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YOU WERE LOOKING FOR :American Social Evolution in the Writings of Zora Neale Hurston and William Faulkner

Essays 61 - 90

Literary Fiction and Self Discovery

they move to a town that Joe commences to alter. He opens a store and becomes incredibly prosperous, but insists that Janie never ...

Life of Zora Neale Hurston in Their Eyes Were Watching God and Dust Tracks on a Road

be rash and foolish for awhile. If writers, were too wise, perhaps no books would be written at all. Anyway, the force from somewh...

Self Definition Quest of Janie Crawford in Their Eyes Were Watching God by Zora Neale Hurston

In a paper consisting of two pages this paper discusses how the action of this novel by Zora Neale Hurston is propelled by the pro...

African American Theater and Blues and the Influential Works of Zora Neale Hurston and Langston Hughes

a line stating the mood of the singer repeated three times. The stress and variation is carried by the tune and the whole thing w...

Black Feminism in 'How It Feels to Be Colored Me' and 'Sweat' by Zora Neale Hurston

feminism, and on the realities of women in general. Some of those statements are presented in her 1926 short story "Sweat" and he...

Mules and Men by Zora Neale Hurston and Folklore

In seven pages this consideration of Mules and Men by Zora Neale Hurston analyzes how folklore functions. Three sources are cited...

Janet St. Clair's Essay on Whiteness and Jim in Seraph on the Suwanee by Zora Neale Hurston

Ini nine pages this paper applies Janet St. Clair's essay to the 'whiteness' of the character Jim in this analysis of Seraph on th...

Dust Tracks on a Road Autobiography by Zora Neale Hurston

home at an early age. Hurston described this period of her life as "a series of wanderings." She did occasional work as a wardrobe...

Sexuality in Seraph on the Suwanee by Zora Neale Hurston

This paper examines the sexuality featured in this 1948 final novel by Zora Neale Hurston in five pages. Five sources are cited i...

Black and White Worlds of Zora Neale Hurston

This paper examines how Zora Neale Hurston was able to coexist in both white and black literary circles in eight pages. Eight sou...

Token Whites in the Works of Zora Neale Hurston

begin to take on the vestiges of their prior identity to African-Americans. They were the providers of work, that work being very...

Zora Neale Hurston and Henrik Ibsen on the Individual and Society

In five pages this paper examines the relationship between society and the individual as represented by the female protagonists of...

'African Time' in Their Eyes Were Watching God by Zora Neale Hurston

Clack or 'African time' is conceptually defined within the context of Their Eyes Were Watching God by Zora Neale Hurston in a pape...

Nature Imagery in the Works of Zora Neale Hurston and William Wordsworth

are not representative of nature and he finds refreshment and nourishment in his memories, and now in his seeing nature again. ...

Good and Evil in 'Sweat' by Zora Neale Hurston

husband who appears suddenly, as a snake it seems, which is represented by the whip he scares her with. In this we can symbolicall...

Snake Symbolism in 'Sweat' by Zora Neale Hurston

her we see this as representative of the Devil, but the Devil will, as Delia suggested, is going to make sure Sykes got what was c...

Literary Portrayals of Blacks in Works by Eldridge Cleaver, Amiri Baraka, and Zora Neale Hurston

it up" (Hurston). By focusing on poor urban blacks instead of writing about the African-American doctors, dentists, and lawyers, ...

Hurston's Feminist Influence for Alice Walker

This essay discusses the influence of Zora Neale Hurston in regards to Alice Walker's perspective on black oral tradition and femi...

Three African American Novels, Recurrent Themes

This essay pertains to common themes found within "Their Eyes Were Watching God" by Zora Neale Hurston and "The Color Purple" and ...

Hurston/Their Eyes Were Watching God

Killicks, an much older, but a very successful man. For Janies grandmother, freedom equates with having the financial security to ...

Strong Women in The Sun Also Rises, My Antonia, Their Eyes Were Watching God, and The Sound and the Fury

In five pages this paper examines the strong female characterizations of Hemingway's Lady Brett Ashley, Cather's Antonia Shimerda,...

Comparative Analysis of William Faulkner's The Sound and the Fury and Nathaniel Hawthorne's House of the Seven Gables

This paper considers the similar falls of each family in a comparative analysis of these novels by Nathaniel Hawthorne and William...

A Review of That Evening Sun

This 5 page essay examines the character Nancy in the book by William Faulkner. 2 sources....

American Author William Faulkner's Life and Writings

gloried in the proud history of the plantation South that secured a place of honor for the aristocrat, and yet he abhorred the opp...

Marriages: Their Eyes Were Watching God

want him to do all de wantin" (Hurston 192). Her grandmother tells her something that seems specific to all arranged marriages whe...

Two Literary Views on the Rural South

full of material and that I could get it without hurt, harm or danger" (Mules 2). However folks "dont cotton to" Hurston as easil...

A Comparison of Two Southern Literary Works by Agee and Hurston

This paper compares and contrasts the views of the rural south as seen in James Agee's Let Us Now Praise Famous Men, and Zora Neal...

Their Eyes Were Watching God by Zora Neale Hurston and Symbolism

In six pages this paper examines the importance of imagery and symbolism in Hurston's 1937 classic novel. Six sources are cited i...

Dialect Significance in Their Eyes Were Watching God by Zora Neale Hurston

In twelve pages this research paper presents the argument that a greater appreciation of Hurston's classic novel can be acquired t...

Feminist Reading of Their Eyes Were Watching God by Zora Neale Hurston

that never completely heals. She was humiliated by her slave master, who raped her, impregnated her, and beaten by his wife who t...