SEARCH RESULTS

YOU WERE LOOKING FOR :William Shakespeare and Loves 3 Levels

Essays 661 - 690

Comparing Laurence Olivier's 1948 Film 'Hamlet' with William Shakespeare's Play

subject which had been taboo in Shakespeares time - with Ophelia), betrayal (Queen Gertrudes incestuous marriage to her brother-in...

Rewriting History with William Shakespeare's 'Richard the Third'

who stood in his path to the English throne, was so memorable that his work of fiction has become accepted as historical fact. Ho...

Comparative Analysis of Krogstad in Henrik Ibsen's A Doll's House and Iago in William Shakespeare's Othello

shall my purpose work on him" (Shakespeare I iii). From there on out we begin to realize that we, as the audience, are the only on...

Comparing William Shakespeare's The Tempest and Richard III and Themes of Justice and Destiny

especially apparent when critically examining Shakespeares historical play, Richard III and his final work, the dark comedy, The T...

Accountability of Claudius in Causing Sorrow in William Shakespeare's Hamlet

life, consuming him. It is this rage that eventually drives him to madness and murder. It seems ironic that Claudius, Laertes, a...

Critically Exploring William Shakespeare's 'Othello' from a Marxist Perspective

a black man was not suitable to be a ruler. In clever fashion, he sets about to accomplish his goal. In fact, when Iago and Roder...

Katherine and Henry in William Shakespeare's Henry V

power was not necessarily through the might of his military, but from the popularity of a kings subjects. In Henry V, ther...

William Shakespeare's A Midsummer Night's Dream, The Taming of the Shrew, and Fathers

appears to be Lucentio, but should he be unable to produce his father (which would verify his lineage and financial status), then ...

William Shakespeare's King Henry V and Hamlet Directed by Sir Laurence Olivier

for the rest of the world, There will never, never be another Laurence Olivier" (69). The article goes on to report that at the "s...

Character Noting in William Shakespeare's Much Ado About Nothing

Likewise, Beatrice vows that she will never marry. However, the audience can see from the beginning that there is an attraction be...

William Shakespeare's A Midsummer Night's Dream and the Character of Puck as Protagonist

Oberon and make him smile/ When I a fat and bean-fed horse beguile,/ Neighing in likeness of a filly foal:/ And sometime lurk I in...

William Shakespeare's Macbeth and the Human Capacity for Evil

surely not do anything to hurry it along, stating, "If chance will have me king, why, chance may crown me, Without my stir" (Shaks...

William Shakespeare's Macbeth and Images of Night and Day

the characters and how they all go about trying to define the night and day while engaged in various activities. In the...

William Shakespeare's The Tempest and Its Subplot

a sort of revenge, is quite humorous as the two individuals are seemingly confused and wary. There is humor in the fact that Calib...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...

William Shakespeare's Macbeth and the Use of Blood Imagery

soldier, but hes also immediately associated in our minds with the spilling of blood. But blood also means the blood connection b...

Closely Reading Ophelia's 'Mad' Songs in William Shakespeare's Hamlet Act IV, Scene V

where hours were spent singing songs and learning nursery rhymes. When Gertrude inquires as to how she is doing, Ophelia sings, "...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

William Shakespeare's Othello Cinematic Adaptations

box office. Welles was a product of his time and though he had tremendous creativity when it came to camera angles and budgets,...

Jealousy in William Shakespeare's Othello

In three pages this essay analyzes Othello in a consideration of jealousy's featured role in the characterizations of the protagon...

Motivation of Iago in William Shakespeare's Othello

onto that of an innocent man. This cleverly conceived plot is Iagos manner of psychologically fooling the one he is also deceivin...

Revenge Theme in William Shakespeare's Hamlet

violence unless he is propelled by the heat of passion. From the beginning of the play, Hamlet has doubts concerning the morali...

'Mad' Protagonist of William Shakespeare's Hamlet

to do so throughout the play as he plots his revenge. "The spirit that I have seen May be the devil; and the devil hath power To...

Uses of Symbolism in William Shakespeare's Hamlet and Sophocles' Oedipus Rex

largely concerns issues of perception. When Oedipus at last learns the truth of his origin and situation, he takes broaches from t...

Game of Chess Represented by William Shakespeare's Hamlet

soliloquy, to be or not to be. Even as early as this, there is a good argument for Hamlets strategy unfolding. His motivation for ...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

Injustice and Vengeance in William Shakespeare's The Tempest and Euripides' Electra

story of Agamemnon we are presented with a man who sacrifices his daughter, at the request or command, of the gods, in order that ...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...