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Essays 331 - 360

Cinematic Influences of 1960s' Society

the story of twelve men (all stereotypical white and middle class) who by luck of the draw are brought together to deliberate the ...

Cinematic and Literary Representations of Vanity

necromantic books are heavenly!" (Marlowe, Act 1, Li 40-50). Having made his decision to...

African American Stereotypes and Cinematic Semiotics

rather than blatant stereotypes and also new films which spoof the previous stereotypes depicted which in effect erases cinematic ...

Cinematic Comparison of Threads, The Day After, and Testament

(originally produced to be shown on PBS, but later received theatrical distribution), which starred Jane Alexander and focused upo...

Cinematic Comparison of Real Women Have Curves and Maid in Manhattan

Republican senatorial candidate Chris Marshall (played by another Anglo, Ralph Fiennes). However, the true essence of the...

Cinematic Comparison of Like Water for Chocolate and Mi Familia

characterize Mexican tradition with the contemporary realism of complex family relationships. It is a cinematic postcard for fami...

Cinematic Techniques and Narrative in The Graduate

by the same name and so was translated to the silver screen. When this is done it is always a touchy business. Much of the motivat...

Cinematic Portrayal of Aliens

that the alien is given a sexual orientation. In the second movie of this series the alien is a Queen whose main goal (besides des...

Cinematic Gender Representation

choice to live and abide by a certain set of unwritten expectations. The movie, Menage, directly challenges this idea. Powrie al...

William Shakespeare's Othello Cinematic Adaptations

box office. Welles was a product of his time and though he had tremendous creativity when it came to camera angles and budgets,...

The History of Cinematic Comedy

parodies American consumer culture as evidenced by the hilarious scene when grilled cheese sandwiches and coleslaw are ordered for...

European Cinematic Depiction of Gender from the 1920s to the Twenty First Century

story, mise-en-scene, editing, and music, they collectively provide a common theme that speaks of the uniqueness of the feminist e...

Cinematic Violence

The ongoing debate onf movie violence is examined from both sides in five pages with Pulp Fiction and Natural Born Killers among t...

Steven Spielberg's Cinematic Depiction of Alice Walker's Novel The Color Purple

In five pages this paper analyzes if Spielberg structurally changed Walker's novel in his film version and concludes that he does ...

Cinematic Depiction of African Americans

In fifteen pages this paper analyzes how African Americans in movies have evolved with the success of director Spike Lee among the...

Richard III Cinematic Adaptation by Laurence Olivier

In six pages Olivier's interpretation of Richard and the importance of the 5 soliloquies to the film are discussed. There are no ...

Cinematic Depiction of Unions in Hoffa, Wall Street, and The Grapes of Wrath

In five pages this paper examines how these films depict U.S. labor unions in an evaluation of whether or not management and labor...

Cinematic Contributions of Director Howard Hawks

In ten pages this paper examines Hawks' big screen contributions with an emphasis upon his screwball comedy classics Ball of Fire,...

Comparing Rudyard Kipling's Prose with John Huston's Cinematic Narrative in The Man Who Would Be King

In five pages the voices used in these very different ways of telling the same story are compared and contrasted in terms of artis...

Cinematic Version of Anthony Burgess' A Clockwork Orange and the Problems Faced by Director Stanley Kubrick

In eight pages this paper discusses the problems filmmaker Stanley Kubrick struggled with while making his big screen adaptation o...

Strategic Cinematic Marketing

In eight pages this paper examines innovative marketing strategies for films with The Blair Witch Project as a recent example of a...

The Seventh Seal and Cinematic Symbolism of Director Ingmar Bergman

In five pages this paper analyzes the symbolism Ingmar Bergman employed for existentialist effect in his 1957 film The Seventh Sea...

U.S. Society and Cinematic Stereotypes of Hispanics

In five pages this paper considers how Hispanics have been stereotyped by American society and how cinema has perpetuated this dis...

Cinematic Depiction of Deviance

In eleven pages this paper discusses how deviance is cinematically depicted in such films as Leaving Las Vegas and One Flew Over t...

The Apostle, Wise Blood, and Cinematic Faith

In ten pages this paper examines the types of faith represented in these films along with a comparison with Flannery O'Connor's no...

Cinematic Screwball Comedies and Their Evolution

In eighteen pages the screwball comedy is examined in terms of its history and evolution with a discussion of their intentions alo...

Cinematic Portrayals of Human Rights Offenses

In five pages this paper examines how public awareness of human rights' offenses was heightened by the shocking abuses featured in...

Three Decades of Cinematic Representations of Their Respective Times

In six pages this report analyzes how Gold Diggers of 1933, Casablanca, and Invasion of the Body Snatchers each represent their re...

Cinematic Comparison of 2001 A Space Odyssey and The Matrix

definitely postmodern? In some ways, that appears to be true, but in other ways that may not be the case at all. 2001 began with...

Watergate's Cinematic Interpretations

In five pages the portrayal of the Watergate scandal in Alan J. Pakula's All the President's Men and Andrew Fleming's Dick are com...