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Desdemona’s Innocence of Any Wrongdoing in William Shakespeare’s Othello

flies. Though that his joy be joy, / Yet throw such changes of vexation ont / As it may lose some color" (I.i.69-75). When Senato...

William Shakespeare's The Tempest and Its Subplot

a sort of revenge, is quite humorous as the two individuals are seemingly confused and wary. There is humor in the fact that Calib...

William Shakespeare's Macbeth and the Human Capacity for Evil

surely not do anything to hurry it along, stating, "If chance will have me king, why, chance may crown me, Without my stir" (Shaks...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...

William Shakespeare's A Midsummer Night's Dream and the Character of Puck as Protagonist

Oberon and make him smile/ When I a fat and bean-fed horse beguile,/ Neighing in likeness of a filly foal:/ And sometime lurk I in...

Injustice and Vengeance in William Shakespeare's The Tempest and Euripides' Electra

story of Agamemnon we are presented with a man who sacrifices his daughter, at the request or command, of the gods, in order that ...

Othello and Desdemona in William Shakespeare's Othello

fall upon my life" (Shakespeare I iii). In this he is leaving it all up to his wife and her father, nobly demonstrating that he do...

Element Known as Chlorine

3.5 parts per million can be detected; a concentration of 1000 parts per million "is likely to be fatal after a few deep breaths" ...

William Shakespeare's Macbeth and the Use of Blood Imagery

soldier, but hes also immediately associated in our minds with the spilling of blood. But blood also means the blood connection b...

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

What a Director Should Know about a Production of William Shakespeare's Romeo and Juliet

the best Shakespeare company in the world so perhaps the director might want to consider a minimalist production. The focus of th...

William Shakespeare's King Lear and the Representation of Edmund as a Power Opportunist

maximum benefit, and his practical reaction is immediate action (Cahn 146). As Victor L. Cahn noted in his consideration of Edmun...

Climaxes in William Shakespeare's King Lear

there, she might have added a dose of common sense to the proceedings, and pointed out to her husband that dividing the kingdom am...

Fourth Act of William Shakespeare's Macbeth

with Macbeth as Malcolm states, "Come, go we to the king; our power is ready;/ Our lack is nothing but our leave; Macbeth/ Is ripe...

Suffering in William Shakespeare's King Lear and the Book of Job

finally restored by God to his previous state of good fortune when he realizes that, as a human being, he is insignificant next to...

The New World

that gold could be found. However, this was not ultimately why the New World was colonized, especially in light of the fact that g...

Evil and the Great Britain of William Shakespeare's King Lear

In ten pages this paper discusses the three groups of characters, the dual plots, and the evil of Great Britain that are featured ...

Double Plot Analysis of William Shakespeare's King Lear

In five pages the dual plots that propel the action of King Lear by William Shakespeare, those of Lear and his daughters and Glouc...

William Shakespeare's King Lear and the Fool Character

In five pages this paper examines the dramatic function of the Fool in King Lear by William Shakespeare. There are no other sourc...

William Shakespeare's King Lear and the Disguise Motif

In five pages this paper examines Shakespeare's use of the disguise motif and how deception and disguises manifest themselves in b...

Soliloquy of Goneril in William Shakespeare's King Lear

In four pages this paper discusses Goneril's justification for the hardships she inflicted upon her father, sisters, and husband i...

William Shakespeare's King Lear and Love

In ten pages this paper analyzes unconditional and conditional love as it is featured in King Lear by William Shakespeare with the...

Appearances versus Reality in William Shakespeare's King Lear

In six pages the dual nature of King Lear is analyzed in a thematic comparison that features the conflict of appearances vs. reali...

General Analysis of William Shakespeare's 'MacBeth'

The powerful themes of temptation, guilt, heresy, and prophecy as they lend to the play's overall effectiveness are considered in ...

Positive Outcomes and William Shakespeare's King Lear

In five pages this paper examines how positive ends are always somehow achieved despite the adversity Lear meets throughout the co...

Act 2, Scene 4 of William Shakespeare's 'Measure For Measure'

Isabella's soliloquy directed to Angelo is the focus of this 3 page paper to determine its thematic relevance. There are no addit...