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Essays 31 - 60

Victorian Reading Habits: The Thrill of Transgression

"a castle, ruined or intact, haunted or not"; sinister ruins "which arouse a pleasing melancholy"; dungeons, catacombs, crypts and...

The Thrill of Transgression: “Frankenstein” and “Manfred”

is blasphemous. Also, and certainly unknown to himself, he is skittering along the knife edge between madness and sanity. He is a ...

Mary Shelley: “Transformation”

opens the story by saying that he has heard that when people go through some sort of strange or supernatural experience, they usua...

Great Expectations: Realist and Non-Realist

one hand. (McAllister 158). Such an illustration is incredibly focused in realist tradition, as Pip struggles to develop himself...

Feminist Perspectives on Frankenstein Being Symbolic of Women’s Fate

that each person compose a ghost story (Gilbert and Gubar 239). Marys story was transformed into the novel Frankenstein; Or, the ...

Frankenstein as Bildungsroman

different chapters, allows both the Monster and Frankenstein to offer their accounts of the Monsters early existence. When Franken...

Love's Power in A Tale of Two Cities by Charles Dickens

love but rather sees it as simply a different option he is being offered in terms of continuing to love her and be devoted to her....

Humanity in "Frankenstein"

if not love, to have some sort of regard for him. But Frankenstein, who is not as admirable in the book as he is usually made to a...

Critical Analysis: "Nicholas Nickleby"

of the Fortunes, Misfortunes, Uprisings, Downfallings and Complete Career of the Nickleby Family, edited by Boz" (Hamilton). Hamil...

Gothic Movement in Literature

Davis also indicates that many scholars find Mary Shelleys Frankenstein to be incredibly fascinating and a far darker story than h...

Stylistic Analysis/Dickens' Hard Times

to be "shockingly revolutionary" (Sorensen 12). This feature of his work is considered today to be related to be a reflection of...

Hard Times by Dickens

lure or seduce Louise away from her husband. Mrs. Sparsit seems to truly enjoy herself in this job, envisioning the staircase of s...

Frankenstein Creature and His Education

begins to interact with the Delaceys he ceases to be just a creature reacting to his own base needs, but begins to develop a consc...

Victorian Women's Fallen Status in the Works of Charles Dickens

values, and sin versus redemption. The cycle of Pips life illustrates how Pip went from being an innocent boy, into being an arrog...

From Disillusionment to Values in Great Expectations Character of Pip

the ideals of Dickenss time, in which Victorian societal values were to be accepted as the best values ever to come into existence...

Vengeance and the Frankenstein Monster

this we see the slow development of the monsters position and how he will eventually come to seek revenge. The most obvious for...

Works of John Keats, Mary Shelley, and Lord Byron and the Common Theme They Share

pains and sees the sadness and realities around him, urging him into a state of despair. In the end there is an understanding t...

Frankenstein and Blade Runner

are clearly emotionally distraught at being unloved and uncared for by humans, their parents. They seek vengeance. The only replic...

Characters of Nancy and Jane Eyre Compared

In seven pages these female protagonists from Charles Dickens' Oliver Twist and Charlotte Bronte's Jane Eyre are contrasted and co...

Frankenstein by Mary Shelley

This essay presents the argument that Frankenstein's monster in Mary Shelley's novel is a sympathetic, sensitive character who is ...

Personality Metamorphosis of Frankenstein's Monster

Perhaps Victor feels that in giving life to a pile of bones and sinew he can spare himself the pain of death not only for himself,...

Deviance from a Victorian View Perspective

see them in the context of the society in which they originated. The Victorian view of criminality The commonly expressed public ...

World Perceptions of the Victorian Era

In five pages this paper discusses how Victorian Era individuals perceived the world in a comparative analysis of Angela Thirkell'...

Frankenstein from a Critical Perspective

Mary Shelley's original Frankenstein is the subject of this critical literary analysis, which focuses on setting, language, plot, ...

Mary Shelley's Frankenstein and Lord Byron's Manfred as Byronic Heroes

In five pages Byronic hero is first defined and then examined as it is reflected in Lord Byron's Manfred and Mary Shelley's Franke...

Protagonist David Copperfield

In five pages the protagonist in Charles Dickens' novel is examined in terms of his childishness and self centered ways. There ar...

Past and Present Romantic Literature

In nine pages this paper discusses Romantic literature of the past and present with a consideration of female authors Fannie Flagg...

A Look at Characterization in Hard Times

Charles Dickens' classic work is discussed in terms of characterization as well as setting. The work is discussed in historical co...

David Lean's Film Version of Great Expectations and Confusing Appearances for Reality

In five pages this paper considers the 1946 film adaptation of Charles Dickens' novel by director David Lean in a discussion of ho...

Mental Illness in Shelley and James

This paper examines Mary Shelley's Frankenstein and Henry James' Washington Square in terms of how Szacz's The Myth of Mental Illn...