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William Faulkner, Zora Neale Hurston, and Modernism

her best friend, about Joe Starks, who is an ambitious man that soon becomes the mayor of a small town called Eatonville. But Jani...

Modernism and Their Eyes Were Watching God by Zora Neale Hurston

She received an associates degree from Howard, which did not benefit her in any material way; following her college graduation, sh...

American Social Evolution in the Writings of Zora Neale Hurston and William Faulkner

In eight pages this paper discusses how social evolution is represented in the characters of Janie Woods in Hurston's Their Eyes W...

Self Definition Quest of Janie Crawford in Their Eyes Were Watching God by Zora Neale Hurston

In a paper consisting of two pages this paper discusses how the action of this novel by Zora Neale Hurston is propelled by the pro...

Mules and Men by Zora Neale Hurston and Folklore

In seven pages this consideration of Mules and Men by Zora Neale Hurston analyzes how folklore functions. Three sources are cited...

Harlem Renaissance and Zora Neale Hurston

her age and a man that treats her badly. In many ways he enslaves her and she feels helpless to leave him. Finally, Janie shares t...

Plot, Florida, and Literary Quality of Their Eyes Were Watching God by Zora Neale Hurston

In seven pages this paper examines how 1930s' Florida life is presented, literary aspects, and plot significance of Zora Neale Hur...

'African Time' in Their Eyes Were Watching God by Zora Neale Hurston

Clack or 'African time' is conceptually defined within the context of Their Eyes Were Watching God by Zora Neale Hurston in a pape...

Dust Tracks on a Road Autobiography by Zora Neale Hurston

home at an early age. Hurston described this period of her life as "a series of wanderings." She did occasional work as a wardrobe...

Sexuality in Seraph on the Suwanee by Zora Neale Hurston

This paper examines the sexuality featured in this 1948 final novel by Zora Neale Hurston in five pages. Five sources are cited i...

Self Discovery in the Stories 'In Country' by Bobbie Ann Mason and 'Mules and Men' by Zora Neale Hurston

The self discovery journey and sense of place featured in these works are contrasted and compared in five pages. Two sources are ...

Life of Zora Neale Hurston in Their Eyes Were Watching God and Dust Tracks on a Road

be rash and foolish for awhile. If writers, were too wise, perhaps no books would be written at all. Anyway, the force from somewh...

Feminist Reading of Their Eyes Were Watching God by Zora Neale Hurston

that never completely heals. She was humiliated by her slave master, who raped her, impregnated her, and beaten by his wife who t...

Their Eyes Were Watching God and Zora Neale Hurston's Use of Dialect

dialect, plain speaking, and easily conversational (Bloom 95). The subject of local gossips whispers, the thrice-married Janie co...

Good and Evil in 'Sweat' by Zora Neale Hurston

husband who appears suddenly, as a snake it seems, which is represented by the whip he scares her with. In this we can symbolicall...

Snake Symbolism in 'Sweat' by Zora Neale Hurston

her we see this as representative of the Devil, but the Devil will, as Delia suggested, is going to make sure Sykes got what was c...

Significance of the Snake in Zora Neale Hurston’s Short Story, ‘Sweat’

on charming it much as he believes he has charmed most of the towns women, and confining Delia to the home for years is comparable...

How Women Are Treated in "Sweat" by Zora Neale Hurston

refusal to come to Sykes assistance after the snake bites him represents the decline in her spirituality, the sweat of her hard wo...

Three Literary Protagonists Improving Their Lives

An analysis consisting of five pages compares the ways in which three protagonists attempt to improve their lives. The works exam...

Quest for the Purpose of Life in 'Absalom, Absalom!' and 'Their Eyes Were Watching God'

overrule her inherent independence as a strong, black woman by telling Phoeby she can "tell em what Ah say if you wants to. Dats ...

Literature and Issues of Gender and Race

how Over three thousand die in the Macondo massacre, and the only surviving witnesses are Jose Arcadio Segundo and a small child. ...

Imagery & Dialect/Hurston’s Their Eyes Were Watching God

nothin" but what we see. So de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have t...

Comparing Zora Neale Hurston and Langston Hughes

In five pages this research paper compares and contrasts Zora Neale Hurston and Langston Hughes whose works flourished during the ...

Writings of Zora Neale Hurston and Chinua Achebe on Society and the Individual

In 5 pages this paper considers how the authors portray society and the individual in the character of Janie Crawford in Zora Neal...

Zora Neale Hurston's Autobiography Dust Tracks on a Road

This research paper critically reevaluates Zora Neale Hurston's autobiography Dust Tracks on a Road originally published in 1942 i...

Richard Wright and Zora Neale Hurston on Female Power

In six pages this paper examines women's power and how it is portrayed in Zora Neale Hurston's Their Eyes Are Watching God and Ric...

Slavery's 'Long Arm' and the Literature of African Americans

In six pages the enslavement of African American females as depicted in Zora Neale Hurston's Their Eyes Were Watching God, Toni Mo...

Literature and Cultural Stereotypes

throughout the text. In presenting another way of examining these perspectives, we present the words of Drucker who states that...

Gender Roles and the Impacts of Cultural and Social Inflences

doesnt let this bother her in the least (Hurston, 1999). Interestingly, despite Janies assertiveness and her obvious independen...

Zora Neale Hurston's Writings and Voodoo as Culture, Myth, and Religion

Voodoo is the focus of this paper consisting of eleven pages and considers how it is depicted in Zora Neale Hurston's writings and...