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Mel Gibson's Cinematic Interpretation of William Shakespeare's Hamlet

(like Mel Gibson in the 1991 film) has no interest in playing him as an apologetic mope" (Ebert). In the written play there is a...

Role of Bianca in William Shakespeare's Taming of the Shrew

good enough for her. Another issue that Bianicas situation brings up is the sign of the times. These days, wed scratch our...

William Shakespeare's Hamlet and the 'Poisoned Ear' Motif

sent from God, and in return, the monarch was expected to keep their best interests at heart and to protect them. Not only h...

William Shakespeare's Macbeth and Julius Caesar

the person seeking power truly does see how things can be improved if people listen to them. For example, in the simple of situati...

Suffering in William Shakespeare's King Lear and the Book of Job

finally restored by God to his previous state of good fortune when he realizes that, as a human being, he is insignificant next to...

William Shakespeare's Hamlet and the Theme of Conflict

that Hamlet must seek vengeance for the crime. This begins the powerful intrigue in the play that is filled with conflict. In t...

What a Director Should Know about a Production of William Shakespeare's Romeo and Juliet

the best Shakespeare company in the world so perhaps the director might want to consider a minimalist production. The focus of th...

Themes in William Shakespeare's Hamlet and Sophocles' Oedipus

Jocastas acceptance of her role and of the death of her son is fundamental to the actions of the play. When Oedipus kills Laius a...

William Shakespeare's King Lear and the Representation of Edmund as a Power Opportunist

maximum benefit, and his practical reaction is immediate action (Cahn 146). As Victor L. Cahn noted in his consideration of Edmun...

Climaxes in William Shakespeare's King Lear

there, she might have added a dose of common sense to the proceedings, and pointed out to her husband that dividing the kingdom am...

Fourth Act of William Shakespeare's Macbeth

with Macbeth as Malcolm states, "Come, go we to the king; our power is ready;/ Our lack is nothing but our leave; Macbeth/ Is ripe...

Thematic Analysis of Patrick Chamoiseau's Solibo Magnificant and William Shakespeare's The Tempest

how his takeover of the island oppressed the liberties of the natives. Prosperos character (whose name is Italian for "to prosper...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...

William Shakespeare's A Midsummer Night's Dream and the Character of Puck as Protagonist

Oberon and make him smile/ When I a fat and bean-fed horse beguile,/ Neighing in likeness of a filly foal:/ And sometime lurk I in...

Injustice and Vengeance in William Shakespeare's The Tempest and Euripides' Electra

story of Agamemnon we are presented with a man who sacrifices his daughter, at the request or command, of the gods, in order that ...

Closely Reading Ophelia's 'Mad' Songs in William Shakespeare's Hamlet Act IV, Scene V

where hours were spent singing songs and learning nursery rhymes. When Gertrude inquires as to how she is doing, Ophelia sings, "...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

William Shakespeare's Macbeth and the Use of Blood Imagery

soldier, but hes also immediately associated in our minds with the spilling of blood. But blood also means the blood connection b...

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

Justice, Murderers, Susan Glaspell's Trifles and William Shakespeare's Hamlet

When Hamlet returns home, he is greeted with what he is convinced is his fathers ghost. After identifying himself, the ghost prom...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Identity in William Shakespeare's Measure for Measure and Hamlet

In five pages this paper examines the power of identity in the similarities and differences that exist among characters Mariana in...

Lower Social Classes in William Shakespeare's Julius Caesar and A Midsummer Night's Dream

In eight pages this paper analyzes the plebeians featured in Julius Caesar and the rude mechanicals in A Midsummer Night's Dream i...

Coercion and Liberation in William Shakespeare's All's Well That Ends Well and The Tempest

In six pages this paper discusses character pairs and how they work within the structure of these two plays by William Shakespeare...

Shakespeare's Fools

This essay pertain to fools and clowns in Shakespeare's plays. The writer describes the role of the actor's performance on creatin...

Satire: 12th Night vs. Miller's Tale

This essay discusses Shakespeare's "Twelfth Night" and Chaucer's "The Miller's Tale." The writer asserts that Chaucer's narrative ...

Star Wars by John Williams

This essay offers an overview of the melody and harmony used in John William's main theme from Star Wars. The writer compares Will...

Willy Loman, Not a Tragic Hero

of Willys character shows him to be a highly flawed man, who makes innumerable mistakes and brings about his own tragic demise by ...

Villains in William Shakespeare’s Macbeth and Richard III

sensibilities: "The Prince of Cumberland! That is a step / On which I must fall down, or else oerleap, / For in my way it lies. S...