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YOU WERE LOOKING FOR :Reinscribe and Resist in David Walkers Appeal and Zora Neale Hurstons Their Eyes Were Watching God

Essays 61 - 90

Wives and Crime in Trifles and Sweat

first introduced to the condescending nature of men in general when one man says, in relationship to the state of the house, "Not ...

Humans and Nature

essay that illustrates her story about being African American is not every African Americans story and in truth it is quite differ...

Money: “The Gilded Six-Bits” by Zora Neale Hurston

context to some extent, while also understanding the social and political oppression the African American people experienced at th...

Characters Freeing Themselves from Oppression in the Works of Zora Neale Hurston

the house, knowing it will frighten his wife. In fact, in the first scene of the story, Sykes sneaks up on Delia and tosses his b...

Southern Fiction and Manners

that manners and formal politeness will overlap: the way in which white Southern gentlemen treated white Southern ladies, for exam...

Women's Opportunities for Employment in Zora Neale Hurston's Their Eyes Were Watching God and Theodore Dreiser's Sister Carrie

This paper discusses the employment opportunities for women and what influenced them in a comparative analysis of these novels con...

Representations of Community in Marge Piercy's He, She and It and Zora Neale Hurston's Their Eyes Were Watching God

In five pages the community representations in each of these works are contrasted and compared. There are no other sources used....

Zora Neale Hurston's and Langston Hughes' Black Perspectives

leave him. Finally, Janie shares that when her grandmother passes away she seeks her own freedom and runs away from Logan. Many do...

Character Comparisons of Janie Crawford in Zora Neale Hurston's Their Eyes Were Watching God and Elizabeth Bennet in Jane Austen's Pride and Prejudice

and proper nineteenth-century Victorian lady; Zora Neale Hurston was a plain-speaking twentieth century African-American woman wit...

Marriage in Ann Petry's The Street, Nella Larsen's Passing, and Zora Neale Hurston's Their Eyes Were Watching God

to delve into such concentrated and personal subjects as these, especially in front of strangers. However, Larsen recognized the ...

Using Vernacular to Reflect Self Image in Jean Toomer's Cane and Zora Neale Hurston's Their Eyes Were Watching God

In eleven pages this paper compares each author's uses of vernacular to reflect African American identity concept in their respect...

Self Esteem in Zora Neale Hurston's 'How It Feels to Be Colored Me'

"deplored any joyful tendencies" in her, she was "their Zora" (Hurston). She was a confident young girl and this was a very impo...

Significance of the Snake in Zora Neale Hurston’s Short Story, ‘Sweat’

on charming it much as he believes he has charmed most of the towns women, and confining Delia to the home for years is comparable...

Zora Neale Hurston and Toni Morrison and the Use of Linguistics

under the chinaberry tree until its over: "... while inside she knew the cold river was creeping up and up to extinguish that eye ...

Langston Hughes, Zora Neale Hurston, and the Blues of the African-American Experience

a subtle reminder particularly to African-American women of how far they had come as a race and how much further they needed to go...

Literary Portrayals of Blacks in Works by Eldridge Cleaver, Amiri Baraka, and Zora Neale Hurston

it up" (Hurston). By focusing on poor urban blacks instead of writing about the African-American doctors, dentists, and lawyers, ...

Snake Symbolism in 'Sweat' by Zora Neale Hurston

her we see this as representative of the Devil, but the Devil will, as Delia suggested, is going to make sure Sykes got what was c...

Good and Evil in 'Sweat' by Zora Neale Hurston

husband who appears suddenly, as a snake it seems, which is represented by the whip he scares her with. In this we can symbolicall...

Black Feminism in 'How It Feels to Be Colored Me' and 'Sweat' by Zora Neale Hurston

feminism, and on the realities of women in general. Some of those statements are presented in her 1926 short story "Sweat" and he...

Dust Tracks on a Road Autobiography by Zora Neale Hurston

home at an early age. Hurston described this period of her life as "a series of wanderings." She did occasional work as a wardrobe...

Sexuality in Seraph on the Suwanee by Zora Neale Hurston

This paper examines the sexuality featured in this 1948 final novel by Zora Neale Hurston in five pages. Five sources are cited i...

Black and White Worlds of Zora Neale Hurston

This paper examines how Zora Neale Hurston was able to coexist in both white and black literary circles in eight pages. Eight sou...

Token Whites in the Works of Zora Neale Hurston

begin to take on the vestiges of their prior identity to African-Americans. They were the providers of work, that work being very...

Mules and Men by Zora Neale Hurston and Folklore

In seven pages this consideration of Mules and Men by Zora Neale Hurston analyzes how folklore functions. Three sources are cited...

Janet St. Clair's Essay on Whiteness and Jim in Seraph on the Suwanee by Zora Neale Hurston

Ini nine pages this paper applies Janet St. Clair's essay to the 'whiteness' of the character Jim in this analysis of Seraph on th...

Life of Zora Neale Hurston in Their Eyes Were Watching God and Dust Tracks on a Road

be rash and foolish for awhile. If writers, were too wise, perhaps no books would be written at all. Anyway, the force from somewh...

Literature and Dual African American Worlds

Me" Hurston writes, "I remember the very day I became colored...But I am not tragically colored. Someone is always at my elbow rem...

Defiance in 'Sweat' by Zora Neale Hurston

and the house that she purchased with sweat and labor. However, Delia makes it clear that she will not be driven out. She tells hi...

Harlem Renaissance and Zora Neale Hurston

her age and a man that treats her badly. In many ways he enslaves her and she feels helpless to leave him. Finally, Janie shares t...

Ending Ambiguity in the Works of Zora Neale Hurston

who will stand on her own and no longer stand for physical abuse. Her husband, however, subconsciously knows that he has no pow...