considers science as presented in Frankenstein by Mary Shelley from a feminist perspective that includes...

Mary Shelley's Victor Frankenstein as an Extension of His Own Creation

The protagonist of Frankenstein by Mary Shelley is the subject of this character analysis that includes Sigmund Freud's doubling p...

Fear Levels in Mary Shelley's Frankenstein

of my being" (Frankenstein). As with any newborn, his sensory impressions of the world are at first indistinct. He began to attemp...

'Female Monster' in Mary Shelley's Frankenstein

the position and the importance of the position, played by the female monster. In the main character, Victor Frankenstein, we a...

Scientific Negativity in Mary Shelley's Frankenstein

claim that advances in the field would enhance quality of life as it could eradicate genetic disease, for example (Castle PG). It ...

Mary Shelley's Frankenstein and Director James Whale's 1931 Film Interpretation

In five pages the original nineteenth century novel by Mary Shelley is compared with the 1931 cinematic production by director Jam...

Mary Shelley's Frankenstein

in the first place. Frankenstein has two obvious choices. He can say I was not thinking of the Creature and was consumed by his ...

Mary Shelley's Victor Frankenstein Characterization

to life, he rejects it, hoping that the life he has brought into the world will simply die, erasing his mistake (Madigan 48; Franc...

Victor Frankenstein, The True Monster in Mary Shelley's Frankenstein

would probably have forced him to consider the ramifications of his work. But since he has no one to answer to save his own opin...

Comparative Analysis of Mary Shelley's Frankenstein and Gustave Flaubert's Madame Bovary

In five pages this paper contrasts and compares these two works in terms of word usage and body concepts. Two sources are cited i...

Films Based on Mary Shelley's Frankenstein

novel. However, the film adaptation was to have the monster say nothing at all, something which led Lugosi to declining the part. ...

Mary Shelley's Frankenstein, Emily Bronte's Wuthering Heights, and Individuality

enough within the character of Catherine to urge her to marry for money and social position, rather than innocent or passionate lo...

Stevenson's Dr. Jekyll and Mr. Hyde Vs. Mary Shelley's Frankenstein

This paper compares and contrasts these two classic literary works. This seven page paper has eight sources listed in the bibliog...

Questing in Mary Shelley's Frankenstein and D.H. Lawrence's The Virgin and the Gipsy

In five pages this paper analyzes how these two literary works portray the notion of 'the quest.' There are no other sources list...

Jean Jacques Rousseau's Confessions, Mary Shelley's Frankenstein and the Elements of Autobiography

In a paper consisting of five pages Barbara Johnson's theory that autobiography involves a child's narrative as symbolically killi...

A Critical Analysis of Mary Shelley's Frankenstein

to her writing to make a living. She also received a small stipend from Shelleys family against his inheritance. Mary spent the ...

Creation of Life in Mary Shelley's Frankenstein

In five pages this paper argues that Victor Frankenstein steadfastly refuses to feel any type of guilt or regret regarding his sci...

An Analysis of The Creature in Mary Shelley's Frankenstein

draws from his experience. His first introduction to fire, for example, results in his knowledge that the same element that can p...

Overview of Mary Shelley's Frankenstein, or the Modern Prometheus

In five pages this paper considers contemporary cloning within the context of the Gothic novel by Mary Shelley. Three sources are...

Aldous Huxley's Brave New World, Mary Shelley's Frankenstein, and Ethics

In eight pages ethical dilemmas such as cloning and genetic engineering are examined within the context of these two classic works...

Percy Bysshe Shelley's Works

In six pages this paper discusses how social conditions and personal convictions are reflected in the works of Percy Bysshe Shelle...

English Romanticism in Mary Shelley's Frankenstein

underpinning of romanticism, the innocence and exaltation of the common man. The auto biographical nature of Mary Shellys Fr...

Biblical Adam and the Creature in Mary Shelley's Frankenstein

In 7 pages these two creations are compared in terms of the intentions of their creators and the reactions they inspired with God ...

Percy Bysshe Shelley's 'Prometheus Unbound' and William Blake's 'Marriage of Heaven and Hell'

is angry, for he looks out at the activities of the people of the world and does not like what he sees. He implies that we have co...

Percy Bysshe Shelley's 'The Triumph of Life'

In six pages this paper selects an ending for this Percy Bysshe Shelley poem with a justification provided. One source is listed ...

Comparative Analysis of Voltaire's Candide, Toni Morrison's The Bluest Eye and Mary Shelley's Frankenstein

In five pages this paper examines how society changed from individual acceptance to individual oppression in a comparative analysi...