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Essays 271 - 293

Children's Stories and Screenplay Script Writing

In fifty pages this paper examines how to write a screen adaptation of the children's book series Clever Calvin and makes referenc...

'Characteristics of Total Institutions' by Erving Goffman

This paper consists of four pages and considers Goffman's article in a micro and macro comparison of cultural themes, adaptation a...

Film and Book Version Analysis of 'The Godfather'

outsiders who entered their orbit (such as Michaels WASP wife, Kay) represented the audience and their fascination and revulsion o...

Visually Impaired and the Use of Assistive Technology

utilize the same technology as the non-impaired. There have been gains and also problems. There is a need to build a GUI (graphica...

Film Version of Charlotte Bronte's Novel Jane Eyre

In five pages Julian Aymes' film adaptation of this famous novel is reviewed in terms of faithfulness to Bronte's dialogue with th...

Novel and Cinematic Versions of A Passage to India by E.M. Forster

In four pages the novel and its film adaptation are thematically compared in terms of cinematic changes that were made. Six sourc...

The Japanese Quince by John Galsworthy

In four pages the story adaptation relating to The Japanese Quince by John Galsworthy is discussed. There are no other sources li...

The Kiss by Anton Chekhov

In five pages the adaptation and overall content of the story as it relates to The Kiss by Anton Chekhov is discussed by the write...

Play and Film Versions of A Doll's House by Henrik Ibsen

This paper consists of six pages in which comparisons are made between Oedipus and Ibsen's heroine Nora Helmer along with a compar...

Cinema and Aristotelian Considerations

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

1980 Film Version of Paul Brodeur's The Stunt Man

In five pages this paper analyzes the camera uses to describe the insights of the protagonist and to keep the action moving in Ric...

Good and Evil in the 1939 Film The Wizard of Oz

relieved at having Toto back, faces the conundrum of what to do. She knows that Ms Gulch will only return, or worse the sheriff w...

Othello Characterization and the Life of William Shakespeare

In six pages this paper discusses how Othello reflects the life of William Shakespeare with both the play and the film adaptation ...

Richard III and Love

In five pages this paper discusses how love is presented through the perceptions of Richard III in William Shakespeare's historica...

Film Adaptation vs. Text of Silas Marner by George Eliot

with Satan. Eliot is quick to establish the basic goodness of Silas Marner through basic details. His face was "trusting and sim...

Dustin Hoffman as Willy Loman in the Film Adaptation of Death of a Salesman by Arthur Miller

In five pages the television version of Miller's tragedy featuring Dustin Hoffman is compared with the original play that starred ...

McCubbin and Patterson/Double ABCX Model of Family Stress

stressor pileup. Therefore, in their model, they double the concepts labels, using a capital letter behind each of the original la...

Peaceful Warrior, A Film Review

and shown how Dan could overcome his greatest fear-"how to live life when unable to one thing he does well: gymnastics" (Petruska)...

Plath & Wharton/Society’s Expectations for Women

Jar was published in 1961 and Plath committed suicide just two years prompted a New York Times critic to question if it was even p...

Family Systems Theory

equilibrium" (Christian, 2006). Each of these features lies within their own continuum. For instance, while all families establish...

The Character of Alex in A Clockwork Orange by Anthony Burgess and in Stanley Kubrick's Film Adaptation

primary theme within the whole novel, as well as the film, is that which asks us to look at ourselves, and our society, and see ho...

Storytelling and the Film Adaptation of Joyce Carol Oates' 'Where Are You Going, Where Have You Been?'

as "a fantastic figure: he is Death, he is the elf-Knight of the ballads, he is the imagination, he is a Dream" (Easterly 543). As...

Faulkner/Knight's Gambit

starting point by which to judge his slow drift away from this position towards enforcing justice as he sees it. In "Monk," Faul...