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Essays 361 - 390

'The Makropulos Case: Reflections on the Tedium of Immortality' by Bernard Williams

almost visceral, level. Whether or not the student agrees or not will generally be based on a personal belief system, ideology, re...

Comparative Analysis of Krogstad in Henrik Ibsen's A Doll's House and Iago in William Shakespeare's Othello

shall my purpose work on him" (Shakespeare I iii). From there on out we begin to realize that we, as the audience, are the only on...

Comparing William Shakespeare's The Tempest and Richard III and Themes of Justice and Destiny

especially apparent when critically examining Shakespeares historical play, Richard III and his final work, the dark comedy, The T...

Accountability of Claudius in Causing Sorrow in William Shakespeare's Hamlet

life, consuming him. It is this rage that eventually drives him to madness and murder. It seems ironic that Claudius, Laertes, a...

William Shakespeare's Othello and Its Pleasurable Aspects

actions, in terms of black and white, good and bad. It is axiomatic that people wish to see those they regard as "good" as incapab...

Critically Exploring William Shakespeare's 'Othello' from a Marxist Perspective

a black man was not suitable to be a ruler. In clever fashion, he sets about to accomplish his goal. In fact, when Iago and Roder...

William Shakespeare's A Midsummer Night's Dream, The Taming of the Shrew, and Fathers

appears to be Lucentio, but should he be unable to produce his father (which would verify his lineage and financial status), then ...

Katherine and Henry in William Shakespeare's Henry V

power was not necessarily through the might of his military, but from the popularity of a kings subjects. In Henry V, ther...

Character Noting in William Shakespeare's Much Ado About Nothing

Likewise, Beatrice vows that she will never marry. However, the audience can see from the beginning that there is an attraction be...

Four Questions on William Shakespeare's Hamlet

true circumstances of her first husbands death, and the exact nature of her guilt. There does not appear to be much in the play th...

William Shakespeare's King Henry V and Hamlet Directed by Sir Laurence Olivier

for the rest of the world, There will never, never be another Laurence Olivier" (69). The article goes on to report that at the "s...

Choice or Fate in William Shakespeare's Macbeth

say, shows that how each man reacted to this situation was a matter of choice -- not fate. Traditionally, much of the blame for ...

William Shakespeare's Hamlet and the Theme of Conflict

that Hamlet must seek vengeance for the crime. This begins the powerful intrigue in the play that is filled with conflict. In t...

What a Director Should Know about a Production of William Shakespeare's Romeo and Juliet

the best Shakespeare company in the world so perhaps the director might want to consider a minimalist production. The focus of th...

Themes in William Shakespeare's Hamlet and Sophocles' Oedipus

Jocastas acceptance of her role and of the death of her son is fundamental to the actions of the play. When Oedipus kills Laius a...

Suffering in William Shakespeare's King Lear and the Book of Job

finally restored by God to his previous state of good fortune when he realizes that, as a human being, he is insignificant next to...

William Shakespeare's King Lear and the Representation of Edmund as a Power Opportunist

maximum benefit, and his practical reaction is immediate action (Cahn 146). As Victor L. Cahn noted in his consideration of Edmun...

Fourth Act of William Shakespeare's Macbeth

with Macbeth as Malcolm states, "Come, go we to the king; our power is ready;/ Our lack is nothing but our leave; Macbeth/ Is ripe...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

Injustice and Vengeance in William Shakespeare's The Tempest and Euripides' Electra

story of Agamemnon we are presented with a man who sacrifices his daughter, at the request or command, of the gods, in order that ...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

Closely Reading Ophelia's 'Mad' Songs in William Shakespeare's Hamlet Act IV, Scene V

where hours were spent singing songs and learning nursery rhymes. When Gertrude inquires as to how she is doing, Ophelia sings, "...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

Othello and Desdemona in William Shakespeare's Othello

fall upon my life" (Shakespeare I iii). In this he is leaving it all up to his wife and her father, nobly demonstrating that he do...

Justice, Murderers, Susan Glaspell's Trifles and William Shakespeare's Hamlet

When Hamlet returns home, he is greeted with what he is convinced is his fathers ghost. After identifying himself, the ghost prom...

Handkerchief Significance in William Shakespeare's Othello

good man, whom he has treated unjustly. Desdemona has, of course, been persuaded by Iago to defend Cassio, as he knows that this w...

William Shakespeare's Macbeth and the Use of Blood Imagery

soldier, but hes also immediately associated in our minds with the spilling of blood. But blood also means the blood connection b...

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...