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Essays 31 - 60

Book and Stage Versions of Franz Kafka's Metamorphosis

In 8 pages this paper discusses the theatrical challenges posed by this literary work by Franz Kafka. There are 5 sources cited i...

Raiders of the Lost Ark/Cinematography

the traitorous guide getting ready to shoot him in the back. The camera shifts to Indys hand, which is holding a whip, as he swift...

Evaluating the Erving Goffman's 'The Presentation of Self in Everyday Life' Theory

stopped short of achieving his goal of sexual intimacy; if he lies to her, he is strengthening his girlfriends sense of self and b...

The Magic of Creation: Plays for the Theater

that is worth seeing. This paper considers the process of creating a play. Discussion There is nothing like live theater. The exc...

German Theatrical Contributions of J.W. von Goethe

In six pages this research paper examines Goethe's German theatrical contributions in a consideration of his 18th century dramas. ...

English Actor John Philip Kemble's Life, Works, and Contributions

In nine pages this research paper considers the life and theatrical set contributions of Shakespearean actor and theater manager J...

Mexico and Success of Direct Marketing Campaigns

In five pages marketing and theatrical production are examined within the context of Mexico's direct marketing campaigns and the f...

Killing of Polonius and the Staging of the Third Act, Fourth Scene of Hamlet by William Shakespeare

In four pages this paper discusses how entrances, exist, groupings, movements, costumes, tone, and gestures would be staged in thi...

William Shakespeare's Failed Experiment, King John

In six pages this paper discusses the theatrical failure of this historical play by William Shakespeare. There are 3 sources list...

Comparative Analysis of Russian Theatrical Giants Vsevolod Meyerhold and Konstantin Stanislavsky

This paper consists of fourteen pages and compares the lives and contrasts the styles of direction represented by Russian theatric...

How I'm Not Rappaport Defies Ageism

In five pages this paper explores how Herb Gardner's 1985 play defies ageism through its characterizations and themes. There is d...

Comparing Antigone, Medea, and Nora Helmer

In three pages this paper compares and contrasts three major female theatrical protagonists Sophocles' Antigone, Euripides' Medea...

1880 to 1980, a Century of Russian and American Theater's Revolutionary Elements

In 20 pages this paper examines the revolutionary theatrical approaches of American and Russian dramatists with society, culture, ...

Classification of Theatrical Production and Definitions of Postmodernism, Absurdism, Expressionism, and Realism

Various concepts pertaining to theatrical production are defined in a paper consisting of seven pages. Four sources are cited in ...

The Threepenny Opera by Bertolt Brecht

The writer discusses Bertolt Brecht's play The Threepenny Opera and explains its significance to twentieth century theater. The wr...

Sophocles, Williams and Society Considering Society and Times in Sophocles' "Oedipus the King" and Tennessee Williams' "The Glass Menagerie"

The mores of society are frequently presented in theatrical productions of the time. This paper describes Oedipus Rex by Sophocles...

The Script and Production of 'Noises Off'

This essay of 3 pages examines the script and production, its details, and evaluates how successful the elements are in achieving ...

Modern Theater and the Director's Role

In eight pages this paper examines the contemporary theatrical director's role in an analysis of productions of Angels in America ...

Circumstances Surrounding the Death of Moliere

himself as a producer/director/writer of plays. He leaned heavily upon his loose ties with the Court and as such managed to wrest ...

The Glass Menagerie by Tennessee Williams and Setting

in his pocket (Williams 22). He frequently reminds the audience that they are watching a "memory play," which means he possesses ...

Adolph Appia, Edward Gordon Craig and Radical Theatrical Stage Design

church that, presumably, looms overhead (Macgowan and Melnitz, 1955). Adolph Appia was born in Geneva, Switzerland, the son of L...

The Cherry Orchard by Chekhov and Stage Props THE USE OF THEATRICAL DEVICES IN CHEKHOV'S THE CHERRY ORCHARD

save their farm from subdivision additional layers of clothing can be added. The scarf is an indicator of his desire to place a st...

Theater Producer Duties

topical dialogue and music with a message. With every change the theatrical musical underwent, there was needed some structural...

Art of Stagecraft

Carra 104). The rationale behind these evaluations is based on the idea that the different positions enhance or weaken the emoti...

Overview of Multicultural Theater

nature - the very truth of human nature - which is why it is often painful to accept. Indeed, Hansberrys work represents all that...

Ancient Greek Theatre, Sophrosyne and Hubris

According to Plato, in his dialogue Charmides, the qualities associated with sophrosyne, give rise to the admirable characteristic...

Analysis of Arden Fingerhut's Theatre Choice in Action

does. The author then addresses other subheadings that were also covered in chapter 3, such as what an actor looks for in reading ...

Jean Paul Sartre's 'The Flies' and Aeschylus's 'Oresteia'

Electra, another daughter, lives on with her mother, but despises her for her awful deed. Orestes returns and is goaded by Electra...

Aristotle, Avenue Q, Joe Turner's Come and Gone

Thought is Aristotles third category. McManus (1999) speculates that this category can be associated with what modern critics woul...

Confucianism and Daoism in 'Peony Pavilion'

an unthinking adherence to ritual. Analect 9.3 reads: The Master said, According to ritual, the ceremonial cap should be made of ...