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American Social Evolution in the Writings of Zora Neale Hurston and William Faulkner

In eight pages this paper discusses how social evolution is represented in the characters of Janie Woods in Hurston's Their Eyes W...

Three Literary Protagonists Improving Their Lives

An analysis consisting of five pages compares the ways in which three protagonists attempt to improve their lives. The works exam...

Imagery & Dialect/Hurston’s Their Eyes Were Watching God

nothin" but what we see. So de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have t...

Comparing Zora Neale Hurston and Langston Hughes

In five pages this research paper compares and contrasts Zora Neale Hurston and Langston Hughes whose works flourished during the ...

Literature and Issues of Gender and Race

how Over three thousand die in the Macondo massacre, and the only surviving witnesses are Jose Arcadio Segundo and a small child. ...

Quest for the Purpose of Life in 'Absalom, Absalom!' and 'Their Eyes Were Watching God'

overrule her inherent independence as a strong, black woman by telling Phoeby she can "tell em what Ah say if you wants to. Dats ...

William Faulkner, Zora Neale Hurston, and Modernism

her best friend, about Joe Starks, who is an ambitious man that soon becomes the mayor of a small town called Eatonville. But Jani...

Zora Neale Hurston's Writings and Voodoo as Culture, Myth, and Religion

Voodoo is the focus of this paper consisting of eleven pages and considers how it is depicted in Zora Neale Hurston's writings and...

Literature and Dual African American Worlds

Me" Hurston writes, "I remember the very day I became colored...But I am not tragically colored. Someone is always at my elbow rem...

Slavery's 'Long Arm' and the Literature of African Americans

In six pages the enslavement of African American females as depicted in Zora Neale Hurston's Their Eyes Were Watching God, Toni Mo...

Complex Union of Marriage

does begin to notice the details of her life that she used to overlook, such as returning home, windblown and sunburned, and disco...

America and Being Black and Female

love and cherish them for who they are. But it does not happen in these stories, nor does it seem to be happening within the moder...

Harlem Renaissance and Zora Neale Hurston

her age and a man that treats her badly. In many ways he enslaves her and she feels helpless to leave him. Finally, Janie shares t...

Zora Neale Hurston and the Fiction She Inspired

card ready, as this seemed to impress people and verify that, yes, an African American could be a public accountant. Mentally, Ann...

Characters Freeing Themselves from Oppression in the Works of Zora Neale Hurston

the house, knowing it will frighten his wife. In fact, in the first scene of the story, Sykes sneaks up on Delia and tosses his b...

Janie in Their Eyes Were Watching God by Zora Neale Hurston

provide Janie with financial security. Many women, less independent than Janie, would suffer and endure. Janie leaves with another...

Exploitive Criticisms of Their Eyes Were Watching God by Zora Neale Hurston

as it is with pure identity based on the unique woman that Janie is. Janies life is one that is likely very realistic as many Af...

Self Assurance in the Works of Zora Neale Hurston

unimportant, appearing merely as part of the background and playing not real role in Janies life. In her introduction to the no...

Janie Crawford's Freedom Through Self Knowledge in Their Eyes Were Watching God by Zora Neale Hurston

to have such a crowd enjoying themselves in her house; its apparent that she enjoys it. We know because she says that shes sorry ...

Animals and Animal Imagery in "Their Eyes Were Watching God"

the wind like a plume" (Hurston , p. 2). She is walking down the street of her hometown under the disapproving eyes of the townspe...

Money: “The Gilded Six-Bits” by Zora Neale Hurston

context to some extent, while also understanding the social and political oppression the African American people experienced at th...

The Title: Their Eyes Were Watching God by Hurston

no means ironic. It refers to the characters of Tea Cake and Janie for the most part and the title of this book comes to life in a...

Humans and Nature

essay that illustrates her story about being African American is not every African Americans story and in truth it is quite differ...

Religious Symbolism in Hurston’s “Sweat”

cultures," and is always a figure of evil (Champion). Delia is busy working, when she is frightened out of her wits: "Just then so...

Wives and Crime in Trifles and Sweat

first introduced to the condescending nature of men in general when one man says, in relationship to the state of the house, "Not ...

Richard Wright and Zora Neale Hurston on Female Power

In six pages this paper examines women's power and how it is portrayed in Zora Neale Hurston's Their Eyes Are Watching God and Ric...

Modernism and Their Eyes Were Watching God by Zora Neale Hurston

She received an associates degree from Howard, which did not benefit her in any material way; following her college graduation, sh...

Plot, Florida, and Literary Quality of Their Eyes Were Watching God by Zora Neale Hurston

In seven pages this paper examines how 1930s' Florida life is presented, literary aspects, and plot significance of Zora Neale Hur...

Writings of Zora Neale Hurston and Chinua Achebe on Society and the Individual

In 5 pages this paper considers how the authors portray society and the individual in the character of Janie Crawford in Zora Neal...

Zora Neale Hurston's Autobiography Dust Tracks on a Road

This research paper critically reevaluates Zora Neale Hurston's autobiography Dust Tracks on a Road originally published in 1942 i...