YOU WERE LOOKING FOR :Cinematography in Hero
Essays 91 - 120
falling Madeleine from her apartment to a flower shop, to a Spanish mission where she visits the grave of Carlotta Valdes, and to ...
This film review offers a comprehensive overview of "Fifth Element" (1997) that discusses editing, mise-en-scene, sound, cinematog...
decision to transform a personal tale of forbidden love into a social commentary on increasing teen violence and decreasing morali...
estate which is known as Wuthering Heights, and the moors which constantly reflect the mood of the homes inhabitants. A stranded ...
In three pages this essay presents an analysis of Invasion of the Body Snatchers in a consideration of character development, cine...
In five pages the 1995 film's use of cinematography as reinforcement of the filmmaker's vision is analyzed. Two sources are cited...
In five pages this paper assesses the pros and cons of wide screen process cinematography from a filmmaker's perspective. Four so...
In ten pages the directing styles of film musical directors Stanley Donen and Vincent Minnelli are contrasted and compared in term...
In five pages the opening scene of Welles' masterpiece, its compelling use of cinematography, and the ways in which it establishes...
In six pages critical cinematic theory is applied to director John Boorman's film released in 1972 and discusses how theme is depi...
In a paper consisting of seen pages the 1955 film version of Richard III by Laurence Olivier is compared with Ian McKellan's versi...
In five pages this paper discusses Rear Window by director Alfred Hitchcock in an analysis of its opening scene cinematography. F...
In five pages this paper discusses cinematic history in a consideration of animation and the evolution of cinematography. Four so...
In thirteen pages Alfred Hitchcock's 1960 suspense masterpiece is analyzed in terms of effect, form, and function with a cinematic...
In five pages an overview of Ozu's film also known as Sanma No Aji is analyzed in therms of sound, editing, movement, mise en scen...
or "orientation," must struggle with the way in which he or she wants to represent or communicate a perception of reality. Thus, k...
In five pages Schlondorff's 1985 interpretation of Miller's play is discussed in terms of acting especially Dustin Hoffman's and J...
The cinematography in these movie classics are discussed in five pages. There are no other sources listed....
the movie from the perspective of the 21st century, the movie may not seem that impressive. However, for the audiences of the earl...
In twelve pages this paper examines traditional film methods and the increased reliance upon digital technology in a contrast and ...
sexual encounter with a slave girl on an island, and the discovery of a nymphomaniac (whom they must satisfy before they can move ...
a camaraderie that is more reminiscent of Huck and Tom than future revolutionaries. However, as they begin to see the poverty and ...
wealthy man puts his emphasis on money, power and manipulation; fails at politics and his domestic life and dies friendless and al...
identity. It is interesting to note that as he pulls on his "cloak of madness" that his true intellect becomes completely clouded ...
to tell what might appear on first glance to be a tired old story. First, there is the scintillating color that enables the film ...
aided in this aspect of the film by production designer Henry Bumstead, who "carried the masters color ideas out in ingenious desi...
angles that one would not normally expect, such as shooting through water. There is an underwater shot of blood slowly spreading a...
has feelings for one of the girls, Christine, who works in the bar. To reinforce this unsettled feeling of the country, Wadja had ...
in this film provides a means of relating the voyage that takes place without actually showing scene after scene of constant motio...
of confines. The overall metaphor of this movie is the symbol of the rose. At one point a neighbor asks how the roses are grown s...