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Essays 211 - 240

Simon During's The Global Popular and the Pleasures of Viewers

climactic as an invading force, but may take place in the acculturation of one culture from another. Even today many of the Wester...

Types of Art Forms

are mediums that are used for both works of fiction or art or as devices to convey messages. However, artistic works of fiction al...

Film Noir Genre

be made about film noir and its enduring popularity is that it strikes a chord at the depth of nearly every viewer. Film noir focu...

Edward Zwick's Film Glory

evolution of the Fifty-Fourth Regiment until its climactic attack on Fort Wagner, South Carolina of July 18, 1863, that resulted i...

Film Noir Techniques in the Film, Kiss Me Deadly

flag down a car, but no one stops. Desperate, she positions herself in the middle of the road while holding her arms outstretched ...

Feminist Cinema and Psychology

political insights that can be gleaned from any motion picture. The major differences between a journalistic approach to a movie c...

Auteur Theory and Art Cinema

it is quite obviously going to have a lot of action throughout the film. However, too much action and the theme and characterizati...

Hitchcock's Use of Mise en Scene in Rear Window and Vertigo

lends great insight into the cinematic development of any film, especially the films of Hitchcock. In his movies, every shot has ...

An Analysis of Three Classic Films From the Mid-Twentieth Century

politics. Gore Vidal wrote the screenplay, as well as the original Broadway play on which the movie is based. Vidal was friends wi...

Comparing Stage and Film Versions of Othello

the audience a close up of Othellos face and the audience is able to watch the doubt creep over Othellos face. Without saying anyt...

Techniques of Filmmaker Alfred Hitchcock

The cuts are approximately equal in length. Finally Thornhill asks if hes supposed to meet someone and the stranger replies...

Character Transitions and Narrative Technique of Alfred Hitchcock

own life. With Scottie in pursuit, Madeleine climbs a bell tower and apparently falls to her death; in reality, the Novak charact...

Early American Film Director D.W Griffith

his five years at Biograph, Griffith took the raw elements of moviemaking as they had evolved up to that time -- lighting, continu...

Comparing Soviet Film Directors Sergei Eisenstein and V.I. Pudovkin

(Manvell 37). While Pudovkin would occasionally use non-professional actors in the name of realism, he preferred relying on profe...

Citizen Kane's Film Techniques

daytime and snow is falling. "Charlie" (Charles Foster Kane) is playing outside, and the camera stops on him. He rolls a snowbal...

Review of Sydney Pollack's 2005 Movie The Interpreter

notes that this is the first film crew to be given permission to film extensively at the UN and this gives the movie a feeling of ...

Cinematic Auteur M. Night Shyamalan

director was, quite literally, involved in every possible aspect of filmmaking, from raising money to hiring actors to helping to ...

Three Film Versions of Richard III

foul he is that we suffer a twinge of guilt for siding with him so readily. But we tend to do it anyway. The "New York Times" rev...

Comparative Analysis of the Book and Film Versions of The Ugly American

as arrogant as they play up the fact they are noble and helping. In "The Ugly American" the authors note, "Hordes of United States...

Comparing the Cinematic Versions of Hamlet by Franco Zeffirelli and Kenneth Branagh

has come forth with a version that wholly eclipses the standard. What can easily be argued is the fact that Branaghs film version...

Martin Scorsese's Justification of Violence in Films Mean Streets, Taxi Driver, GoodFellas and Casino

and accumulating gambling debts he cannot possibly pay, the stage is set for a bloody confrontation when loan sharks come calling....

Cinematic Explanation of Sciences' Gender Gap

crashes several hours flying time from a scientific research station in the Arctic. An Air Force crew is ordered to go and pick up...

A Trio of Cinematic Rebels

indication that the audience has that Travis is not quite normal, that is, that his combat experience has left him with mental sca...

Cinematic Classification of Documentaries, Comedies, and Dramas

expectations of the movies plot. The believability of characters is directly proportionate to the credibility of the plot. If a ...

Charlie Chaplin's Life and Cinematic Contributions

In thirty pages this paper discusses the controversial actor and director's life, cinematic contributions, politics, and the legac...

Twentieth Century Art of Cinema

In eight pages this report presents examines of twentieth century cinematic artistry. Four sources are cited in the bibliography....

Cinema and the Depiction of African Americans III

In eight pages this paper discusses the cinematic portrayal of African Americans with stereotype reliance a primary emphasis. Ele...

Worldwide Environment and American Film Performers

is particularly evident in the spread of American culture seemingly to the far corners of the globe (Eslake 61). On practically e...

Film Dramatizations of Geoffrey Chaucer's The Canterbury Tales

In six pages this research paper discusses 2 cinematic interpretations of The Canterbury Tales and argues that how filmmakers fail...

Novel and Cinematic Versions of A Passage to India by E.M. Forster

In four pages the novel and its film adaptation are thematically compared in terms of cinematic changes that were made. Six sourc...