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YOU WERE LOOKING FOR :Characters Freeing Themselves from Oppression in the Works of Zora Neale Hurston

Essays 31 - 60

Black Feminism in 'How It Feels to Be Colored Me' and 'Sweat' by Zora Neale Hurston

feminism, and on the realities of women in general. Some of those statements are presented in her 1926 short story "Sweat" and he...

Token Whites in the Works of Zora Neale Hurston

begin to take on the vestiges of their prior identity to African-Americans. They were the providers of work, that work being very...

Zora Neale Hurston and Toni Morrison and the Use of Linguistics

under the chinaberry tree until its over: "... while inside she knew the cold river was creeping up and up to extinguish that eye ...

Literary Fiction and Self Discovery

they move to a town that Joe commences to alter. He opens a store and becomes incredibly prosperous, but insists that Janie never ...

Life of Zora Neale Hurston in Their Eyes Were Watching God and Dust Tracks on a Road

be rash and foolish for awhile. If writers, were too wise, perhaps no books would be written at all. Anyway, the force from somewh...

A Comparative View of Female Protagonists

changes in her life have both positive and negative implications. At the onset of the story, Janie is a character who is unable t...

America and Being Black and Female

love and cherish them for who they are. But it does not happen in these stories, nor does it seem to be happening within the moder...

Gender Relations in Zora Neale Hurston's 'Sweat' and Their Eyes Were Watching God

with Sykes tormenting her with a whip that mistakes for a snake. This image carries with it the historical weight of slavery, as...

Literature and Dual African American Worlds

Me" Hurston writes, "I remember the very day I became colored...But I am not tragically colored. Someone is always at my elbow rem...

Literature and Domestic Abuse

boy dizzy; But I hung on like death: Such waltzing was not easy(Roethke). This is...

Feminist Views of Zora Neale Hurston's Their Eyes Were Watching God

her and keeps her confined out of jealousy. Things get worse as he begins to physically and emotionally abuse her. She eventual...

Literature and Issues of Gender and Race

how Over three thousand die in the Macondo massacre, and the only surviving witnesses are Jose Arcadio Segundo and a small child. ...

Zora Neale Hurston and the Fiction She Inspired

card ready, as this seemed to impress people and verify that, yes, an African American could be a public accountant. Mentally, Ann...

Self Esteem in Zora Neale Hurston's 'How It Feels to Be Colored Me'

"deplored any joyful tendencies" in her, she was "their Zora" (Hurston). She was a confident young girl and this was a very impo...

Literary Portrayals of Blacks in Works by Eldridge Cleaver, Amiri Baraka, and Zora Neale Hurston

it up" (Hurston). By focusing on poor urban blacks instead of writing about the African-American doctors, dentists, and lawyers, ...

Snake Symbolism in 'Sweat' by Zora Neale Hurston

her we see this as representative of the Devil, but the Devil will, as Delia suggested, is going to make sure Sykes got what was c...

Good and Evil in 'Sweat' by Zora Neale Hurston

husband who appears suddenly, as a snake it seems, which is represented by the whip he scares her with. In this we can symbolicall...

Nature Imagery in the Works of Zora Neale Hurston and William Wordsworth

are not representative of nature and he finds refreshment and nourishment in his memories, and now in his seeing nature again. ...

Hurston's Feminist Influence for Alice Walker

This essay discusses the influence of Zora Neale Hurston in regards to Alice Walker's perspective on black oral tradition and femi...

Three African American Novels, Recurrent Themes

This essay pertains to common themes found within "Their Eyes Were Watching God" by Zora Neale Hurston and "The Color Purple" and ...

Langston Hughes, Zora Neale Hurston, and the Blues of the African-American Experience

a subtle reminder particularly to African-American women of how far they had come as a race and how much further they needed to go...

Dust Tracks on a Road Autobiography by Zora Neale Hurston

home at an early age. Hurston described this period of her life as "a series of wanderings." She did occasional work as a wardrobe...

Sexuality in Seraph on the Suwanee by Zora Neale Hurston

This paper examines the sexuality featured in this 1948 final novel by Zora Neale Hurston in five pages. Five sources are cited i...

'African Time' in Their Eyes Were Watching God by Zora Neale Hurston

Clack or 'African time' is conceptually defined within the context of Their Eyes Were Watching God by Zora Neale Hurston in a pape...

Zora Neale Hurston and Henrik Ibsen on the Individual and Society

In five pages this paper examines the relationship between society and the individual as represented by the female protagonists of...

Self Definition Quest of Janie Crawford in Their Eyes Were Watching God by Zora Neale Hurston

In a paper consisting of two pages this paper discusses how the action of this novel by Zora Neale Hurston is propelled by the pro...

Mules and Men by Zora Neale Hurston and Folklore

In seven pages this consideration of Mules and Men by Zora Neale Hurston analyzes how folklore functions. Three sources are cited...

Songs of the Black Experience

a distinctly more female approach, as it openly deals with gender issues and missing womanhood. The author, herself, once remarke...

Independence in 3 Works of Literature

his wife as one looks at a valuable piece of property which has suffered some damage" (Chopin 2). Women - wives, rather -...

Zora Neale Hurston's Their Eyes Were Watching God and Marital Abuse

her story, she shares that her grandmother, a very strict woman and set in her ways, decides that Janie should be married off to s...