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Essays 61 - 90

Money: “The Gilded Six-Bits” by Zora Neale Hurston

context to some extent, while also understanding the social and political oppression the African American people experienced at th...

Wives and Crime in Trifles and Sweat

first introduced to the condescending nature of men in general when one man says, in relationship to the state of the house, "Not ...

Zora Neale Hurston's Autobiography Dust Tracks on a Road

This research paper critically reevaluates Zora Neale Hurston's autobiography Dust Tracks on a Road originally published in 1942 i...

Zora Neale Hurston's Writings and Voodoo as Culture, Myth, and Religion

Voodoo is the focus of this paper consisting of eleven pages and considers how it is depicted in Zora Neale Hurston's writings and...

Janet St. Clair's Essay on Whiteness and Jim in Seraph on the Suwanee by Zora Neale Hurston

Ini nine pages this paper applies Janet St. Clair's essay to the 'whiteness' of the character Jim in this analysis of Seraph on th...

Quest for the Purpose of Life in 'Absalom, Absalom!' and 'Their Eyes Were Watching God'

overrule her inherent independence as a strong, black woman by telling Phoeby she can "tell em what Ah say if you wants to. Dats ...

Southern Fiction and Manners

that manners and formal politeness will overlap: the way in which white Southern gentlemen treated white Southern ladies, for exam...

Women's Opportunities for Employment in Zora Neale Hurston's Their Eyes Were Watching God and Theodore Dreiser's Sister Carrie

This paper discusses the employment opportunities for women and what influenced them in a comparative analysis of these novels con...

Marriage in Ann Petry's The Street, Nella Larsen's Passing, and Zora Neale Hurston's Their Eyes Were Watching God

to delve into such concentrated and personal subjects as these, especially in front of strangers. However, Larsen recognized the ...

Representations of Community in Marge Piercy's He, She and It and Zora Neale Hurston's Their Eyes Were Watching God

In five pages the community representations in each of these works are contrasted and compared. There are no other sources used....

Using Vernacular to Reflect Self Image in Jean Toomer's Cane and Zora Neale Hurston's Their Eyes Were Watching God

In eleven pages this paper compares each author's uses of vernacular to reflect African American identity concept in their respect...

Zora Neale Hurston's 'The Gilded Six Bits' and Alice Walker's 'Everyday Use'

are putting their own histories together, and finding out about who they really are. Mamas relationship with her two daugh...

Zora Neale Hurston's and Langston Hughes' Black Perspectives

leave him. Finally, Janie shares that when her grandmother passes away she seeks her own freedom and runs away from Logan. Many do...

Self Esteem in Zora Neale Hurston's 'How It Feels to Be Colored Me'

"deplored any joyful tendencies" in her, she was "their Zora" (Hurston). She was a confident young girl and this was a very impo...

Significance of the Snake in Zora Neale Hurston’s Short Story, ‘Sweat’

on charming it much as he believes he has charmed most of the towns women, and confining Delia to the home for years is comparable...

Zora Neale Hurston and Toni Morrison and the Use of Linguistics

under the chinaberry tree until its over: "... while inside she knew the cold river was creeping up and up to extinguish that eye ...

Langston Hughes, Zora Neale Hurston, and the Blues of the African-American Experience

a subtle reminder particularly to African-American women of how far they had come as a race and how much further they needed to go...

Hurston's Feminist Influence for Alice Walker

This essay discusses the influence of Zora Neale Hurston in regards to Alice Walker's perspective on black oral tradition and femi...

Snake Symbolism in 'Sweat' by Zora Neale Hurston

her we see this as representative of the Devil, but the Devil will, as Delia suggested, is going to make sure Sykes got what was c...

Literary Portrayals of Blacks in Works by Eldridge Cleaver, Amiri Baraka, and Zora Neale Hurston

it up" (Hurston). By focusing on poor urban blacks instead of writing about the African-American doctors, dentists, and lawyers, ...

Good and Evil in 'Sweat' by Zora Neale Hurston

husband who appears suddenly, as a snake it seems, which is represented by the whip he scares her with. In this we can symbolicall...

Life of Zora Neale Hurston in Their Eyes Were Watching God and Dust Tracks on a Road

be rash and foolish for awhile. If writers, were too wise, perhaps no books would be written at all. Anyway, the force from somewh...

Literature and Dual African American Worlds

Me" Hurston writes, "I remember the very day I became colored...But I am not tragically colored. Someone is always at my elbow rem...

Defiance in 'Sweat' by Zora Neale Hurston

and the house that she purchased with sweat and labor. However, Delia makes it clear that she will not be driven out. She tells hi...

America and Being Black and Female

love and cherish them for who they are. But it does not happen in these stories, nor does it seem to be happening within the moder...

Ending Ambiguity in the Works of Zora Neale Hurston

who will stand on her own and no longer stand for physical abuse. Her husband, however, subconsciously knows that he has no pow...

Songs of the Black Experience

a distinctly more female approach, as it openly deals with gender issues and missing womanhood. The author, herself, once remarke...

Black Feminism in 'How It Feels to Be Colored Me' and 'Sweat' by Zora Neale Hurston

feminism, and on the realities of women in general. Some of those statements are presented in her 1926 short story "Sweat" and he...

Mules and Men by Zora Neale Hurston and Folklore

In seven pages this consideration of Mules and Men by Zora Neale Hurston analyzes how folklore functions. Three sources are cited...

Harlem Renaissance and Zora Neale Hurston

her age and a man that treats her badly. In many ways he enslaves her and she feels helpless to leave him. Finally, Janie shares t...