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YOU WERE LOOKING FOR :Three Decades of Cinematic Representations of Their Respective Times

Essays 421 - 450

Psycho Film Critically Analyzed

In thirteen pages Alfred Hitchcock's 1960 suspense masterpiece is analyzed in terms of effect, form, and function with a cinematic...

Comparative Analysis of Democracy Featured in Reflections of the French Revolution by Edmund Burke, Discourse on Origins of Inequality by Jean Jacques Rousseau, and Rights of Man by Thomas Paine

could be held as a slave, recognizing the fact that for people living in democratic societies to have freedom of religion is of ut...

Social Prejudice in Beloved by Toni Morrison and The Castles Of Athlin And Dunbayne by Anne Radcliffe

general public. "In a gallery on the North side of the castle, which was filled with pictures of the family, hung a portrait of M...

Changing the Appearance of Films Through CinemaScope

In eight pages this paper examines the 1950s' introduction of the innovative CinemaScope cinematic technique that changed how film...

Nineteenth Century Japan and China and Its History Course Determinants

In five pages Japan and China of the nineteenth century is examined in terms of what were the factors that determined their respec...

Filmmaker Josef von Sternberg:

In six pages this report considers filmmaker Josef von Sternberg and emphasizes his cinematic collaborations with Marlene Dietrich...

Worldwide Environment and American Film Performers

is particularly evident in the spread of American culture seemingly to the far corners of the globe (Eslake 61). On practically e...

Sixteenth and Seventeenth Century Colonization and Effects on Native Americans

In four pages this paper contrasts sixteenth and seventeenth colonization of Portugal and Spain as opposed to Holland, England, an...

German and French Political Parties

In ten pages this paper discusses France and Germany in terms of each country's respective political party and election system. S...

Using Vernacular to Reflect Self Image in Jean Toomer's Cane and Zora Neale Hurston's Their Eyes Were Watching God

In eleven pages this paper compares each author's uses of vernacular to reflect African American identity concept in their respect...

Irony of Social Criticism in Anton Chekhov's The Cherry Orchard and Henrik Ibsen's Ghosts

In five pages this paper considers the way these playwrights revealed social criticism through the irony of their respective plays...

Narrative Voice in 'A Modest Proposal' by Jonathan Swift and 'Paradise Lost' by John Milton

In five pages the use of narrative voice by these authors in their respective works is contrasted and compared. There are no othe...

Novel and Cinematic Versions of A Passage to India by E.M. Forster

In four pages the novel and its film adaptation are thematically compared in terms of cinematic changes that were made. Six sourc...

Le Morte D'Arthur by Malory and The Faerie Queen by Spenser and Characterization

In six pages the fully developed characters Malory features are contrasted with Spenser's stiff stereotypes in order to perpetuate...

Katherine Anne Porter's 'The Jilting of Granny Weatherall' and Eudora Welty's 'A Worn Path'

In six pages the protagonists of these respective stories are compared and contrasted. There is no bibliography included....

Film Dramatizations of Geoffrey Chaucer's The Canterbury Tales

In six pages this research paper discusses 2 cinematic interpretations of The Canterbury Tales and argues that how filmmakers fail...

Gerda Weissman Klein's All But My Life, Toni Morrison's Beloved, and Women's Fortitude and Morale

In seven pages this paper examines how the female protagonists in these respective literary works maintain their morale and intern...

Analysis of Scream and Psycho Horror Movies

In eight pages the changes that occurred in the horror cinematic genre between 1960 and 1996 are examined in a contrast and compar...

Hollywood Babylon of Filmmaker Kenneth Anger

In five pages this paper discusses the cinematic style of nonnarrative abstract developed by Kenneth Anger, underground filmmaker....

Politics in the Book and Film Primary Colors

In six pages this paper examines politics in the United States and how it is portrayed in the novel and cinematic versions of Prim...

Eraserhead Film by David Lynch

Experimental films are discussed in this research paper consisting of six pages with Lynch's feature debut the focus of considerat...

Apocolypse Now Film by Director Francis Ford Coppola

In five pages this paper considers the film's parallels with Heart of Darkness by Joseph Conrad and also discusses influences of T...

Federico Fellini's Film, La Dolce Vita

This paper examines the Fellini film, La Dolce Vita. The author discusses camera shots and angels, as well as design, decor, comp...

Post First World War Hollywood Studio Dominance

In twelve pages this paper considers the global cinematic dominance of the Hollywood studio system after the First World War. Nin...

Hollywood Cinema, False Depiction of Women and the Subtle Sexism

sexually aggressive. In my own opinion, Mildred Pierce, Jezebel, The Postman Always Rings Twice-these were great tragedies about w...

Andrei Tarkovsky's Cinematic Poetry

This in-depth research paper puts forth the argument that the films of director Andrei Tarkovsky are best seen as cinematic poetry...

Roots of Avant Garde's Visual Arts

In eight pages the roots of avant garde regarding film are argued to be in the visual arts as opposed to the narrative cinematic t...

Stylistic and Formal Characteristics of Gus Van Sant's 'My Own Private Idaho'

Such cinematic techniques as mise-en-scene are discussed in a paper consisting of 6 pages as thematic and narrative expression are...

Cinema and Aristotelian Considerations

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Movies and How the Dracula Character Has Evolved

Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...