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symbolic, it can be said to the juxtaposition of Martha to George(Clurman 12). Martha is high energy and ambitious, whereas George...

size." This, of course, refers to the way that women have, traditionally, bolstered the ego of the man in their lives. The man per...

not been fulfilled as she soon learned that many of the columns in the paper originated from a central syndication network and the...

that women are made to believe their worth is based solely upon their fashion sense. That women have been forced to prove their w...

As Burke notes for the process in general, Woolfs work exemplifies the fact that the symbolic means of rhetoric is directly associ...

"linear narrative and instead went to an interior monologue, or stream of consciousness, technique"(Virginia Woolf, 2003). Woolfs...

uses this seemingly trivial incident to delineate the nature of the relationships of the Ramsey family. Mrs. Ramsey is not so much...

to dehumanize both the invader and the invaded to the extent that the value of human life is lost(Phillips 123). Phillips ...

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Iin seven pages this paper examines the codependent relationship between the Ramsays in To the Lighthouse by Virginia Woolf. Ther...

point: "Thus my character is in part made of the stimulus which other people provide, and is not mine, as yours are" (267). It s...

In five pages this paper contrasts and compares the married couples George and Martha, Nick and Honey in this analysis of Who's Af...

In five pages this paper discusses the formidable obstacles that have been in place preventing women from achieving professional e...

Realism issues and the modernity concept are examined in this analysis of To the Lighthouse by Virginia Woolf consisting of five p...

In nine pages this paper examines the definitive characteristics of modernist literature in a consideration of works by Virginia W...

By the time we reach mid story, and the speech of Stella-Rondo, we have suspended disbelief, as we might in good theater, and bel...

This paper presents a character analysis of George and Martha in Edward Albee's Who's Afraid of Virginia Woolf in five pages with ...

that a female writer needs a room of ones own, she means this both figuratively and literally. She says: "All I could do was to of...

the most important elements of modernist literature is that which involves perspective. With modernist literature this involves "t...

criticism points toward a different orientation, as she accuses previous writers of materialism, and explains this accusation by ...

the theme that speaks of freedom from the perspective of the freedom of expression. Oscar is a young man who is curious, and intel...

breakdown" (Anonymous Virginia Woolf (1882-1941), 2002; vwoolf.htm). After the serious tragedies is when her writing truly began, ...

"exciting, gripping story of crime and bloodshed" (Anonymous PG) leaves the reader with many unanswered questions, which only serv...

plot, he said that he could not possibly relate what went on during the three-hour production (Kolin and Davis 19). Author Philip ...

stone, but by the relation of human being to human being" (71). She then takes on the voice of an advocate for the rights of wome...

This paper compares and contrasts two short stories by Kate Chopin and Virginia Woolf, written around the turn of the Twentieth Ce...

This discussion topic focuses on Rebecca West and Virginia Woolf and consists of nine pages. Eight sources are cited in the bibli...

In six pages this paper examines the gender and modernist implications of this work by Virginia Woolf. Three sources are cited in...

Complex inner feelings and emotions as conveyed by modernist authors Thomas Mann and Virginia Woolf are compared and contrasted al...

(Longman, 2001). Others, however, bravely forged away from tradition and convention. Longman (2001, PG) notes:...