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Essays 181 - 210

Mary Shelley's Frankenstein

in the first place. Frankenstein has two obvious choices. He can say I was not thinking of the Creature and was consumed by his ...

Mary Shelley's Frankenstein and Director James Whale's 1931 Film Interpretation

In five pages the original nineteenth century novel by Mary Shelley is compared with the 1931 cinematic production by director Jam...

Mary Shelley's Victor Frankenstein as an Extension of His Own Creation

The protagonist of Frankenstein by Mary Shelley is the subject of this character analysis that includes Sigmund Freud's doubling p...

Fear Levels in Mary Shelley's Frankenstein

of my being" (Frankenstein). As with any newborn, his sensory impressions of the world are at first indistinct. He began to attemp...

'Female Monster' in Mary Shelley's Frankenstein

the position and the importance of the position, played by the female monster. In the main character, Victor Frankenstein, we a...

Mary Shelley's Frankenstein and the Conflict Between Man and God

up in a "freethought household" (Madigan 48) and her mother had already written about womens rights while her father "a noted Util...

Mary Shelley's Victor Frankenstein Characterization

to life, he rejects it, hoping that the life he has brought into the world will simply die, erasing his mistake (Madigan 48; Franc...

An Analysis of The Monster in Mary Shelley's Frankenstein

young woman chafe, to say the least, and would cause a great deal of social alienation should she ever seek to breach the social c...

Elements of Gender and Sex in Mary Shelley's Frankenstein

to various circumstances lends logic and reason to her themes in Frankenstein, which seem to embrace the delicious ambiguity of li...

Victor Frankenstein, The True Monster in Mary Shelley's Frankenstein

would probably have forced him to consider the ramifications of his work. But since he has no one to answer to save his own opin...

Comparative Analysis of Mary Shelley's Frankenstein and Gustave Flaubert's Madame Bovary

In five pages this paper contrasts and compares these two works in terms of word usage and body concepts. Two sources are cited i...

Films Based on Mary Shelley's Frankenstein

novel. However, the film adaptation was to have the monster say nothing at all, something which led Lugosi to declining the part. ...

Mary Shelley's Frankenstein, Emily Bronte's Wuthering Heights, and Individuality

enough within the character of Catherine to urge her to marry for money and social position, rather than innocent or passionate lo...

Mary Shelley's Dr. Victor Frankenstein, Joseph Conrad's Kurtz and Human Personality

In five pages this paper applies the human personality theories of Sigmund Freud to an analysis of these two classic literary char...

Subtitle Significance of 'The Modern Prometheus' in Mary Shelley's Frankenstein

understand the consequences of what he has done, and this is reflective of Prometheus who also had no idea what he was really doin...

Monster Symbolism in Mary Shelley's Frankenstein

"too well the treatment I had suffered the night before from the barbarous villagers" (Shelley NA). In this we see the slow develo...

The Monster Element in Mary Shelley's Frankenstein

seemingly to detain me, but I escaped, and rushed down stairs. I took refuge in the courtyard belonging to the house which I inhab...

Common Themes in the Works of Welles and Shakespeare

is portrayed in the original Shakespeare. The exception is that Shakespeare spent more time and attention to historical details, w...

Defense of the Monster in Mary Shelley's Frankenstein

Monster, who is Frankensteins technological "son." While having the stature of a full-grown adult. Shelley makes it clear that the...

Karl Marx and Mary Shelley's Frankenstein Creature

predicted in his Communist Manifesto that the inevitable overthrow of the bourgeoisie by the proletariat would first succeed in a ...

Comparing Mary Shelley's Frankenstein To Other Frankenstein Stories

up killing him for revenge and blaming the crime on another. Therefore, while we can clearly see this demon doing wrong, murderin...

Literature and the Creature in Mary Shelley's Frankenstein

seen in any other character in the novel. He began to see that he was different, and not human. Then he came upon a bundle that...

Man’s Relationship to Nature in Daniel Defoe’s Robinson Crusoe and Mary Shelley’s Frankenstein

Along the way, he encounters dangers but somehow manages to survive to reach his island destination, where he will stay for nearly...

Analyzing Lord of the Flies by William Golding

at this simple, and brief examination, and bring into play the moral resources discussed by Jonathan Glover in "All About Evil." I...

Literary Application of Rene Descartes' Method

Goldings Lord of the Flies, for example, gives a view of civilised society which is by no means optimistic. He takes a group of ch...

Interpretations of First and Second Generation Romantic Poets A Chance Encounter

In a paper consisting of 7 pages an examination of the first and second generation Romantic poets is presented. A fictional descr...

Thoughts on Marriage

the woman reaps any benefit at all from her matrimonial vows. "If marriage be such a blessed state, how comes it, may you say, th...

Analysis of Lord of the Flies by William Golding

In ten pages this paper presents an analysis of Lord of the Flies by William Golding in a consideration of humankind's evil as a p...

Comparing Stevenson's Dr. Jekyll & Mr. Hyde With Shelley's Frankenstein

This paper compares these two literary works and discusses the common theme of man's dual nature. This eight page paper has two s...

Comparative Analysis of Spiritual Quest in 'The Walls Do Not Fall' by H.D. and 'The Waste Land' by T.S. Eliot

In nine pages these works are contrasted and compared in terms of the shared theme of a spiritual quest. Seven sources are cited ...